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Military art print of the Scots Greys waking up on the dawn of the Battle of Waterloo.  Truppen des 2th Royal North British Dragoons (Scots Greys) am Morgen des 18. Juni 1815.

The Dawn of Waterloo by Lady Butler.  Depicting troopers of the 2nd Royal North British Dragoons (Scots Greys) on the morning of 18th June 1815. before the Battle of waterloo, and their great charge into history.

Scots Greys at Waterloo

A few years after the dawn of the 19th century, came the culminating battle of the long series of hard fought struggles with the once dominant power of France. In common with the rest of the troops, the Scots Greys suffered all the discomforts of mud, rain, soaked clothing and sodden provisions, before the battle of Waterloo. They took up their position on that eventful day behind the left centre of the line, and they were obliged to wait for a long time in chafing inactivity. A multitude of glittering bayonets and streaming colours came sweeping along in cold phalanxes, preceded by clouds of skirmishers. A division of French infantry outstripping their fellows, charged up into the centre of Wellington's position, and forced the summit of the hill upon which was the Duke. The Greys were moved up to support the infantry who were opposing the French advance. Some of the troops composing the attacking force were Napoleon's Foot Guards, great, big, strapping fellows, hardy old campaigners most of them, who had been with their hitherto invincible leader in numberless battles. The troops that prepared to bar the way were also war-scarred veterans who had fought under the Iron Duke in Spain and Portugal, but who were weaker in numbers than the Frenchmen. To the left of the English regiments was a brigade of German cavalry and light horsemen. When the French Guards came up, they charged these, and made frightful havoc of them, men and horses alike. So shaken were the Prussians that they were broken up and forced to retire. The French then turned their attention to the sturdy English regiments who had formed from square into line in order to receive them.

On came the victorious Guards, flushed with the easy triumph of our allies. This was only one of the many critical moments of the day. Uttering fierce cries of " A bas les Anglais!" they swept along. Our brave fellows were not behind hand in their reply, and a fierce bayonet to bayonet, knee to knee struggle commenced. Sheer weight began to tell - the infantry were shaken- the fight broke up into a series of more or less isolated combats. Suddenly the bugles rang out. Orders were shouted. Some semblance of a line was evolved out of the struggling mass. The psychological moment had arrived. The foot soldiers opened ranks, the squadrons passing through the intervals.

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The Dawn of Waterloo by Lady Elizabeth Butler.

Depicting troopers of the 2nd Royal North British Dragoons (Scots Greys) on the morning of 18th June 1815. before the Battle of waterloo, and their great charge into history.

Open edition print. Image size 30 inches x 19 inches (76cm x 48cm). Price £45.00


Open edition print. Image size 21 inches x 14 inches (53cm x 36cm). Price £35.00


**Open edition print. (3 copies reduced to clear) Image size 30 inches x 19 inches (76cm x 48cm). Price £36.00


**Open edition print. (3 reduced to clear) Image size 21 inches x 14 inches (53cm x 36cm). Price £25.00

ITEM CODE DHM0001

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David Dipnals evocative images of the restful idyllic scenes of southern England are well known, epitomising, as they have for years, all that is endearing about traditional English landscapes. His well known images of his beautiful and fertile homeland are a world away from Australia, where he now spends most of his time. In the last decade, David Dipnall estimates that he has travelled nearly 2 million miles, continuing to maintain a busy work schedule of exhibitions and regularly commuting between England and Australia. His originals are highly sought after, and over fifty of his images have been published as limited edition prints, many of which have sold out. Always a traveller, he believes in the philosophy that absence makes the heart grow fonder, and his beautifully detailed traditional English landscapes are definitely painted from the heart.

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A newly available selection of superb landscape art from some of the best known landscape artists around.

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