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Robert Taylor - Artist Details and Print Database

Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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Robert Taylor Art Prints, Paintings and Drawings

The Hard Way Home by Robert Taylor.


The Hard Way Home by Robert Taylor.
3 of 6 editions available.
All 6 editions feature up to 39 additional signatures.
£210.00 - £395.00

This Sceptred Isle by Robert Taylor.


This Sceptred Isle by Robert Taylor.
4 of 5 editions available.
All 5 editions feature up to 15 additional signatures.
£175.00 - £425.00

Night Attack on the Newcastle by Robert Taylor.


Night Attack on the Newcastle by Robert Taylor.
One edition.
The edition features 5 additional signature(s).
£125.00


The Calm Before the Storm by Robert Taylor.


The Calm Before the Storm by Robert Taylor.
2 of 3 editions available.
All 3 editions feature up to 5 additional signatures.
£210.00 - £325.00

Hell Hawks Over Utah by Robert Taylor.


Hell Hawks Over Utah by Robert Taylor.
3 of 6 editions available.
All 6 editions feature up to 13 additional signatures.
£210.00 - £365.00

Legend of Colin Kelly by Robert Taylor.


Legend of Colin Kelly by Robert Taylor.
2 editions.
Both editions feature up to 2 additional signatures.
£150.00 - £225.00


Almost Home by Robert Taylor.


Almost Home by Robert Taylor.
One edition.
The edition features 2 additional signature(s).
£195.00

Operation Cerberus by Robert Taylor


Operation Cerberus by Robert Taylor
One edition.
£135.00

Russian Roulette by Robert Taylor.


Russian Roulette by Robert Taylor.
2 editions.
Both editions feature up to 6 additional signatures.
£215.00 - £375.00


Dambusters - Breaching the Eder Dam by Robert Taylor.


Dambusters - Breaching the Eder Dam by Robert Taylor.
3 of 5 editions available.
All 5 editions feature up to 9 additional signatures.
£210.00 - £440.00

JG52 by Robert Taylor.


JG52 by Robert Taylor.
One of 2 editions available.
The edition featuring 7 additional signatures is sold out.
£495.00

Hunters at Dawn by Robert Taylor.


Hunters at Dawn by Robert Taylor.
2 of 5 editions available.
All 5 editions feature up to 8 additional signatures.
£215.00 - £325.00


Desert Sharks by Robert Taylor.


Desert Sharks by Robert Taylor.
One edition.
The edition features an additional signature.
£110.00

Bristol Blenheim by Robert Taylor.


Bristol Blenheim by Robert Taylor.
One edition.
£60.00

Night Intruder by Robert Taylor.


Night Intruder by Robert Taylor.
2 editions.
Both editions feature an additional signature.
£60.00 - £80.00


Open Assault by Robert Taylor.


Open Assault by Robert Taylor.
4 of 5 editions available.
All 5 editions feature up to 14 additional signatures.
£210.00 - £375.00

Into the Teeth of the Wind by Robert Taylor.


Into the Teeth of the Wind by Robert Taylor.
3 of 4 editions available.
All 4 editions feature up to 13 additional signatures.
£215.00 - £475.00

First of Many by Robert Taylor.


First of Many by Robert Taylor.
One of 2 editions available.
Both editions feature 5 additional signatures.
£210.00


Day Drop - Stick 21 by Robert Taylor.


Day Drop - Stick 21 by Robert Taylor.
2 of 3 editions available.
All 3 editions feature up to 10 additional signatures.
£100.00 - £130.00

Skipper Comes Home by Robert Taylor


Skipper Comes Home by Robert Taylor
2 of 3 editions available.
All 3 editions feature up to 4 additional signatures.
£210.00 - £325.00

Chance Encounter by Robert Taylor.


Chance Encounter by Robert Taylor.
2 editions.
Both editions feature up to 5 additional signatures.
£210.00 - £295.00


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Text for the above items :

The Hard Way Home by Robert Taylor.

The Battle of Britain had been won by the young fighter pilots of Fighter Command, but now it fell to another band of young men to wage total warfare against the Nazi war machine - the aircrew of RAF Bomber Command. And like the fighter pilots of the Battle of Britain, the young men who flew with Bomber Command came not just from Britain, but from all over the Commonwealth, and from the countries of occupied mainland Europe. Every man was a volunteer, prepared to endure the deadly flak and prowling night fighters, to say nothing of the savage and bitter cold, in order to wage their relentless attack on the military and industrial targets of the Third Reich. The aircraft that carried these young men to war were numerous, but bearing the brunt of the RAFs incessant campaign were two heavy bombers, the stalwarts of Bomber Command - the Lancaster and the Halifax. Between them they accounted for over three quarters of all the bombs dropped by the RAF, and Halifaxes alone accounted for a total of 73,312 operations, nearly a fifth of all missions carried out by Bomber Command.


This Sceptred Isle by Robert Taylor.

For nearly a thousand years the white cliffs of southern England had taunted many a foreign army. These fortress walls of chalk, however, were defended by the moat-like waters of the Channel, and together they had shielded the British from her enemies. Alongside Drake they had defied the armies of Spain and her great Armada and, in 1805, had halted the march of Napoleon's Grand Armée. No enemy force since that of William the Conqueror in 1066 had successfully managed to cross the Channel in anger but, in May 1940, one of the most powerful armies the world had ever seen arrived at Calais. An invasion by Hitler's all-conquering Wehrmacht was imminent - or so it seemed. To cross the Channel and breach the English defences, the Luftwaffe simply had to gain control of the skies, and with massively superior numbers the outcom seemed inevitable. The fate of Britain lay in the hands of less than 3,000 young airmen from Fighter Command - Churhill's 'Few'. By July the most famous air battle in history was underway and, over the next three months under tranquil summer skies, the 'Few' battled to defend their Scpetred Isle. Impossibly outnumbered and flying daily to the point of exhaustion, by October these courageous young men had snatched victory from the jaws of defeat, emerging defiantly victorious. The threat of invasion might be over but a terrible price had been paid - during that long battle for the survival of Britain 544 had been killed and 422 wounded; and of those who survived a further 814 would be killed before the end of the war. This painting pays tribute to the valiant 'Few', portraying a fleeting moment of calm for the pilots of 74 (Tiger) Squadron during the height of the Battle of Britain. With his commanding officer Sailor Malan (ZP-A) to his right, Acting Flight Lieutenant John Freeborn (ZP-C) takes time to reflect on another day of intense combat while passing over the white cliffs and the familiar lighthouse at Beachy Head, as the squadron cross the English coast to head for home.


Night Attack on the Newcastle by Robert Taylor.

Hit and run attacks by fast moving German E-Boats were a constant threat to vital Allied shipping in the Mediterranean during the second World War. Often made under cover of darkness, these fast, highly manoeuvrable craft would speed through a convoy, release their torpedoes, and disappear into the night. During the night of 15 June 1942 German E-Boats of the 3rd Flotilla left their Eastern Mediterranean base at Derna to intercept an Allied convoy bound for the island of Malta. Shortly after midnight, under the command of Leutnant Seigfried Wuppermann, the motor torpedo boat S-56 slipped past two Royal Navy escort destroyers to make a stern attack on the British cruiser HMS Newcastle. Alerted to the incoming attack, suddenly a searchlight at Newcastles foremast switched on, illuminating S-56 from stem to stern. Reacting quickly, Wuppermann fired two torpedoes in quick succession from 600 yards, and turned hard to starboard to make good his escape. A second searchlight aboard Newcastle pin-pointed S-56, but by then it was too late. Travelling at 33 knots, under fire from the escorts, S-56 threw out a smoke screen and released depth charges as a distraction, and disappeared into the darkness. Robert Taylors action packed painting shows S-56 some thirty seconds after release of her torpedoes, as the first explodes against the hull of HMS Newcastle. The second will strike a few seconds later. The cruiser, though badly damaged, limped back to Alexandria.


The Calm Before the Storm by Robert Taylor.

Dawn had broken to reveal another glorious day in paradise, and on board the USS Arizona and the repair ship USS Vestal alongside, the crew were taking it easy. All next week they would be hard at work preparing for sea, but today was Sunday, and that meant light duties. On the Arizona, the duty crew were preparing the stern of the battleship, erecting the awnings for the ships band at Morning Colors. The young officer in charge smiled approvingly, it was an inspiring scene and he thought that the recently overhauled battleship had never looked more impressive. But within the hour he would glance skyward, and a frown of puzzlement crease his forehead as, out of nowhere, Japanese carrier-based aircraft were descending on the unsuspecting naval base. As he registers the bright red circles on their wings, the blood froze in his veins. He realized that hell had come to Pearl Harbor! Then, just before 08.10hrs, the unthinkable happened. A bomb from a Nakajima B5N Kate high-altitude bomber penetrated the ship's armor plated deck and exploded in the forward magazine. Within seconds a cataclysmic blast ripped through the Arizona, devastating the mighty ship which would burn for two days, taking with her the lives of nearly twelve hundred men. In tribute to all those who lost their lives at Pearl Harbor on that infamous day Robert Taylor has created his poignant new landmark painting. The Arizona has since become the focal point for the memorial at Pearl Harbor and this moving piece portrays this proud ship as those who survived would surely like to remember her - in all her glory prior to the attack.


Hell Hawks Over Utah by Robert Taylor.

Without air supremacy D-Day and the invasion of north-west Europe would never have happened, and the tactical Ninth Air Force played a huge part in securing that position. The Ninth had fought with distinction from the deserts of North Africa to the invasion of Sicily and the fighting in Italy. They had spearheaded the assault on Ploesti and, from humble beginnings, had grown into one of the finest and most formidable Air Forces in the USAAF. Then, in October 1943, the Ninth were sent to England for their greatest challenge so far - providing air support for the US First Army during the forthcoming invasion of Normandy. By the morning of 6th June 1944 the Ninth was the largest and most effective tactical air force in the world, with over a quarter of a million personnel and more than 3,500 fighters, bombers and troop-carriers under its command. Amongst them were the P-47s of the 365th Fighter Group - the fearsome Hell Hawks - a unit that by the end of World War Two would become legendary. Amongst the first to use P-47s as fighter-bombers, the Hell Hawks were hard at work softening up the enemy in the build up to D-Day, dive-bombing bridges, rail lines, gun positions and airfields. With two 1,000-pound bombs below their wings along with ten 5-in rockets and eight .50 calibre machine guns, their enormous firepower devastated the German defenses on D-Day. The Hell Hawks supported the army throughout the Normandy campaign, all the way across northern France to the Battle of the Bulge in December 1944, and beyond. It was a harsh nomadic life, eating and sleeping in tents and moving from one temporary strip to the next. By the end of hostilities in May 1945 the Hell Hawks had moved through 11 different airfields, more than any other fighter-bomber group in the Ninth Air Force.


Legend of Colin Kelly by Robert Taylor.

December 10th 1941, Just three days after the Japanese attack on Pearl Harbor, captain Colin Kellys 19th BG B-17C is heavily outnumbered by Zeros as it returns to Clark Field after completing a successful bombing attack. With his aircraft on fire. Kelly remained at the controls whilst his crew bailed out. Seconds later the B-17 exploded. Colin Kelly gave his life and was posthumously awarded the DFC. A legend was born.


Almost Home by Robert Taylor.

…night after night, month after month, our bomber squadrons travel far into Germany, find their targets, often under the heaviest fire, often with serious loss, with deliberate, careful discrimination, and inflict shattering blows upon the whole of the technical and war-making structure of the Nazi power. On no part of the Royal Air Force does the weight of the war fall more heavily than on the daylight bombers… - Winston Churchill.

With these words the British Prime Minister reminded the House of Commons of the heroic role undertaken by the young men of RAF Bomber Command during World War II as they set out across the North Sea to wreak havoc upon the enemy. And the cost they bore - for the odds of a safe return were, at best, marginal. One aircraft above all came to symbolise the valiant deeds that these young men undertook - the mighty Avro Lancaster. Introduced in early 1942, it quickly became the backbone of Bomber Command and it wasn't long before a score of airfields across the east of England reverberated to the sound of its four mighty Merlin engines. In this painting, a lone 9 Squadron Lancaster, separated from the main force during a punishing mission to Germany in late 1944, returns to safety. The weary crew are no doubt relieved to see familiar fields beneath them as they approach their base at RAF Bardney. 9 Squadron had received their Lancasters in September 1942 and became a leading unit within Bomber Command. Working on operations alongside 617 Squadron, they specialised in dropping Barnes Wallis's famous 12,000lb Tallboy bombs, including the successful mission to sink the German battleship Tirpitz.


Operation Cerberus by Robert Taylor

Portrayal of the Channel Dash - three German ships Scharnhorst, Gneisenau embark from Brest, France returning to home ports encounter their own mines.


Russian Roulette by Robert Taylor.

A Soviet Yak 3 hurtles towards us in a typically daring head-on attack on a Bf109. Other Yaks wheel and turn frantically in search of the enemy. Casualties on both sides are evident. Away into the distant horizon stretches a vast Russian sky, painted in Roberts inimitable style: soon all will be quiet again until the next ferocious encounter.


Dambusters - Breaching the Eder Dam by Robert Taylor.

Mist and fog swirled eerily over the Eder Lake on the night of 16/17 May 1943 as four specially modified Lancasters of 617 Squadron, under the leadership of Wing Commander Guy Gibson, circled overhead. Their target, the mighty Eder Dam, was barely visible in the valley below. Immediately following the successful breach of the Mohne Dam, Gibson had led his remaining aircraft 50 miles to the south-east to hit their second target, the Eder Dam. Surrounded by high ground with thousand feet ridges, the Eder was altogether a more testing target. The Lancaster pilots would need to dive steeply into the gorge that formed the Eder lake before undertaking a steep turn towards the Dam itself. As if this were not demanding enough in the darkness of night, they then had to fly towards the target at precisely 60ft above the lake at the exact speed of 230mph, before releasing their Barnes Wallace designed hydrostatic bouncing bombs. Pilots Shannon and Maudsley tried time and again to position their laden bombers correctly before managing to release their weapons - but the dam still held. Now success depended solely on Knight carrying the last bomb! With time and fuel now a concern, Knights first effort to position, like Shannon and Maudsley before him, failed, but his second run favoured the brave. Knight released his bomb with absolute precision, striking the wall at precisely the crucial point. With a tremendous explosion the Eder Dam collapsed before their eyes. Robert Taylors sensational new painting vividly shows the dramatic moment of impact. In the cockpit Knight and flight engineer Ray Grayston fight the controls to clear the dam, combining their physical strength to haul the lumbering Lancaster up and over the dam and to clear the high ground that lies ahead. Below and behind them, the second of Germanys mighty western dams lies finally breached.


JG52 by Robert Taylor.

During WWII JG-52 was the most successful Fighter Wing of the Luftwaffe, and with it flew many of the great German Aces, including the world's leading Fighter Pilot Erich Hartmann. General Galland was at one time a Squadron Commander. The Wing spawned some of the most brilliant pilots, each in turn trained as they joined experienced aces who had won their spurs in the early air battles on the Western Front. JG-52 played a significant role in the history of WWII.


Hunters at Dawn by Robert Taylor.

Those Aces with over 100 victories were exceptional. To reach 200 victories was a spectacular achievement. Yet two men went even further and accomplished a feat that will never be repeated - both of them shot down more than 300 enemy aircraft which placed them in a league of their own. They were the elite of the elite, and their names are legendary - Erich Hartmann and Gerhard Barkhorn. It is no surprise that these iconic Aces scored their victories whilst flying with the legendary fighter wing JG52. Active from the beginning of the war, the unit fought in the Battle of France, but suffered terrible losses during the Battle of Britain before transferring to the Eastern Front at the outset of Operation Barbarossa, and it was here that it solidified its fearsome reputation. Operating the Bf109 throughout the war, the Geschwader boasted some of the greatest Luftwaffe pilots of world war two among its ranks - including the top three Aces of all time. Such renowned pilots as Gunther Rall (275 victories), Wilhelm Batz (237 victories), Hermann Graf (212 victories) and Helmut Lipfert (203 victories) helped this formidable unit notch up more than 10,000 victories, making it the most successful fighter wing in history. Hunters at Dawn features Hptm. Gerhard Barkhorn, Gruppenkommandeur of II./JG52. The great Ace, flying his Bf109 G-6, leads the Stab as they climb out from their base near the Black Sea, early November 1943. The crisp air of day break is temporarily punctuated by the roar of Daimler-Benz engines as the deadly Messerschmitt fighters set off on their daily hunt for Soviet aircraft over the front line.


Desert Sharks by Robert Taylor.

Robert captures precisely the arid heat, dust and smoke of desert warfare, conveying an air of impending conflict. Neville Duke in his 112 Sqn P40-D Kittyhawk.


Bristol Blenheim by Robert Taylor.

No text for this item


Night Intruder by Robert Taylor.

A colourful painting depicting a Mosquito, the fastest Allied aircraft and perhaps the most versatile of all to fly in World War II, dodging between the flak and searchlights on a low-level night attack.


Open Assault by Robert Taylor.

The Junkers Ju87 Sturzkampfbomber, known to the British simply as the Stuka, had already acquired a deadly reputation across Europe, its siren screaming as the ungainly dive-bomber struck terror into the hearts of those below. In 1940 its pilots crossed the Channel with their grim-looking aircraft to terrorise the southern towns and ports of England. Robert Taylors painting Open Assault, depicts Hurricanes of 501 Squadron attacking a force of Ju87 Stukas as they dive-bomb naval vessels and installations in the port of Dover on 29 July 1940. High explosive bombs detonate within the sheltered anchorage as escorting Bf109s from JG51 race in to protect their lumbering charges. Four Stukas and two Me109s are despatched, for the loss of just one RAF aircraft.


Into the Teeth of the Wind by Robert Taylor.

Bound for Tokyo, Lieutenant Colonel Jimmy Doolittle launches his B-25 Mitchell from the heaving deck of the carrier USS Hornet on the morning of 18 April, 1942. Leading a sixteen-bomber force on their long distance one - way mission, the Doolittle Raiders completed the first strike at the heart of Imperial Japan since the infamous attack on Pearl Harbour four months earlier. Together, they completed one of the most audacious air raids in aviation history.


First of Many by Robert Taylor.

Each print in this special Tribute Edition is signed by four famous RAF Fighter Aces that flew Hurricanes and Spitfires with Douglas Bader in the Battle of Britain in 1940. Sadly, none of these renowned pilots are still with us today. The signatures on this significant print are among the most sought-after by knowledgeable collectors. Few such unique and valuable collector prints are ever offered on the primary market these days, especially when signed by such prominent fighter Aces who excelled in combat in that momentous and decisive period in aviation history.


Day Drop - Stick 21 by Robert Taylor.

At 23.45 on the night of 5 June 1944, the 101st Airborne's most legendary unit of combat paratroopers - the notorious 'Filthy Thirteen' - jumped into France near the village of Sainte Mere Eglise, in the final hours before the D-Day landings. They were the Screaming Eagles' most notorious unit, a small bunch of raw, tough, ruthless young men. Hard drinking and savage fighting - and that was only in training - with scant regard for authority. And if the reputation of this unique bunch of renegades within the ranks of the 101st was formidable, for the Germans it became one of sheer terror. Officially they were the First Demolition Squadron, HQ Company, 506th PIR, 101st Airborne. Unofficially they were the 'Filthy Thirteen'. Superbly crafted in his unique blend of pencil and paint on tinted paper, Robert Taylor's classic new Master Drawing captures the moment on the night of 5 June 1944 when the 101st Airborne's legendary squad of elite paratroopers jump into battle in the vital hours before the D-Day landings commence. The pilots of the 440th Troop Carrier Group struggle to keep their Dakotas level as deadly flak pummels the formation.


Skipper Comes Home by Robert Taylor

From the summer of 1942 until the end of hostilities, the USAAFs Eighth Air Force took the battle to enemy occupied Europe every single day that weather permitted. The largest air unit ever to go to war, the Eighth played a vital role in the ultimate defeat of Hitlers Germany. In the forefront of this awesome fighting force, the crews of the mighty B-17 Flying Fortress will be forever remembered.


Chance Encounter by Robert Taylor.

December 7, 1941 was, said President Roosevelt a day of infamy. The surprise attack by Japanese aircraft on that fateful day, brought America into a war that was to become global. The Japanese airstrike was the first of many attacks that day against America and other Allied Forces in the Pacific. Within a few days the British capital ships Prince of Wales and Repulse were sunk, the Japanese had landed on the coast of Malaya, Guam was seized, Hong Kong taken, and landings were made in the American held Philippines. In those first grim days of the Pacific War one territory after another quickly fell to the Japanese onrush - resistance, though heroic, was almost futile as the unprepared Allies were simply overwhelmed. Retaliating as best they could, Allied Forces hit back wherever possible and one of the first successes was by Dutch Forces on 23 December, just 16 days after Pearl Harbor. A Japanese invasion fleet had been spotted steaming south towards British Borneo. Royal Netherlands Navy submarine K XIV, alerted to their position, was heading west in order to make an interception. But the Japanese changed course on to an easterly heading during the night and made for the beaches off Ktiching - the opposite direction to that of the submarine. However a patrolling Dornier 24 of the Royal Netherlands Navy sighted the fleet on its new course, and by a remarkable chance encounter also spotted the submarine on the surface, and immediately signalled the location, course and speed of the convoy. The submarine quickly engaged the Japanese in the shallow waters off the landing beach head, causing chaos amongst the fleet. Two ships were sunk and another two severely damaged. The Dornier, despite being heavily engaged by Pete floatplanes from a Japanese heavy cruiser, managed to return safely to base.

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