Please note that our logo (below) only appears on the images on our website and is not on the actual art prints.
Pack 507. Pack of two WW2 Doolittle Raid aviation prints by Robert Taylor and Ivan Berryman.
PCK0507. Pack of two US Mitchell bomber art prints by Robert Taylor and Ivan Berryman, depicting Doolittles B25 Mitchell bombers taking off from USS Hornet for their raid on Japan. Items in this pack :
Item #1 - Click to view individual item
DHM2603. Into the Teeth of the Wind by Robert Taylor.
Bound for Tokyo, Lieutenant Colonel Jimmy Doolittle launches his B-25 Mitchell from the heaving deck of the carrier USS Hornet on the morning of 18 April, 1942. Leading a sixteen-bomber force on their long distance one - way mission, the Doolittle Raiders completed the first strike at the heart of Imperial Japan since the infamous attack on Pearl Harbour four months earlier. Together, they completed one of the most audacious air raids in aviation history.
Signatories: Major General David M Jones (deceased),
Staff Sergeant David J Thatcher,
Lieutenant Colonel Richard E Cole,
Staff Sergeant Edwin W Horton (deceased)
Major Thomas C Griffin.
Signed limited edition of 550 prints, with 5 signatures.
Print paper size 33 inches x 23.5 inches (84cm x 60cm)
Item #2 - Click to view individual item
DHM1106AP. USS Hornet. Doolittles Raiders by Ivan Berryman.
In a 40 knot gale, Lt Col. Doolittles B25 hauls itself into the air. The first of a 16 strong strike force en route to Tokyo.
Limited edition of 50 artist proofs.
Image size 25 inches x 15 inches (64cm x 38cm)
Website Price: £ 290.00
To purchase these prints individually at their normal retail price would cost £340.00 . By buying them together in this special pack, you save £50
All prices are displayed in British Pounds Sterling
|Signatures on this item|
Lieutenant Colonel Richard E Cole
|Richard E Cole was born in Dayton Ohio on 7th September 1915. Cole graduated from Steele High School, Dayton, Ohio and completed two years college at Ohio University. On 20th November 1940 Richard Cole enlisted with the USAF. Cole completed pilot training and commissioned as Second Lieutenant, July, 1941. Cole was co-pilot of General Jimmy Doolittles B-25 plane #1, their Mitchell attacked the city of Tokyo and they bailed out over China. Cole remained in China-Burma-India flying bombing and transport missions over the Hump untill June 1943, and served again in the China-Burma-India theater from October, 1943 until June, 1944. Relieved from active duty in January, 1947 but returned to active duty in August 1947. Was Operations Advisor to Venezuelan Air Force from 1959 to 1962. Peacetime service in Ohio, North Carolina, and California. Rated as command pilot. Decorations include Distinguished Flying Cross with 2 Oak Leaf Clusters, Air Medal with 1 Oak Leaf Cluster, Bronze Star Medal, Air Force Commendation Medal, and Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.
|Major General David M Jones (deceased)||David M. Jones was born December 18th, 1913, at Marshfield, Oregon, attended high school in Tucson and graduated from the University of Arizona in 1932. He was commissioned a second lieutenant in the U.S. Cavalry arm of the Arizona Army National Guard and transferred to the Army Air Corps for pilot training which he completed in June 1938. In February 1942, he volunteered as a pilot for the secret project organized by Lt. Col. James H. "Jimmy" Doolittle which became the attack by 16 Army Air Force bombers launched from the Navy Carrier USS Hornet on April 18, 1942. Jones was Captain and pilot of B-25 plane #5, attacked the waterfront of Tokyo. The bombers attacked Tokyo and four other Japanese cities in retaliation for the infamous surprise attack on Pearl Harbor on December 7, 1941 by Japanese naval forces. Jones had to bail out over China after the mission. After the raid he flew Martin B-26s in North Africa before being shot down over Bizerte on his fifth mission and taken prisoner. David Jones spent the next one and a half years in a German prison in Stalag Luft III. He was selected as a member of the "escape committee" by his fellow prisoners to review escape plans and participated in digging one of three tunnels labeled Tom, Dick and Harry. He was liberated in April 1945. In the years following, Jones attended three major Armed Forces schools followed by assignments in research and development. He was director of the B-58 Test Force and at one time had more super-sonic flying time in that aircraft than any other USAF pilot. In 1961, he was named vice commander of the Aeronautical Systems Division at Wright-Patterson AFB and deputy commander for the GAM-87 air launched ballistic missile. After this project was cancelled, he was named deputy chief of staff for systems at the Air Force Systems Command and in 1964 he became deputy associate for Manned Space Flight with NASA. In 1967, he was appointed commander of the Air Force Eastern Test Range at Cape Kennedy, Florida for Manned Space Flight. He retired as a major general on May 31, 1973. Sadly Major General David M. Jones passed away on November 25th, 2008, at his home in Tucson, Arizona|
Major Thomas C Griffin
|Thomas C Griffin was Born July 10, 1917, Green Bay, Wisconsin and graduated from university of Alabama with BA in Political Science in 1939. Entered service on July 5, 1939 as Second Lieutenant, Coast Artillery, but requested relief from active duty in 1940 to enlist as a Flying Cadet. Was rated as a navigator and re-commissioned on July 1, 1940. Griffin became the navigator on Doc Watsons plane #9, attacked a factory on Tokyo Bay in Kawasaki. Arrived back in US in June, 1942. Flew combat in North Africa, shot down and captured in July 1943. POW. Major Thomas C Griffin's awards include the Distinguished Flying Cross, Air Medal with 3 Oak Leaf Clusters and the Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.|
Staff Sergeant David J Thatcher
|Graduated from Steele high School, Dayton, Ohio and completed two years college at Ohio University. Enlisted November 22, 1940. Completed pilot training and commissioned as Second Lieutenant, July, 1941. became Co-pilot of General Jimmy Doolittles B-25 plane #1, attacked the city of Tokyo and bailed out over China. Remained in China flying bombing and transport missions over the Hump. Relieved from active duty in January, 1947 but returned to active duty in August 1947. Between 1959 to 1962 Cole was Operations Advisor to Venezuelan Air Force . Peacetime service in Ohio, North Carolina, and California. Rated as command pilot. Cole's decorations include Distinguished Flying Cross with 2 Oak Leaf Clusters, Air Medal with 1 Oak Leaf Cluster, Bronze Star Medal, Air Force Commendation Medal, and Chinese Army, Navy, Air Corps Medal, Class A, 1st Grade.|
Staff Sergeant Edwin W Horton (deceased)
|Born March 28, 1916, North Eastham, Massachusetts, Horton served as the engineer and gunner for crew number ten on the Doolittle Raid. Master Sergeant Edwin W. Horton Jr. entered the Army in 1935. He served overseas with Field Artillery at Schofield Barracks, Hawaii from 1935 to 1938 before re-enlisting and serving with the 95th Bomb Squadron at March Field, California. He then completed Gun Turret-Maintenance School, Aircraft Armament and Aircraft Mechanics Schools. He volunteered, and was an engineer/gunner for the secret mission that would later be known as the Doolittle Raid. Horton's crew successfully struck the Japanese Special Steel Company and the heavy industrial section in the Shiba Ward. His quick response and expertise with the turret gun thwarted multiple attacks by Japanese Zeros, patrol aircraft and Nakajima 97 attack aircraft. The Japanese attacks left an eight inch hole in the B-25's fuselage and multiple bullet holes in the left wing. Fortunately the damage was minor and Horton's B-25 was the only aircraft in the raid to receive damage over Japan. Despite the damage, the crew continued on to China where the crew safely bailed out as the plane ran out of fuel. Sergeant Horton remained in the China-Burma-India Theater after the Tokyo Raid as the 11th Bomb Squadron B-25 Armament Chief until June 1943. He held other various assignments and was among the first Air Force personnel assigned to the newly constructed Climatic Laboratory at Eglin AFB, Florida in 1947. Horton's decorations include the Distinguished Flying Cross and numerous Chinese, Army, Navy, Air Corps, and Air Force Medals. Master Sergeant Horton retired from the United States Air Force in 1960 after 25 years of distinguished military service. He passed away on November 26th, 2008, Ft. Walton Beach, Florida.|
|Artist Details : Ivan Berryman|
|Click here for a full list of all artwork by Ivan Berryman|
Latest info : At the beginning of 2010, Ivan is working on the partner painting to the fantastic large World War One aviation combat painting which was painted in 2009. The World War Two partner painting will be the same massive size of 78 inches by 36 inches. The scene will show the battle above Convoy CW8 in the English Channel on 25th July 1940. Ivan chose this scene because it features several aircraft types and some quite well-known fighter pilots. In the picture are Spitfires, Hurricanes, Bf.109s and Stukas. The Stukas were bombing the convoy and British aircraft of 64 Sqn, 54 Sqn and 111 Sqn were scrambled to defend the ships, but were outnumbered by five to one. Because of the view, Dover itself is not visible in the scene, but the action is taking place above a sunlit sea where the convoy is clearly visible under attack. Over the next few months progress photos of this fantatstic painting will be shown.
Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...
Ivan with some of his original paintings in the originals gallery at Cranston Fine Arts and in his studio.
More about Ivan Berryman
|Artist Details : Robert Taylor|
|Click here for a full list of all artwork by Robert Taylor|
The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.
More about Robert Taylor
Click above to see
all of our half price aviation prints - Eight random
items are displayed to the right.
Click above to see
all of our half price naval prints - Eight random items
are displayed to the right.
WAR TWO MILITARY PRINTS
Click above to see
all of our half price world war two military - Eight
random items are displayed to the right.
Some Current Half Price Offers
Piper Bill, Pegasus Bridge, Normandy, 13.00hrs, 6th June 1944 by David Pentland. (Y)
Half Price! - £50.00
Operation Zitadelle by David Pentland. (GL)
Half Price! - £300.00
Hells Corner, 7th June 1944 by David Pentland. (GL)
Half Price! - £300.00
Panther at the Zoo, Tiergarten, berlin, 2nd May 1945 by David Pentland.
Half Price! - £100.00
Anzio, Italy, February 1944 by David Pentland. (Y)
Half Price! - £50.00
Digging In by David Pentland. (P)
Half Price! - £700.00
Original art for the poster of the film The Big Red One starring Lee Marvin by Chris Collingwood.
Half Price! - £2000.00
Operation Supercharge, 4th November 1941 by David Pentland. (AP)
Half Price! - £115.00
This website is owned by
Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu,
Helensburgh, Scotland, G848LE
Contact: Tel: (+44) (0) 1436 820269. Fax:
(+44) (0) 1436 820473. Email: