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End Game by Nicolas Trudgian. (C)


End Game by Nicolas Trudgian. (C)

For bomber crews, any daylight-bombing mission almost certainly meant combat. If it werent the attentions of determined Luftwaffe fighter pilots, it would be an aerial carpet of flak that welcomed the bombers en route to the target - and again on the journey home. On most missions the Eighth Air Force aircrews had to contend with both. Enduring up to ten hours of concentrated flying under cramped conditions, extreme cold, with the constant noise and vibration produced by four powerful engines, made every mission uncomfortable enough without being shot at. But the USAAF aircrews confronted the odds - a one in three chance of completing a 25-mission tour of operations - cheerfully and with gallant resolve. Playing a major role in the great raids on Germany and other targets in occupied Europe from early in 1944, equipped with the Consolidated B-24 Liberator, the USAAF Second Air Division flew no fewer than 95,048 sorties. Based in Norfolk, England, the crews also attacked targets far distant in Norway, Poland and Rumania, unloading almost 100,000 tons of bombs and claiming over 1000 enemy fighters shot down.

Published 2001.
Item Code : DHM2261CEnd Game by Nicolas Trudgian. (C) - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
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PRINT Limited edition of 75 publishers proofs.

Image size 28 inches x 16 inches (71cm x 41cm) Swain, Vernon R
Hammond, George E
Morse, Perry
Dyke, James P
Booth, Charles H
Dubowsky, Robert
Lundy, C W Will
Jones, Everett R
Butler, J Richard
Geppelt, Elmo W
+ Artist : Nicolas Trudgian
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In Defense of the Reich by Nicolas Trudgian. (C)  (View This Item)
Running the Gauntlet by Robert Taylor.  (View This Item)
End Game by Nicolas Trudgian. (C)  (View This Item)
Defenders of the Reich by Graeme Lothian. (B)  (View This Item)

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Other editions of this item : End Game by Nicolas Trudgian.DHM2261
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 600 prints. Image size 28 inches x 16 inches (71cm x 41cm) Swain, Vernon R
Hammond, George E
Morse, Perry
Dyke, James P
Booth, Charles H
Dubowsky, Robert
Lundy, C W Will
Jones, Everett R
Butler, J Richard
Geppelt, Elmo W
+ Artist : Nicolas Trudgian
Half Price!
Supplied with one or more free art prints!
Now : 140.00VIEW EDITION...
ARTIST
PROOF
Limited edition of 25 artist proofs. Image size 28 inches x 16 inches (71cm x 41cm) Swain, Vernon R
Hammond, George E
Morse, Perry
Dyke, James P
Booth, Charles H
Dubowsky, Robert
Lundy, C W Will
Jones, Everett R
Butler, J Richard
Geppelt, Elmo W
+ Artist : Nicolas Trudgian
35 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : 250.00VIEW EDITION...
PRINT Limited edition of 25 remarques.

SOLD OUT
Image size 28 inches x 16 inches (71cm x 41cm) Swain, Vernon R
Hammond, George E
Morse, Perry
Dyke, James P
Booth, Charles H
Dubowsky, Robert
Lundy, C W Will
Jones, Everett R
Butler, J Richard
Geppelt, Elmo W
+ Artist : Nicolas Trudgian
SOLD
OUT
VIEW EDITION...
EX-DISPLAY
PRINT
** (Ex Display) Signed limited edition of 600 prints. (Two copies reduced to clear)

SOLD OUT.
Image size 28 inches x 16 inches (71cm x 41cm) Swain, Vernon R
Hammond, George E
Morse, Perry
Dyke, James P
Booth, Charles H
Dubowsky, Robert
Lundy, C W Will
Jones, Everett R
Butler, J Richard
Geppelt, Elmo W
+ Artist : Nicolas Trudgian
SOLD
OUT
VIEW EDITION...
General descriptions of types of editions :



The Aircraft :
NameInfo
Liberatorhe initial production batch of B-24As was completed in 1941, with many being sold directly to the Royal Air Force. Sent to Britain, where the bomber was dubbed "Liberator," the RAF soon found that they were unsuitable for combat over Europe as they had insufficient defensive armament and lacked self-sealing fuel tanks. Due to the aircraft's heavy payload and long range, the British converted these aircraft for use in maritime patrols. Learning from these issues, Consolidated improved the design and the first major American production model was the B-24C which also included improved Pratt & Whitney engines. In 1940, Consolidated again revised the aircraft and produced the B-24D. The first major variant of the Liberator, the B-24D quickly amassed orders for 2,738 aircraft. Overwhelming Consolidated's production capabilities, the aircraft was also built under license by North American, Douglas, and Ford. The latter built a massive plant at Willow Run, Michigan that, at its peak (August 1944), was producing fourteen aircraft per day. Revised and improved several times throughout World War II, the final variant, the B-24M, ended production on May 31, 1945. he United States Army Air Forces (USAAF) took delivery of its first B-24As in mid-1941. Over the next three years, B-24 squadrons deployed to all theaters of the war: African, European, China-Burma-India, the Anti-submarine Campaign, the Southwest Pacific Theater and the Pacific Theater. In the Pacific, to simplify logistics and to take advantage of its longer range, the B-24 (and its twin, the U.S. Navy PB4Y) was the chosen standard heavy bomber. By mid-1943, the shorter-range B-17 was phased out. The Liberators which had served early in the war in the Pacific continued the efforts from the Philippines, Australia, Espiritu Santo,Guadalcanal, Hawaii, and Midway Island. The Liberator peak overseas deployment was 45.5 bomb groups in June 1944. Additionally, the Liberator equipped a number of independent squadrons in a variety of special combat roles. The cargo versions, C-87 and C-109 tanker, further increased its overseas presence, especially in Asia in support of the XX Bomber Command air offensive against Japan. So vital was the need for long range operations, that at first USAAF used the type as transports. The sole B-24 in Hawaii was destroyed by the Japanese attack on Pearl Harbor on 7 December 1941. It had been sent to the Central Pacific for a very long range reconnaissance mission that was preempted by the Japanese attack. The first USAAF Liberators to carry out combat missions were 12 repossessed LB-30s deployed to Java with the 11th Bombardment Squadron (7th Bombardment Group) that flew their first combat mission in mid-January. Two were shot up by Japanese fighters, but both managed to land safely. One was written off due to battle damage and the other crash-landed on a beach. US-based B-24s entered combat service in 1942 when on 6 June, four B-24s from Hawaii staging through Midway Island attempted an attack on Wake Island, but were unable to find it. The B-24 came to dominate the heavy bombardment role in the Pacific because compared to the B-17, the B-24 was faster, had longer range, and could carry a ton more bombs. In the European and North Africa Theatres On 12 June 1942, 13 B-24s of the Halverson Project (HALPRO) flying from Egypt attacked the Axis-controlled oil fields and refineries around Ploiești, Romania. Within weeks, the First Provisional Bombardment Group formed from the remnants of the Halverson and China detachments. This unit then was formalized as the 376th Bombardment Group, Heavy and along with the 98th BG formed the nucleus of the IX Bomber Command of the Ninth Air Force, operating from Africa until absorbed into the Twelfth Air Force briefly, and then the Fifteenth Air Force, operating from Italy. The Ninth Air Force moved to England in late 1943. This was a major component of the USSTAF and took a major role in strategic bombing. Fifteen of the 15th AF's 21 bombardment groups flew B-24s 1st August 1943 Operation Tidal Wave: A group of 177 American B-24 Liberator bombers, with 1,726 total crew, departed from Libya to make the first bombing of the oil refineries at Ploieşti, Romania, the major supplier of fuel to Germany. The mission temporarily halted oil production, but 532 airmen and 54 of the planes were lost. After a 40% loss of production, the refineries would be repaired more quickly than projected.[1] Germany's Radio Reconnaissance Service had intercepted and decrypted the Allied messages about the raid and the departure from Libya, and anti-aircraft defenses were in place despite the low-level approach of the bombers.
Me262The Messerschmitt Me-262 Swallow, a masterpiece of engineering, was the first operational mass-produced jet to see service. Prototype testing of the airframe commenced in 1941 utilizing a piston engine. General Adolf Galland, who was in charge of the German Fighter Forces at that time, pressured both Goring and Hitler to accelerate the Me-262, and stress its use as a fighter to defend Germany from Allied bombers. Hitler, however, envisioned the 262 as the aircraft which might allow him to inflict punishment on Britain. About 1400 Swallows were produced, but fortunately for the Allies, only about 300 saw combat duty. While the original plans for the 262 presumed the use of BMW jet engines, production Swallows were ultimately equipped with Jumo 004B turbojet engines. The wing design of the 262 necessitated the unique triangular hull section of the fuselage, giving the aircraft a shark-like appearance. With an 18 degree swept wing, the 262 was capable of Mach .86. The 262 was totally ineffective in a turning duel with Allied fighters, and was also vulnerable to attack during take off and landings. The landing gear was also suspect, and many 262s were destroyed or damaged due to landing gear failure. Despite its sleek jet-age appearance, the 262 was roughly manufactured, because Germany had lost access to its normal aircraft assembly plants. In spite of these drawbacks the 262 was effective. For example, on April 7, 1945 a force of sixty 262s took on a large force of Allied bombers with escort fighters. Armed with their four nose-mounted cannons, and underwing rockets the Swallows succeeded in downing or damaging 25 Allied B-17s on that single mission. While it is unlikely that the outcome of the War could have been altered by an earlier introduction or greater production totals for this aircraft, it is clear to many historians that the duration of the War might have been drastically lengthened if the Me-262 had not been too little too late.
Artist Details : Nicolas Trudgian
Click here for a full list of all artwork by Nicolas Trudgian


Nicolas Trudgian

Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.

Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

More about Nicolas Trudgian

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