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Pack 595. Pack of two Black Sheep Squadron Prints by Robert Taylor and Nicolas Trudgian.
PCK0595. Pack of two Black Sheep squadron Corsair prints by Robert Taylor and Nicolas Trudgian, depicting the famous Black Sheep squadron in action over Rabaul. Items in this pack :
Item #1 - Click to view individual item
DHM2673B. Rabaul - Fly For Your Life by Robert Taylor.
For their outstanding contribution to the war in the South Pacific, the Black Sheep were awarded one of only two Presidential Unit Citations accorded to Marine Corps squadrons during the war in the Pacific. With typical mastery, Robert Taylor has brought to life an encounter over Rabaul in late December 1943, paying tribute to one of the US Marine Corps most famous fighter squadrons, and its outstanding leader. With the Japanese airbase at Rabaul visible in the distance, Pappy Boyington and his fellow pilots of VMF-214 tear into a large formation of Japanese Zekes and a series of deadly dogfights have started, one Zeke already fallen victim to their guns.
Signed by Brigadier General Bruce J Matheson,
Major Harry Johnson USMC,
Lieutenant Colonel Henry M Bourgeois USMC,
Lieutenant Colonel W Thomas Emrich,
Colonel Edwin A Harper,
Lieutenant Colonel James J Hill
Captain Fred S Losch.
Signed limited edition of 350 Black Sheep Edition prints.
Paper size 36 inches x 23.5 inches (91cm x 60cm)
Item #2 - Click to view individual item
DHM2116AP. Gunfight Over Rabaul by Nicolas Trudgian.
Nicolas Trudgians action packed painting shows an attack on Rabaul during the fall of 1943. B-24 Liberators of the Army Air Force pound the harbor and docks below whilst the Marines Corps pilots of VMF 214 - the famous Black Sheep Squadron - provide top cover in their F4U Corsairs. A fierce dog-fight has developed between the F4U pilots and Japanese Zeros. One Zero, already smoking, begins to roll out of control, while the two F4U pilots turn their attentions on to a second. Below further dog-fights are in progress, the air filled with aerial combat.
Last 4 copies.
Signed by Lieutenant Colonel John R Bolt (deceased),
Lieutenant Colonel A Roger Conant (deceased),
Colonel Archie G Donahue (deceased)
Lieutenant Colonel Kenneth A Walsh (deceased), in addition to the artist.
Limited edition of artist proofs.
Paper size 33 inches x 24 inches (84cm x 61cm) - Just one copy available of this otherwise sold out edition available.
Website Price: £ 460.00
Includes FREE Worldwide Shipping
To purchase these prints individually at their normal retail price would cost £575.00 . By buying them together in this special pack, you save £115
All prices are displayed in British Pounds Sterling
|Signatures on this item|
Captain Fred S Losch
|Fred Losch hails from Mifflin Township, Pennsylvania, and was born in 1921. He was posted to become another of the new replacement pilots that joined the Black Sheep on 10 November 1943 for their second combat tour at Vella Lavella. On 2 January 1944 Fred shot down a Zero and damaged another over Rabaul. With VMF-214 he flew 28 combat missions, and then went on to serve a second combat tour with VMF-211 after the Black Sheep were disbanded on 8 January 1944.|
Colonel Edwin A Harper
|Ed Harper was born in Bassano, Alberta, Canada in 1920. He joined VMF-214, the Black Sheep on 7 August 1943 and flew both combat tours from September 1943 to January 1944. He shot down 1 enemy aircraft and two probables on fighter sweeps over Kahili and Rabaul. On 17 October 1943, Ed was wounded in aerial combat and brought back his damaged Corsair to Munda. The next day he flew a mission and scored a probable over a Zero. Ed was also one of the Black Sheep pilots that were reassigned to VMF-211 for a third combat tour after the Black Sheep were disbanded on 8 January 1944. |
Lieutenant Colonel Henry M Bourgeois USMC (deceased)
|Henry was the youngest ever Marine Officer when he joined VMF-214, and had flown two combat tours with VMF-122 prior to that, with 2 victories to his credit. On 21st September 1943 he led a division of Corsairs to strafe Kahili Airdrome, where he destroyed 2 aircraft on the ground; the division accounting for 12 aircraft and an AA position destroyed. Sadly, Henry Bourgeois passed away on 14th November 2009.|
Lieutenant Colonel James J Hill
|James Hill was born in Chicago in 1920. His training involved flying Stearmans, Buffalo and Wildcats. He arrived in the South Pacific on 5 June 1943 after completing flight school in Pensacola, and joined VMF-214 on 7 August 1943, flying Corsairs. He flew both combat tours with the Black Sheep. On 18 October 1943 on a fighter sweep over Kahili Airfield he shot down a Zero in aerial combat. During his two tours with the Black Sheep he flew a total of 70 combat missions, and also flew a third combat tour with VMF-211 on Green Island. He then flew another combat tour with VMF-521 as a pilot instructor, later joining VMF-324 at Midway. In his career he was awarded 3 Distinguished Flying Crosses and 12 Air Medals.|
Lieutenant Colonel W Thomas Emrich
|Born in Mt. Pulaski, Illinois in 1921, he joined VMF-214 on 7 August 1943 and flew two combat tours with the Black Sheep. On 15 October 1943 Tom shot down two Zeros in aerial combat during a bomber escort to Kahili Airfield. The next day on a fighter sweep to Kahili he had to ditch his Corsair off Vella Lavella, and was rescued by a PT boat. By the end of his Black Sheep combat tours he had flown 68 missions, and then flew a third combat tour with VMF-211 on Green Island - along with 14 other former Black Sheep pilots.|
|Signatures on item 2|
Colonel Archie G Donahue USMC (deceased)
|Archie Donahue was born in Casper, Wyoming in 1917. He attended schools in Wyoming until 1934 when his family moved to Texas. He had his first airplane ride at the age of eight and the flying bug bit him. Archic completed three years of engineering studies at the University of Texas before joining the Navy as an Aviation Cadet. During his training Archie was stationed at Kansas City, Jacksonville, and finally Corpus Christi. He requested a transfer to the Marine Corps, and upon his graduation he was commissioned as a Second Lieutenant in February of 1942. After a short posting to Norfolk, Archie was assigned to VMF-112, which was nicknamed the "Wolfpack." The squadron was sent to Guadacanal in September where they commenced combat missions flying the Grumman F4F Wildcat. Archie would soon transition to the state-of-the-art F4U-1 Corsair. Between September 1942 and June of 1943 Archie was credited with nine aerial victories. One of these was achieved in the Wildcat with the balance attained while piloting the Corsair. On May 13, 1943 Archic would down five A6M3 Zeros during a single mission. In June of 1943 VMF-112 returned to the States, and the squadron was disbanded. Serving as a flight officer at El Toro Air Station in California, Archie was given the assignment of carrier qualifying VMF-451. In February of 1945 VMF-451 began combat operations flying from the deck of the USS Bunker Hill. For the next three months Donahue and his squdroninates flew numerous missions in support of the landings at lwo Jima and Okinawa, as well as strikes at the Japanese mainland, and in the process earning the nickname "Angels of Okinawa." On April 12, 1945 Donahue was once again credited with five victories during a fierce aerial battle over Okinawa. On May 11 th Archie's flight of 16 Corsairs had just returned to the carrier, and as the pilots completed their debriefing the Bunker Hill was hit by two Kamikaze aircraft, setting off a huge fire and killing 346. The Bunker Hill had to be withdrawn from action. Donahue returned to the States where he was made Commander of a squadron at El Toro. He was later transferred to Quantico, a large Marine base near Washington, DC. Archie flew a total of 215 combat missions during WWII including 56 from the deck of the Bunker Hill. He was credited with a total of 14 confirmed aerial victories. He had more than 4000 flying hours in military aircraft and 110 successful carrier landings. Although he never crashed an airplane, Archie was reported killed during aerial gunnery training when a student made a beautiful run and cut the tail off Archie's plane about five feet behind his head. Archie is a recipient of the Navy Cross, three Distinguished Flying Crosses, and five Air Medals. Archie has also been an active participant in the Confederate Air Force, and in 1990 he piloted an SBD with an unusual pilot, Saburo Sakai, the high scoring Japanese ace who was shot down in WWII by the rear gunner of a SBD. Following his retirement from military service in 1958 Archie began a long and successful career in real estate development. Archie lives in Texas with his wife Mary. They have five children and many grandchildren and great grandchildren. Sadly, he passed away on 30th July 2007.|
|Lieutenant Colonel A Roger Conant (deceased)||Enlisting in the U.S. Navy, Roger Conant received his wings as a Marine pilot in 1942. Assigned to VMF 215 he flew the Chance Vought F4U Corsair on well over 100 combat missions, mostly in the air battles over Rabaul and the Solomon Islands where he downed a total of 6 Japanese Mitsubishi Zeros. He was on his return to the Pacific theater as a night fighter pilot on the day war ended. Roger Conant USMC(R) passed away on March 10, 2007.|
Lieutenant Colonel John F Bolt (deceased)
|John Bolt is one of only seven American aces to shoot down 5 or more enemy aircraft in both WWII and Korea. He was also the only Marine Corps ace in Korea. Commissioned in 1942, he joined VMF-214 in 1943. Flying the F4U Corsair, John Bolt downed six Zekes in just 90 days from September to December 1943 to become and ace. He also saw action in the last few weeks of the war with VMF-472. Returning to combat duty in the Korean War he served a tour with the Marines before flying a tour with the Air Force where he shot down six Mig15s. John F Bolt passed away on 8th December 2004. |
Lieutenant Colonel Kenneth A Walsh (deceased)
|Ken Walsh was born in Brooklyn, New York, on November 24th 1916. On December 15th 1933, Kenneth Walsh joined the Marines, becoming a mechanic and radioman. In April 1937 he received his wings while still a Private, but was promoted to Corporal immediately after. Ken Walsh achieved an impressive 21 victories in his 104 combat missions. He was awarded the Medal of Honor for two separate actions in August 1943 when, overwhelmingly outnumbered, he destroyed 7 enemy aircraft before being shot down himself. He scored his final victory on 22nd June 1945 over Okinawa. Walsh remained in the Marine Corps for a full career, flying transports in Korea and retiring as a Lieutenant Colonel in February 1962. He was the 4th highest scoring Marine Corps fighter Ace of World War Two. Sadly he passed away on 30th July 1998.
|Artist Details : Robert Taylor|
|Click here for a full list of all artwork by Robert Taylor|
The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.
More about Robert Taylor
|Artist Details : Nicolas Trudgian|
|Click here for a full list of all artwork by Nicolas Trudgian|
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.
Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
More about Nicolas Trudgian
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Anzio Annie, Italy, 29th January 1944 by David Pentland. (P)
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Operation Winter Tempest by David Pentland.
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Alfred Rubbel at Kursk by David Pentland.
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Action at Arras, France, 21st May 1940 by David Pentland. (Y)
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Disaster at Dieppe, France, 19th August 1942 by David Pentland. (Y)
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Operation Goodwood, Caen, Normandy, 18th-19th July, 1944 by David Rowlands (C)
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Lance-Corporal Harry Nichols, 3rd battalion Grenadier Guards, winning the Victoria Cross at the River Escaut, 21st May 1940 by David Rowlands. (Y)
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Preparing for the Day, the Reichswald, February 1945 by David Pentland.
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