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Pack 811. Pack of two Scottish history military prints by Chris Collingwood and Brian Palmer.
PCK0811. Pack of two Robert the Bruce Scottish military prints by Brian Palmer and Chris Collingwood. Items in this pack :
Item #1
DHM900. Robert the Bruce by Chris Collingwood. In 1306 Robert the Bruce was crowned King of the Scots. In 1309 Bruce controlled most of Scotland north of the Firth and Clyde. Over the next few years Bruce conquered the English Garrisons of Perth, Dundee, Roxburgh, Dumfries and St. Andrews, leaving only Stirling in English hands. On 24th June 1314 Robert the Bruce defeated the English army at Bannockburn. The war dragged on until the peace treaty was signed in 1328, recognising Robert the Bruce as King Robert I of Scotland, and Scotland an independent Kingdom. He died the following year. Signed limited edition of 1150 prints. Image size 25 inches x 17 inches (64cm x 43cm)
Item #2
DHM1169. The Battle of Bannockburn by Brian Palmer. Robert the Bruces Scots army stand fast as the English knights attack. Robert the Bruce succeeds in defeating the English army at Stirling. With the full might of Englands army gathered before the besieged Stirling Castle, Edward II Plantagenate is confident of victory. To the west of Bannockburn, Robert Bruce, King of Scots, kneels to pray with his men and commends his soul to God. Patiently awaiting the coming onslaught in tightly packed schiltroms, his spearmen and archers are well prepared for battle. Unknown to the English, the open marsh of no mans land conceals hidden pits and calthrops, major obstacles for any mounted charge. Despite Cliffords and Beaumonts premature and unsuccessful attempt to relieve Stirling the day before, years of victory have caused the brave English knights to regard their Scottish foes with contempt. So, without waiting for the flower of the forest (archers) to weaken the enemy formations, the order is hurriedly given to attack! With one rush, hundreds of mounted knights led by the impetuous Earl of Gloucester, thunder headlong through the boggy ground straight for the impenetrable mass of spears, hurling themselves into defeat and death. With dash and courage the knights try to force a way through but the infantry stand firm. There is no room to manoeuvre. Everywhere horses and men crash to the ground. Casualties amongst the English nobility are horrific. Bruce seizes the moment and orders the exultant army to advance. The English recoil and are pushed back into the waters of the Bannockburn where many perish in the crush to escape the deadly melee. Edward II, his army destroyed, flees with his bodyguard for the safety of the castle but is refused refuge and has to fight his way south to England. For Robert Bruce and Scotland, victory is complete. Signed limited edition of 1150 prints. Image size 24 inches x 14 inches (61cm x 36cm)
Website Price: £ 155.00
To purchase these prints individually would cost £190.00 . By buying them together in this special pack, you save £35
All prices are displayed in British Pounds Sterling
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| Signatures on item 3 | | Name | Info | | Flying Officer Dave Rodger (deceased) | Born inn Sault Ste marie, Ontario on February 23rd 1918, he son of a Scots carpenter, David Rodger was an avid collector of aeroplane magazines as a boy, that began his interest in flying. David Roger went to the local technical school, then worked for Algoma Steel while serving in the Canadian Militia. Rodger joined the Royal Canadian Air Force in October 1941 and trained as an air gunner before being commissioned as pilot officer, and then arriving in England in 1942. David Rodger converted to Lancaster bombers, and joined No 97 Squadron at Woodhall Spa near Lincoln, and it was here he teamed up with McCarthy. During their time with 97 squadron they attacked the main industrial cities on the Rhur and also Hamburg and Berlin. By the time they joined No 617 Squadron, they were recognised as an experienced crew. Rodger and McCarthy had already completed more than 20 bombing raids together when they were selected to join No 617 Squadron, forming at RAF Scampton in March 1943 under the command of Wing Commander Guy Gibson. David Rodger was the rear gunner in "Big Joe" McCarthy's Lancaster, which attacked the Sorpe Dam during Operation Chastise, the Dam Buster raid of May 16th 1943. On the night of the raid their aircraft was unservicable due to an engine problem, so they took the reserve aircraft which had been fitted with the upkeep bouncing bomb, but not had time to be fitted with the crucial spoptlights which were used to keep the aircraft at the height of 60 feet. As McCarthy took the bomber across the coast at 100ft, Rodger, in the rear turret, was soon in action trying to douse the searchlights before "having a lively exchange with a light flak gun". By the time they arrived at the Sorpe, McCarthy's men were the only survivors of the team charged with attacking the dam, which was shrouded in mist as they arrived. With a tall church spire on the approach and a hill to be avoided after the attack, McCarthy had great difficulty getting into position to drop the mine. The lack of the height-finding spotlights made the job almost impossible. The crew made nine dummy attacks before releasing their weapon accurately at last. But the force of the explosion was insufficient to breach the earth dam, and McCarthy and his men set course for base. After the success of the Dam raids 617 squadron now under the command of Wing Commander Leonard Cheshire specialised in the attack of pinpoint targets, and Cheshire and his four senior crews from the dam buster raid developed daring and accurate low-level target-marking techniques. Rodger was appointed the gunnery leader of the squadron in September. Rodger then attacked targets in Italy, and made pinpoint raids against viaducts and the huge concrete constructions associated with the V-1 rocket programme in the Pas de Calais. In addition to their marker role, the Lancasters of No 617 carried the massive 12,000-ton "Tallboy" bomb, which was used to devastating effect against V-sites and railway tunnels. During the night of June 5 1944, 16 Lancasters of No 617 carried out a unique operation, dropping a dense screen of "window" (foil strips) which advanced slowly across the Channel to simulate a large convoy of ships approaching the French coast between Boulogne and Le Havre, north of the real invasion area. After 14 months on No 617, McCarthy and his crew were finally rested in July 1944. Rodger, who had flown 50 bombing operations, including 24 with No 617, was awarded the DFC for "his calm resolution in the face of the heaviest opposition, which has been an inspiration to his crew". Rodger returned to Canada in September 1944, where he married, and was released from the RCAF the following year. He returned to work at Algoma Steel, where he became a superintendent. Always a keen outdoorsman, he loved fishing and played his last game of ice hockey at 84. David Rodger died on September 1st 2004 in Canada aged 86. |
| Artist Details : Chris Collingwood |
Chris Collingwood
Latest info : Chris has been busy with a number of private commissions but has completed the first in a second series of paintings of the Battle of Waterloo. This first painting depicts the charge of the Red Lancers on Mercers Troop of Royal Horse Artillery. This continues on from the series of Waterloo paintings which have been in print for the past few years and will be available as a signed limtied edition in approximately March 2010. The second painting showing the attack on British squares is expected in the summer.
Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.
More about Chris Collingwood
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| Artist Details : Brian Palmer |
Brian Palmer
Ever since Brian Palmer was a young boy his two main passions have been art and history, in particular military history. Between 1965 and 1969 Brian studied graphic design and illustration at Hornsey College of Art in London and for many years worked as a Designer / Illustrator, primarily in the music and publishing industries. Some years ago he began to work solely as a freelance illustrator, eventually concentrating exclusively on military paintings as a means of combining his two great loves. The substantial majority of Brian's paintings of the past 12 or so years have been commisisoned by Cranston Fine Arts, and signed limited edition art prints have been produced, covering many famous and not so famous periods of warfare. For Brian, one of the most important elements of a painting is research. Costume or uniform details, arms, geography and even weather conditions if known, can all combine to bring a realistic and accurate look to a piece of work. Brian has been influenced by many artists and illustrators over the years but his personal favourites within the military genre are Messionier, J.P. Beadle and Caton Woodville, and he has long been a great admirer of Vermeer, Carravagio and the Pre-Raphaelite movement. Cranston Fine Arts are very happy with the art work Brian has produced for them and have commissioned many new items to be shown over the coming years.
More about Brian Palmer
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