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Height and Sun by Robert Taylor.
DHM1781. Height and Sun by Robert Taylor. If you had the height, you controlled the battle. If you came out of the sun, the enemy could not see you. If you held your fire until you were very close, you seldom missed. These three basic rules contributed to the prowess in aerial combat of some of the most successful fighter pilots in history and seldom were they more valuable than when outnumbered. Between July and October 1940 the brave young pilots of RAF Fighter Command were under intense pressure from the constant attacks of the Luftwaffe and the Hawker Hurricane was the machine of the Battle of Britain, accounting for 80 percent of Allied victories. In this painting, Hurricanes of 32 Sqn climb high into the morning sky, gaining Height and Sun in an attempt to take the advantage over the onslaught of enemy fighters - August, 1940. This image captures the surreal calmness above the clouds, belying the fury of action and ultimate sacrifices made in those crisp blue skies. Signed by Group Captain Billy Drake DSO DFC*
, Flight Lieutenant Richard L Jones
and
Squadron Leader Geoffrey Wellum DFC. Signed limited edition of 300 prints. Paper size 27.5 inches x 17 inches (70cm x 43cm) Image size 21 inches x 9 inches (53cm x 23cm)
Website Price: £ 135.00
All prices are displayed in British Pounds Sterling
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Military-art.com, The Military
Print Company provides the
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| Signatures on this item | | Name | Info | 
Flight Lieutenant Richard L Jones | In July 1940 Richard Jones was posted to 64 Squadron at Kenley, flying Spitfires. He was involved in heavy fighting over the Channel during the Battle of Britain, with the squadron suffering many losses during July and August. Towards the end of the Battle of Britain, in October, he moved to 19 Squadron flying Spitfires from Fowlmere, and was heavily involved in the fighter sweeps taking place at that time. | 
Group Captain Billy Drake DSO DFC* | Joined the R.A.F. in 1936. His first posting was to 1 squadron flying Furies then Hurricanes and first saw action over France in the Spring of 1940 and was awarded his first DFC by the end of the year. As a Squadron Leader he was sent to West Africa to command 128 Squadron. 1942 saw his commanding 112 squadron in North Africa, in July saw an immediate BAR to his DFC and in December an immediate DSO. Posted to Malta as Wing Commander he won a US DFC in 1943. Back in the UK he now was flying Typhoons in the lead up to D-Day. With Pete Brothers he was sent to the States to attend the US Staff School at Fort Leavenworth. After the war he continued in the R.A.F. serving in Japan, Malaya, Singapore, Switzerland and his final posting as Group Captain RAF Chivenor, Devon. Retired in July 1963. Going to Portugal where he ran a Bar and Restaurant and dealing in Real Estate. In his flying career he accounted for more than 24 enemy aircraft.
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Billy Drake signing the print - Fighting Lady - by Graeme Lothian. |
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Squadron Leader Geoffrey Wellum DFC | Joined the RAF with a Short Service Commission in August 1939. He joined 92 Squadron flying Spitfires in June 1940 at the time of Dunkirk. He flew throughout the Battle of Britain, later completing over 50 fighter sweeps and escorts over northern France and Belgium until August 1941. He then joined 65 Squadron as Flight Commander in March 1942 operating over northern France and flew off aircraft carrier HMS Furious on Operation Pedestal, to Malta. Geoff was a Flight Lieutenant during Operation Pedestal. He returned to the UK as a test pilot for Gloster Aircraft and finished the war as a Pilot Attack Instructor. Geoffrey was credited with three destroyed, four probables and several damaged and was awarded the DFC in July 1941. |
| The Aircraft : | | Name | Info | | Hurricane | Royal Air Force Fighter, the Hawker Hurricane had a top speed of 320mph, at 18,200 feet and 340mph at 17,500, ceiling of 34,200 and a range of 935 miles. The Hurricane was armed with eight fixed wing mounted .303 browning machine guns in the Mark I and twelve .303 browning's in the MKIIB in the Hurricane MKIIC it had four 20mm cannon.
All time classic fighter the Hurricane was designed in 1933-1934, the first prototype flew in June 1936 and a contract for 600 for the Royal Air Force was placed. The first production model flew ion the 12th October 1937 and 111 squadron of the Royal Air Force received the first Hurricanes in January 1938. By the outbreak of World war two the Royal Air Force had 18 operational squadrons of Hurricanes. During the Battle of Britain a total of 1715 Hurricanes took part, (which was more than the rest of the aircraft of the Royal air force put together) and almost 75% of the Victories during the Battle of Britain went to hurricane pilots. The Hawker Hurricane was used in all theatres during World war two, and in many roles. in total 14,533 Hurricanes were built.
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| Artist Details : Robert Taylor |
Robert Taylor
The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.
More about Robert Taylor
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| Battle of Britain | |
| Battle of Britain After winning the Battle of France, the Luftwaffe sought to gain air superiority in the skies over Britain during the summer of 1940. The ensuing defence by the RAF against the onslaught of the Luftwaffe became known as the Battle of Britain. It was the first major campaign fought entirely by means of aerial combat. Initially, the Luftwaffe attacked shipping in the English Channel, and shipping ports such as Portsmouth and Plymouth. By August, they were concentrating their attacks on RAF airfields and ground installations. However, in a move that probably invited defeat for Germany in the battle, the Luftwaffe switched from bombing RAF targets to bombing major cities. This move allowed the airfields the time to recover and regroup, making the defence capabilities of Britain stronger. By the summer of 1940, the RAF had approximately 9,000 pilots and 5,000 aircraft, most of which were bombers. By the 1st of July, the Commander of Fighter Command, Marshal Hugh Dowding could provide just 1103 fighter pilots - which came from the regular RAF squadrons, the Auxiliary Air Force squadrons and the Volunteer Reserve. Replacement pilots with little flight training and often no gunnery training suffered high casualty rates. Meanwhile, the Luftwaffe comprised 1450 fighter pilots, many with experience from the Spanish Civil Wars just a few years earlier. During the Battle of Britain, the Luftwaffe used four primary bombers. These were the Heinkel He111, Dornier Do17 and Junkers Ju88 for level bombing, and the Junkers Ju87 Stuka dive bomber. These were escorted by Messerschmitt Me109 and Me110 fighters. Defending Britain against the Luftwaffe were the Hawker Hurricane and Supermarine Spitfire squadrons of the RAF. While Britain successfully defended the air during the battle and repelled any invasion attempt by denying the Luftwaffe air superiority, losses were high on both sides of the battle. Between the official dates of the battle - 10th July to 31st October 1940 - 2936 fighter pilots took part n the battle on the British side, including 595 non-British pilots. These included 145 pilots from Poland, 127 from New Zealand, 112 from Canada, 88 from Czechoslovakia, 28 from Belgium, 32 from Australia, 25 from South Africa, 13 from France, 10 from Ireland, 7 from America, and 1 from each of Jamaica, Palestine and Rhodesia. The Allied losses were 544 aircrew killed, 422 wounded and 1547 aircraft destroyed, while the Luftwaffe lost 2698 aircrew killed, and lost 1887 aircraft. This key battle was considered the first crucial defeat for Germany. Had the Luftwaffe been successful in its aims, Germany could have invaded Britain, and had the invasion been successful, the outcome of the war could have been very different, with nowhere for the American Air Force to launch attacks on Germany from.
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