| Item Code : B0288 | Tribute to the Boston Crews by Ivan Berryman. - This Edition | Buy 1 Get 1 Half Price! |
| TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | PRINT | Signed limited edition of 35 prints.
| Image size 12 inches x 9 inches (31cm x 23cm) | Gregory, Albert E (signed in person) + Artist : Ivan Berryman
Signature(s) value alone : £40 | £30 Off! | Now : £60.00 |
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SPECIAL OFFER : ADD A CLIPPED SIGNATURE TO THE ABOVE PRINT AT A VERY SPECIAL RATE! | Add Signature : Bill Reid VC. for £70.00 Buy One Get One Half Price Add this signature to the print for £100.00
| Add Signature : Edward Shipman. for £40.00 Buy One Get One Half Price Add this signature to the print for £80.00
| Add Signature : Ernst Wilhelm Reinert. for £50.00
| Add Signature : Vic Hodgkinson. for £25.00 Buy One Get One Half Price Add this signature to the print for £72.50
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Other editions of this item : | Tribute to the Boston Crews by Ivan Berryman. | B0288 |
| TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | ARTIST PROOF | Limited edition of 15 artist proofs. | Image size 12 inches x 9 inches (31cm x 23cm) | Gregory, Albert E (signed in person) + Artist : Ivan Berryman
Signature(s) value alone : £40 | £35 Off! | Now : £85.00 | VIEW EDITION... | PRESENTATION | Presentation Edition of 2 prints. | Image size 12 inches x 9 inches (31cm x 23cm) | Gregory, Albert E (signed in person) + Artist : Ivan Berryman
Signature(s) value alone : £40 | | £260.00 | VIEW EDITION... | ORIGINAL DRAWING | Original pencil drawing by Ivan Berryman. | Size 16 inches x 12 inches (41cm x 31cm) | Morewood, Roger (signed in person) + Artist : Ivan Berryman
Signature(s) value alone : £45 | £150 Off! | Now : £450.00 | VIEW EDITION... |
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Signatures on this item | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | Name | Info |
Flight Lieutenant Albert E Gregory DFC (deceased) *Signature Value : £40
| Albert Gregory was born in Derby on 9th May 1917. Gregory joined the Royal Air Force Volunteer Reserve in April 1939 as an Airman u/t Wop/Air Gunner. Called up on 1st September and posted to Aldegrove in October to commence Air Gunnery training in December 1939, Albert joined 141 Squadron at Grangemouth as an Air Gunner flying in Blenheims before the squadron converted to Defiants. He could not fly in the Defiant because he was too tall for the turret, so transferred to 219 squadron based at Catterick in May 1940 with whom he served throughout the Battle of Britain on Beaufighters. In September 1940 the introduction of Radar equipped Beaufighters meant Albert Gregory retrained as a Radio Observer and in March 1941 his aircraft accounted for the destruction of a He111. In May 1941, he went to no 2 Radio School at Yatesbury for a Wireless Operators course and passed out from this in September 1941. Albert then served with 23 Sqn in Boston IIIs on intruder patrols over occupied France, Belgium and Holland on bombing and strafing missions, before spending time with 275 and 278 (ASR) Squadrons. On 2nd April 1942 he damaged two Do 17s and in July 1942, Albert Gregory was awarded the Distinguished Flying Cross and was commissioned in August 1942. Albert later served with 278 (ASR) squadron and was released from the RAF in November 1945 with the rank of Flight Lieutenant. In July 1947 Albert Gregory rejoined the RAF and in February 1948 he was posted to 52 Squadron at Changi, Singapore. The squadron was engaged in Army support supply dropping and troop carrying in the anti-terrorist campaign in Malaya. In 1950 following his return to Britain, Albert became a signals instructor and retired from the RAF in May 1955. Sadly, he passed away on 12th November 2010.
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The Aircraft : | Name | Info | Boston | There are three marks, the I has two 1,050hp PW Wasps, the II has two 1,200hp PW Wasps and the III has two 1,600hp Wright Cyclones. The Boston I was used by the RAF as a trainer and the II was used as a night fighter and called the Havoc I.
The French order called for substantial modifications, resulting in the DB-7 (for Douglas Bomber 7) variant. It had a narrower, deeper fuselage, 1,000 hp (746 kW) Pratt & Whitney R-1830-SC3-G radials, French-built guns, and metric instruments. Midway through the delivery phase, engines were switched to 1,100 hp (820 kW) Pratt & Whitney R-1830-S3C4-G. The French designation was DB-7 B-3 (the B-3 signifying "three-seat bomber").
The DB-7s were shipped in sections to Casablanca for assembly and service in France and French North Africa. When the Germans attacked France and the Low Countries on 10 May 1940, the 64 available DB-7s were deployed against the advancing Germans. Before the armistice they were evacuated to North Africa to avoid capture by German forces. Here, they fell under control of the Vichy government and briefly engaged the Allies during Operation Torch.
After French forces in North Africa had sided with the Allies, DB-7s were used as trainers and were replaced in front line units by Martin B-26 Marauders. In early 1945, a few DB-7s were moved back to France, where they saw action against the remaining isolated German pockets on the western coast.
The remainder of the order which was to have been delivered to France was instead taken up by the UK via the British Purchasing Commission. In the course of the war, 24 squadrons operated the Boston. The type saw its first active operations with the RAF in early 1941, when 181 Boston IIs began to be deployed in night fighter and intruder roles. On 4 July 1942 United States Army Air Forces (USAAF) bomber crews, flying RAF Boston aircraft, took part in operations in Europe for the first time attacking enemy airfields in the Netherlands. They replaced the Bristol Blenheims of No. 2 Group RAF for daylight operations against occupied Europe until replaced in turn by de Havilland Mosquitos. Some Havocs were converted to Turbinlite aircraft which replaced the nose position with a powerful searchlight. The Turbinlite aircraft would be brought onto an enemy fighter by ground radar control. The onboard radar operator would then direct the pilot until he could illuminate the enemy. At that point a Hawker Hurricane fighter accompanying the Turbinlite aircraft would make the attack. The Turbinlite squadrons were disbanded in early 1943.
The III is now used in large numbers on fighter escorted raids on France and the Low Countries and is also used extensively in the Middle East. They have done very good work, and with the Ventura have replaced the Blenheim in this country. The Mk.III is also used as a night fighter and is known as the Havoc II.
The A-20G became the largest production run of the Havoc series, numbering some 2,850 total aircraft. The A-20G followed on the heels of the A-20C production model and was a dedicated ground attack platform as opposed to the light bomber designation carried by preceding models. The initial production A-20G block (259 total A-20G-1's) featured the distinctive solid nose assembly mounting 4 x 20mm cannons (deleting the bombardier's nose position and bringing the crew total down to three personnel). The follow-up production block (Block 5) reverted back to a more conventional array of 6 x 12.7mm machine guns as the cannons were prone to jamming and offered up a slow rate of fire. The cannon-armed versions were mostly operated under the Soviet banner via Lend-Lease and understandably proved quite devastating in the ground attack role. Additional armament for either form of this aircraft included 2 x 12.7mm machine guns in a flexible dorsal position and a single 7.62mm machine gun in the ventral position (flexible mount). Bomb load totalled 2,000lbs of internally-held ordnance and/or 374-gallon drop tank. Engines for the aircraft were Wright R-2600-23 Cyclone supercharged radials of 1,600 horsepower each. Top speed was 317 miles per hour with a combat range of 950 miles and a modest ceiling of 23,700 feet. |
Artist Details : Ivan Berryman | Click here for a full list of all artwork by Ivan Berryman |
Ivan Berryman
Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...
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