| | Item Code : DHM1800 | Dawn Strike by Richard Taylor. - This Edition |  Buy 1 Get 1 Half Price! |
| | TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | | PRINT | Signed limited edition of 450 prints.
| Paper size 27 inches x 20 inches (69cm x 51cm) - Image size 21 inches x 12.5 inches (53cm x 32cm) |  Schoenemann, Karl Heinz (signed in person)
+ Artist : Richard Taylor
Signature(s) value alone : £35 | £60 Off! | Now : £80.00 |
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| SPECIAL OFFER : ADD A CLIPPED SIGNATURE TO THE ABOVE PRINT AT A VERY SPECIAL RATE! | 
Add Signature :
Karl-Ludwig Johanssen.
for £45.00
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Add this signature to the print for £102.50
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Add Signature :
Erich Weissflog.
for £40.00
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Add this signature to the print for £100.00
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Add Signature :
Willi Wust.
for £40.00
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Add Signature :
Wolfgang Falck.
for £65.00
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| Other editions of this item : | Dawn Strike by Richard Taylor. | DHM1800 |
| | TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | ARTIST
PROOF | Limited edition of 25 artist proofs. | Paper size 27 inches x 20 inches (69cm x 51cm) - Image size 21 inches x 12.5 inches (53cm x 32cm) | Schoenemann, Karl Heinz (signed in person)
+ Artist : Richard Taylor
Signature(s) value alone : £35 | £60 Off! | Now : £135.00 | VIEW EDITION... | | PRINT | Limited edition of 25 remarques. | Paper size 27 inches x 20 inches (69cm x 51cm) - Image size 21 inches x 12.5 inches (53cm x 32cm) |  Schoenemann, Karl Heinz (signed in person)
+ Artist : Richard Taylor
Signature(s) value alone : £35 | £60 Off! | Now : £395.00 | VIEW EDITION... | | PRINT | Limited edition of 10 double remarques. | Paper size 27 inches x 20 inches (69cm x 51cm) - Image size 21 inches x 12.5 inches (53cm x 32cm) | Schoenemann, Karl Heinz (signed in person)
+ Artist : Richard Taylor
Signature(s) value alone : £35 | £60 Off! | Now : £625.00 | VIEW EDITION... |
| | General descriptions of types of editions : |
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| Extra Details : Dawn Strike by Richard Taylor. | | About all editions : | Detail Images :
A photograph of an edition of this print, showing the signature(s) in the border.
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| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Gefreiter Kar-Heinz Schoenemann
*Signature Value : £35
| Karl-Heinz Schoenemann joined the Luftwaffe in 1942, straight out of college. His aptitude led him to be chosen for training as a wireless operator and airborne radar specialist. After training on various types, including the Junkers Ju86 and Heinkel He219, he eventually became operational as the electronics operator aboard the Messerschmitt 110G. Posted to join NJGI, he served on Me110s until late 1944 when his aircraft crash-landed near the town of Sedan in northern France, where he was captured by the Americans. He spent the remainder of the war as a POW. |
| The Aircraft : | | Name | Info | | Me110 | The Bf-110 grew out of Herman Gorings specifications for a multipurpose aircraft capable of penetrating deep into enemy airspace to clear the sky of enemy fighters in advance of German bomber formations. The aircraft would also be utilized as a long range interceptor, and as a ground support and ground attack bomber. The Bf-110 prototype first flew in 1936. The prototype was under powered with its Daimier Benz DB 600A engines. Several months passed before a go ahead was given for large scale production which commenced in 1938. Utilizing improved DB 601 engines, the early production 110s were as fast as any single engine fighter at that time, and had superior fire power. Their biggest apparent weakness was in the areas of armor protection for the crew, and in terms of maneuverability when compared to single seat fighters. The 110 was produced in large numbers and in many different variants. The 110D was the long range model. An additional belly tank was fitted to that aircraft, with several later variants having the more traditional drop tanks. The first serious test for the Bf-110 came during the Battle of Britain. About 300 Bf-110s were involved. They became easy prey for Hurricane and Spitfire pilots, and Bf-109s were often required to assist the 110s in their own defense. On August 15, 1940, which became known as Black Tuesday, the Bf-110s were ravaged by the RAF, and for the month over 100 aircraft were lost. On the Eastern Front the Bf-110 performed admirably in the early stages of Operation Barbarossa. With the Soviet Air Force weakened in the first several weeks of the attack, 110s were effectively utilized in a ground attack role. Ultimately, the Luftwaffe re-equipped a significant number of its 110s as night fighters. The aircraft performed well in this role because it was a good gun platform with sufficient speed to overtake the RAF night bombers. Such night missions were typically carried out with no Allied fighter escort, so the 110 night fighters would not have to engage or elude Allied fighters in this role. |
| Artist Details : Richard Taylor | | Click here for a full list of all artwork by Richard Taylor |
Richard Taylor
From an early age, young Richard Taylor had shown an exceptional ability to draw. Not surprising perhaps, having been brought up in a family where fine art drawing, painting, print publishing, gallery receptions and art exhibitions pervaded daily life, but in his case a quite unusual talent was obvious to all who saw his work. A future somewhere in the world of art seemed undoubted, though exactly where didn't become clear to Richard until he completed a Bachelor of Arts Degree in Graphic Design at Bath Spa University College. He excelled during his academic years, producing a remarkable body of creative illustrative work that was clearly leading him towards the world of fine art painting. Under the watchful guidance of his father Robert, Richard's skills were fast maturing to a standard where local galleries started exhibiting his paintings and drawings and he found himself immersed in commissions for friends, and soon, friends of friends, depicting images ranging from automobiles to wildlife. No matter what the subject area, like any determined young artist, Richard took it all in his stride. But deep down, his heart always lay with his passion for aircraft, and things mechanical - as his father says it must be in the genes. Richard Taylor is a young talent not to be ignored. His abounding enthusiasm for painting aircraft, and the distinctive natural flair of this young professional artist is clearly demonstrated in this, his very first aviation painting to be issued as a limited edition.
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