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One of the greatest aviation artists of all time, Robert Taylor, his entire back catalogue aviaton art prints are available direct from military art.com
One of the greatest aviation artists of all time, Robert Taylor, his entire back catalogue aviaton art prints are available direct from military art.com
Military and aviation arist David Pentland.  His entire range of German armour and other military forces are available at great discounted prices direct from The Military Art Company
Military and aviation arist David Pentland. His entire range of German armour and other military forces are available at great discounted prices direct from The Military Art Company
Ivan Berryman is recognised as one of the leading aviation and naval artists, his entire range of prints published by Cranston Fine Arts are available direct from us, including many original aviation paintings.
Ivan Berryman is recognised as one of the leading aviation and naval artists, his entire range of prints published by Cranston Fine Arts are available direct from us, including many original aviation paintings.
Nicolas Trudgian.  His last remaining aviation art prints from his back catalogue published by Military Gallery and bought over in 2007 by Cranston Fine Arts are available only direct from our websites.  See Nicolas Trudgian's full range here.
Nicolas Trudgian.  His last remaining aviation art prints from his back catalogue published by Military Gallery and bought over in 2007 by Cranston Fine Arts are available only direct from our websites.  See Nicolas Trudgian's full range here.
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DHM2119.  Against All Odds by Robert Taylor. <p> Robert Taylors painting protrays the renowned defiance of the U-Boat crews. Caught on the surface by a PBY Catalina the gun crews of a type VIIc U-Boat are quickly into action. The 3.7cm anti-aircraft gun is hurriedly reloaded while on the upper platform the two 2cm anti-aircraft twins take chunks out of the Catalinas tail - enough damage to secure a respite from the attack. Soon they will dive to relative safety beneath the Atlantic swell. <p><b>2 copies left of this sold out edition.</b><b><p>Signed by <a href=profiles.php?SigID=500>Kapitanleutnant Karl-August Landfermann (deceased)</a>, <br><a href=profiles.php?SigID=501>Oberbootsmannsmaat Rudolf Muhlbauer (deceased)</a>, <br><a href=profiles.php?SigID=502>Kapitanleutnant Heinrich Schroeteler (deceased)</a> <br>and <br><a href=profiles.php?SigID=503>Korveitenkapitan Helmut Witte (deceased)</a>. <p>  Signed limited edition of 450 prints (numbered 251 - 700 of 700) <p>Paper size 32 inches x 24 inches (81cm x 61cm)
DHM849B. Catalina Attack by John Wynne Hopkins. <p>  D for Donald of 270 squadron, Royal Air Force, out of Freetown, West Africa operating in the Atlantic Ocean. It was during routine operation search that D for Donald surprised U515 on the surface and immediately attacked the submarine. U515 in putting up stiff resistance blew a large hole in the hull of D for Donald and the magazine of the starboard side 0.5 twin Browning was hit and the subsequent shrapnel wounded both blister gunners. U515 escaped but was sunk by an American naval hunter group a year later. D for Donald limped back to base and managed to make the beach before it would sink completely. <b><p>Signed by <a href=profiles.php?SigID=1524>Sydney Hillier</a> and <a href=profiles.php?SigID=1525>Alex Morrison</a>. <p> Signature edition of 250 prints from the signed limited edition of 1150 prints.  <p>Image size 25 inches x 16 inches (64cm x 41cm)

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WW2 U-Boat Signed Prints by Robert Taylor and John Wynne Hopkins.

PCK1416. WW2 U-Boat Signed Prints by Robert Taylor and John Wynne Hopkins.

Naval Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2119. Against All Odds by Robert Taylor.

Robert Taylors painting protrays the renowned defiance of the U-Boat crews. Caught on the surface by a PBY Catalina the gun crews of a type VIIc U-Boat are quickly into action. The 3.7cm anti-aircraft gun is hurriedly reloaded while on the upper platform the two 2cm anti-aircraft twins take chunks out of the Catalinas tail - enough damage to secure a respite from the attack. Soon they will dive to relative safety beneath the Atlantic swell.

2 copies left of this sold out edition.

Signed by Kapitanleutnant Karl-August Landfermann (deceased),
Oberbootsmannsmaat Rudolf Muhlbauer (deceased),
Kapitanleutnant Heinrich Schroeteler (deceased)
and
Korveitenkapitan Helmut Witte (deceased).

Signed limited edition of 450 prints (numbered 251 - 700 of 700)

Paper size 32 inches x 24 inches (81cm x 61cm)


Item #2 - Click to view individual item

DHM849B. Catalina Attack by John Wynne Hopkins.

D for Donald of 270 squadron, Royal Air Force, out of Freetown, West Africa operating in the Atlantic Ocean. It was during routine operation search that D for Donald surprised U515 on the surface and immediately attacked the submarine. U515 in putting up stiff resistance blew a large hole in the hull of D for Donald and the magazine of the starboard side 0.5 twin Browning was hit and the subsequent shrapnel wounded both blister gunners. U515 escaped but was sunk by an American naval hunter group a year later. D for Donald limped back to base and managed to make the beach before it would sink completely.

Signed by Sydney Hillier and Alex Morrison.

Signature edition of 250 prints from the signed limited edition of 1150 prints.

Image size 25 inches x 16 inches (64cm x 41cm)


Website Price: £ 350.00  

To purchase these prints individually at their normal retail price would cost £510.00 . By buying them together in this special pack, you save £160




All prices are displayed in British Pounds Sterling

 

Signatures on this item
NameInfo


The signature of Kapitanleutnant Heinrich Schroeteler (deceased)

Kapitanleutnant Heinrich Schroeteler (deceased)
Heinrich Schroeteler was born 10th December 1915, joining the Navy in 1936 and transferring from minesweepers to u-boats in September 1941. A year later he commissioned U-667, taking the u-boat on four patrols before taking up several training posts. In February 1945 he returned to u-boats, commanding U-1023 for a few months before surrendering U-1023 in the UK, spending three years in captivity. Heinrich Schroeteler was awarded the Knights Cross. He died 19th January 2000.


The signature of Kapitanleutnant Karl-August Landfermann (deceased)

Kapitanleutnant Karl-August Landfermann (deceased)
Landfermann was one of the leading engineering officers on U-Boats. Serving on U-181 he made the second longest patrol in U-Boat history - 206 days. Shortly afterwards he received his Knights Cross, on 27th October 1943. Died 18th November 2003.


The signature of Korveitenkapitan Helmut Witte (deceased)

Korveitenkapitan Helmut Witte (deceased)
Born 6th April 1915 - Died 3rd October 2005. Helmut Witte joined the Kriegsmarine in 1934, joining the submarine force in July 1940 after serving on several vessels including the cruiser Koln, destroyer Z-22 and a number of torpedo boats. After training with U-Boats, he joined U-107 until July 1941. Three months later he was given command of U-159 for four patrols before leaving this boat in June 1943.


The signature of Oberbootsmannsmaat Rudolf Muhlbauer (deceased)

Oberbootsmannsmaat Rudolf Muhlbauer (deceased)
Knights Cross 10th December, 1944. Muhlbauer was perhaps the most outstanding bridge watch look-out of World War II. He served on both U-123 and later on U-170. He was taken POW in England at the close of hostilities. Died 26th March 2000.
Signatures on item 2
NameInfo
Alex MorrisonAlex Morrison was a member of the crew of Catalina D for Donald of 270 Squadron. The squadron was based for most of the war at Freetown, West Africa. He was a member of the crew when his aircraft launched a surprise attack on u-boat U-515.
Sydney HillierSydney Hiller was a member of the crew of Catalina D for Donald of 270 Squadron. The squadron was based for most of the war at Freetown, West Africa. He was a member of the crew when his aircraft launched a surprise attack on u-boat U-515.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor
Artist Details : John Wynne Hopkins
Click here for a full list of all artwork by John Wynne Hopkins


John Wynne Hopkins

John Wynne Hopkins was born in 1954 in Dafen, Llanelli, Wales and his family emmigrated to Northern Rhodesia (now Zambia) when he was five weeks old. He was brought up in Africa but returned to Wales to be educated at Llandovery College, Cardiff College of Art and Trinity College Carmarthen, where he trained as an art teacher. Taught in the 'Beacon School', Buckinghamshire before returning to Rhodesia (now Zimbabwe). He completed a regular army commissioning course at the Rhodesian Army, School of Infantry, Gwelo and served in the 1st Battalion Rhodesian African Rifles. His first military commissions were produced at the height of the Rhodesian bush war and were for the 1st Bn. Rhodesian Light Infantry, and the 1st Battalion Rhodesian African Rifles before he joined the Rhodesian Army. John returned to Wales in 1982 and for many years has painted wildlife, military and aviation scenes and enjoys painting Welsh landscape in plein air. Attained a Bachelor of Education Degree in 1988. For many years John was Head of the Art Department at Pen Y Bryn Senior Special School until taking early retirement to paint professionally. John Wynne Hopkins was commissioned by Cranston Fine Arts over a period of several years to produce a number of paintigns including a series of the British Army in Northern Ireland and has also produced numerous paintings for the Army Air Corps and in many cases numerous paintings for single regiments. These commissions have also meant him travelling to a number of trouble spots in the world including Northern Ireland, Bosnia and Kosovo. His commissions have included, 1 Regiment Army Air Corps., 4 Regt Army Air Corps, 7 Regt Army Air Corps., 9 Regt Army Air Corps, 5 Regt Army Air Corps (Northern Ireland) , R Sqn 22 SAS, A Coy 2nd Battalion The Royal Regiment of Wales, The 1st Battalion the Devonshire and Dorset Regiment, The Royal Netherlands Marine Corps, 2nd Battalion The Rifle Regiment, 1 Transport Regiment Royal Logistics Corps and the 4/7th Royal Dragoon Guards. In 2006 he completed a commission for 9 Regiment Army Air Corps of the latest attack helicopter the Apache AH1. 2009 the 4/7th Royal Dragoon Guards commissioned a painting of their latest MC winner Sgt C.P.Richards MC, Charge of the Knights, Basra Iraq, 4th April 2008. In 2010 Col John Waddy of Arnhem fame commissioned a painting of the drop of the 4th Parachute Brigade, Gienkle Heide, 18th September 1944, Arnhem, during Operation Market Garden. John spent a week with Col John Waddy and the Military Academy course looking at the battlefield. At one stage John was mistaken for Directing Staff on the course but the old soldier had plenty to say. John was invited back to Arnhem in 2011. Military Aviation Artist John Wynne Hopkins was invited back to Arnhem for the ceremonies to do with the momentous battles of the 1st Airborne Division, during Operation Market Garden, in 1944. At a presentation and showing of the latest documentary DVD of the drop of the 4th Parachute Brigade at Ginkle Heath, 18th September 1944. The presentation took place at Cinemec, the cinema in Ede. Images of his painting were used on the cover of the DVD and the huge display boards on the cinema. John was asked to present framed copies of his latest Arnhem print to the Burgomaster of Ede, Mr Van der Kemp and the Commanding Officer of the 11th Airmobile Brigade, Bgen van Wiggen. Copies of the print were then presented to a number of Arnhem Veterans of the battle who were present. The prints depict the drop of the 4th Parachute Brigade on Ginkle Heath, on the 18th September 1944 and was commissioned by Col John Waddy who was the Officer Commanding B Company 156th Parachute Battalion during that momentous drop and subsequent battles. John took this opportunity to do more research for his next large painting commission for Brigadier Mike Dauncey DSO, a famous Glider Pilot and Arnhem Veteran, who is going to present the painting to the Glider Pilot Regiment Association. 2012 should see John painting in Helmand province, Afghanistan with the British Army, sketching and painting the daily life of soldiers and their ongoing operations, gathering information for future paintings of this campaign.

John Wynne Hopkins with the painting Full Flaps.

John Wynne Hopkins presenting framed prints of Ginkel Heide.

John Wynne Hopkins at Ginkel Heide, with Col John Waddy.



More about John Wynne Hopkins

 

AVIATION PRINTS

Click above to see all of our half price aviation prints - Eight random items are displayed to the right.

Some Current Half Price Offers

 The German High Command entered World War II with the notion that the war would be quickly won, and certainly without the need to fight at night.  The RAF changed all that when Bomber Command, having suffered appalling losses in daylight, turned to attacking under the cloak of darkness.  By mid-1940 the Luftwaffe was forced to hurriedly form its first night fighter wing utilising the Messerschmitt Bf110.  Without specialised equipment, initially Luftwaffe pilots relied on visual acquisition, detecting enemy aircraft with the aid of searchlights.  To combat intensifying RAF night attacks, new electronic methods of navigation and detection were developed, and by the end on 1942 the German night fighter force had almost 400 aircraft contesting the night skies.  Almost 1300 British aircraft were destroyed in that year alone.The Bf110G-4 of 47-night victory pilot Oberleutnant Martin Drewes at dusk in March 1944, heading out to intercept in-bound British four-engined bombers over north west Germany. Equipped with the latest FuG220 and 218 radars, the experienced crew will lie in wait, carefully choose their prey, stalk and close for the kill. The deadly game of hide and seek is about to begin.

Night Hunters of the Reich by Nicolas Trudgian.
Half Price! - £120.00
 The F.4c Phantom II of Colonel Robin Olds of the 8th Tactical Fighter Wing tucks the landing gear up as he blasts out of a forward airfield in January 1967.

Gear Up - Go! by Ivan Berryman. (P)
Half Price! - £750.00
 Depicting a crashed Beau Nightfighter.

Desert Prang by Geoff Lea. (P)
Half Price! - £1300.00
 During a patrol on 6th July 1918, Christiansen spotted a British submarine on the surface of the Thames Estuary. He immediately turned and put his Hansa-Brandenburg W.29 floatplane into an attacking dive, raking the submarine C.25 with machine gun fire, killing the captain and five other crewmen. This victory was added to his personal tally, bringing his score to 13 kills by the end of the war, even though the submarine managed to limp back to safety. Christiansen survived the war and went on to work as a pilot for the Dornier company, notably flying the giant Dornier Do.X on its inaugural flight to New York in 1930. He died in 1972, aged 93.

Kapitanleutnant zur See Friedrich Christiansen by Ivan Berryman.
Half Price! - £60.00

 Set in a spectacular mountain scene, Nicolas Trudgians print records the last days of air combat as World War II drew to a close. The most feared of the Luftwaffes remaining units were those equipped with the remarkable Me262 fighter jet, but they were vulnerable to attack during take-off and landing. Commanding JV-44, General Galland countered the threat by employing Fw190 Dora 9s to fly top cover. Nicolas Trudgians painting depicts the colourful Fw190 of Hptm Waldermar Wubke of JV-44 as he prepared to scramble Red Three at Ainring airfield in may 1945. <br><br><b>Published 2000.<br><br>Signed by two Luftwaffe Knights Cross holders who flew the Fw190D-9 operationally during World War II.</b>

Mountain Wolf by Nicolas Trudgian
Half Price! - £90.00
 Equipped with the experimental <i>Monica IIIE</i> detection device, Hawker Tempest EJ535 was deployed to the Fighter Interception Unit at Newchurch for evaluation in July 1944.  Originally developed as the AN/APS 13, <i>Monica</i> had been intended as a rear-looking device to warn crews of attacks from behind.  Now modified to face forward, it became a valuable aid in the battle against Hitler's terror weapons, notably the V-1 Flying Bomb.  In the hands of the Fighter Interception Unit's then Commanding Officer Joseph Berry, this became a winning combination with no fewer than 52 <i>Doodlebugs</i> falling to Berry's guns – on one occasion, seven V1s being shot down by Berry in a single night.

Bug Killer by Ivan Berryman. (AP)
Half Price! - £90.00
 A pair of De Havilland Mosquito NF. MkII night fighters of 23 Squadron, based at Bradwell Bay, Essex in 1942.

Night Raiders by Ivan Berryman. (C)
Half Price! - £110.00
 With his personal emblem of black and white fuselage band adorning his Fokker E.V, 153/18, Richard Wenzl briefly commanded Jasta 6, based at Bernes in August 1918, and claimed a modest 6 victories during his career with JG 1. The Fokker E.V was both fast and manoeuvrable, but a series of engine and structural failures meant that these exciting new machines saw only brief service before being re-worked to emerge as the D.VIII, sadly too late to make any impression on the war. Wenzl is shown here in combat with Sopwith Camels of 203 Sqn, assisted by Fokker D.VIIs, which served alongside the E.Vs of Jasta 6. The D.VII shown is that of Ltn d R Erich Just of Jasta 11, also based at Bernes.

Leutnant d R Richard Wenzl by Ivan Berryman. (AP)
Half Price! - £60.00

NAVAL PRINTS

Click above to see all of our half price naval prints - Eight random items are displayed to the right.

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The nuclear-powered submarine HMS Repulse (S23) manoeuvres in preparation to berth at HMS Dolphin in Portsmouth harbour in the late 1970s.

HMS Dolphin by Ivan Berryman. (AP)
Half Price! - £25.00
 Viewed from beneath the blistered guns of the damaged X and Y turrets of her sister HMS Ajax, Achilles come sunder fire from the pocket battleship Admiral Graf Spee during what was to become known as the Battle of the River Plate on the 13th December 1939. Shells from Achilles are closing on her opponent as the Graf Spee alters course at the start of the doomed battleships flight to Montevideo

The Pursuit of the Graf Spee by Ivan Berryman (P)
Half Price! - £2800.00
DHM810.  The Queen Elizabeth 2 Leaving New York by Robert Barbour.

The Queen Elizabeth 2 Leaving New York by Robert Barbour.
Half Price! - £35.00
B64AP.  HMS Centaur Departing Devonport by Ivan Berryman.

HMS Centaur Departing Devonport by Ivan Berryman (AP)
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 Wearing her unusual black and white disruptive colour scheme, HMS Repulse is pictured as part of Force Z in company with HMS Prince of Wales and the destroyer Vampire. These two mighty battleships were to be lost within hours of each other, the victims of intense Japanese air strikes. Vampire and the destroyer Electra were on hand to pick up survivors from both ships.

HMS Repulse by Ivan Berryman. (Y)
Half Price! - £65.00
 Arguably the most iconic moment in British naval history, <i>HMS Victory</i> is depicted just moments from firing her devastating opening salvo into the stern galleries of the French flagship </i>Bucentaure</i> at Trafalgar as Nelson's flagship enters the fray at approximately 12.30pm on October 21st 1805.  Beyond <i>Victory</i>, in the extreme distance through the gun smoke, Collingwood's <i>Royal Sovereign</i>is engaging the <i>Santa Ana</i>.  To the left of the painting, the French <i>Neptune</i> and Spanish <i>San Justo</i> can be seen with <i>Redoutable</i> immediately beyond <i>Victory</i>, trying vainly to close the gap.  <i>Victory</i>, already shot to pieces, is about to wreak her terrible revenge on the <i>Bucentaure</i> in the foreground where Vice-Admiral Villeneuve can be seen on the poop deck - wearing the green corduroy pantaloons.  Nelson was surely the nemesis of Villeneuve, who had been summarily humiliated some seven years earlier at the Battle of the Nile and Nelson's tactics would again win the day for His Majesty's navy, albeit at the tragic cost of Nelson himself.

Nemesis by Ivan Berryman. (P)
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With her mizzen top already gone and her sails aloft having received severe punishment, Victory breaks through the line behind the French flagship Bucentaure, delivering a shattering broadside into her stern.  So severe was this opening fire that the Bucentaure was effectively put out of the rest of the battle, although Admiral Villeneuve himself was to miraculously survive the carnage.  Beyong Victory can be seen the French Redoubtable, which is receiving fire from Victorys starboard guns, and the Spanish San Leandro is in the extreme distance.  Most of Victorys stunsails have been cut away, but it was her stunsail booms that became entangled with the rigging of the Redoubtable when she put her helm to port and ran onto her.  Admiral Nelson fell shortly afterward, having received a fatal wound from a musket ball fired by a French sharpshooter in Redoubtables mizzen fighting top.  The Temeraire can be seen approaching the fray to the right.

Trafalgar - The Destruction of the Bucentaure by Ivan Berryman.
Half Price! - £15.00
Viewed across the damaged stern of the 80-gun San Nicholas, Nelson drives HMS Captain onto the Spanish vessel in order that she can be boarded and taken as a prize, the British marines and men scrambling up the Captains bowsprit to use it as a bridge.  The San Nicholas then fouled the Spanish three decker San Joseph (112), allowing Nelson and his men to take both ships as prizes in a single manoeuvre.  A British frigate is moving into a supporting position in the middle distance.

HMS Captain at the Battle of Cape St Vincent by Ivan Berryman (P)
Half Price! - £5250.00

WORLD WAR TWO MILITARY PRINTS

Click above to see all of our half price world war two military - Eight random items are displayed to the right.

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 After almost two months of continuous fighting in the front line, remnants of the 12th SS Panzer Division, Hitler Jugend, fall back under incessant air attacks by allied fighter bombers for their final battles in France. In their defense of the northern flank of what is to become the Falaise Gap the new Jagdpanzer IV in particular is to prove a formidable foe to the attacking British and Canadian tanks.

The Falaise Gap, Normandy, 12th - 20th August 1944 by David Pentland.
Half Price! - £100.00
 British MK1 Grant tanks of the Staffordshire Yeomanry 8th Armoured Brigade, 10th Armoured Division, breakout from El Alamein.

Operation Supercharge, 4th November 1941 by David Pentland. (GL)
Half Price! - £300.00
 As 1944 drew to a close, Hitler made his final gamble of the war, mounting a massive strike force aimed at splitting the Allies forces advancing upon Germany. His armour, supported from the air, would rip through the Ardennes to Antwerp, capture the Allied fuel supplies, and cut off all the opposing forces to the north. Hitlers commanders were dubious of the outcome but nevertheless obeyed orders, and the operation was launched on 16th December. Allied intelligence had discounted any German counter-offensive and the initial wave, comprising 8 Panzer divisions, took the Allied forces completely by surprise. A parachute drop of English-speaking German soldiers in American uniforms behind the assault zone added to the confusion. Advancing some 30 miles, and almost in sight of the River Meuse, by 26th December the SS Panzers had ground to a halt with empty fuel tanks, and were at the mercy of Allied counter-attacks. By 16th January the German penetration was repulsed and Hitlers beloved Panzer units retreated in tatters. The Fuhrers last gamble had failed. Fw190s of JG1 provide close support to the 9th SS Panzer Division, as they spearhead Germanys final major offensive of World War II. Seen advancing on the 82nd Airborne Division, the King Tiger tanks, with the aid of Luftwaffe ground-attack fighters, drive the Americans back through the snowy fields of the Ardennes on Christmas Day, 1944. It was the last, short-lived and ultimately unsuccessful advance made by the German forces during World War II. <br><br><b>Published 2001.</b>

Ardennes Offensive by Nicolas Trudgian (Y)
Half Price! - £135.00
 Men of Colonel Frosts 2 Para  retake the bridge after a German attempt lead by Captain Viktor Graebner of the 9th SS panzer Division (armoured  reconnaissance Troops) had failed.

Arnhem Bridge by Simon Smith (P)
Half Price! - £3000.00

 Goch-Gennep, Germany, 9th February 1945.  The Sturmgeschutz III of Leutnant Heinz Deutsch, Stug-Brigade XII, and paratroops of 7th Fallschirmjager Division counterattacking the Allied advance into the Reichswald forest in the final months of the war.  The small Stug brigade numbering at its peak only 30 assault guns was responsible for the destruction of 250 allied tanks, Deutsch's gun claiming 44 of that total.

Defenders of the Reichswald by David Pentland. (P)
Half Price! - £700.00
 A Tiger (P) Ferdinand, 7th Company, 654th Schwere Panzerjager Abteilung passes a knocked out Soviet Su122 on the German advance towards the village of Ponyri.  The fighting around this small agricultural settlement was some of the most savage of the entire battle.

The Battle for Ponyri Station, Kursk, 9th July 1943 by David Pentland.
Half Price! - £40.00
A Tiger I and PAK 40 anti tank gun of the Müncheberg Division, field a final defence of the capital in front of the Brandenburg Gate under the shattered remains of the famous Linden trees. The under-strength division had just been formed the previous month from a mixture of ad hoc units and various marks of tank. Despite this it put up a spirited fight until its final destruction in early May.

Tiger at the Gate, Berlin, 30th April 1945 by David Pentland. (GL)
Half Price! - £300.00
 Panzer IIs and IIIs of the African Korps, 15th Panzer Division drive towards Arcoma during the epic battles for the Gazala line.

Battle for Gazala by David Pentland. (GL)
Half Price! - £300.00

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