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| Battle of Hastings by Brian Palmer.
The Battle of Hastings: While King Harold II was defeating the Norse invasion at the battle of Stamford Bridge in the north, the Norman invasion led by the Norman Duke William landed in the south. A Norman force of 7,000 warriors sailed across the English Channel in 450 flat boats and landed at Pevensey in Sussex on September 28th. The following two weeks saw the Norman army organising and raiding the local area for supplies. On hearing of the invasion, King Harold marched south from York to London, a distance of 200 miles, in seven days. And on October 13th with his army of 7,000 men took up position on Senlac Hill, 8 miles north of Hastings. Harold took this position as this was the direct route for London. The following day, the Normans attacked the village (which is now the town of Battle). The Battle of Hastings was a battle between King Harolds infantry and the Norman cavalry and archers. The Saxon line threw back the first charge of Norman knights and as the knights began retiring, the Saxons began to pursue the cavalry but a counter attack by Williams disciplined knights cut down the Saxon infantry. King Harold reformed his line before the second Norman cavalry attack was launched. For many hours King Harolds Saxon infantry held their ground against the repeated cavalry charges, both sides suffered heavy losses. As the evening progressed the battle turned the Normans way, William feigned a withdrawal of his cavalry, the Saxon infantry again could not resist to break ranks and pursue the cavalry. Halfway down the hill Williams knights turned and charged the Saxon infantry. King Harold at this time was mortally wounded from an arrow in the eye and the victory was won by the Normans. Each side lost a quarter of their men and during the fighting William the Conqueror had three horses killed under him. Later he ordered the building of Battle Abbey on the battlefield. The way was clear to London and William the Conqueror was crowned King of England on Christmas day at Westminster Abbey. |
| Item Code : DHM1036 | Battle of Hastings by Brian Palmer. - This Edition | Buy 1 Get 1 Half Price! |
| TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | PRINT | Signed limited edition of 1150 prints.
| Image size 25 inches x 15 inches (64cm x 38cm) | Artist : Brian Palmer | £45 Off! | Now : £80.00 |
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Other editions of this item : | Battle of Hastings by Brian Palmer | DHM1036 |
| TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | ARTIST PROOF | Limited edition of 50 artist proofs. | Image size 25 inches x 15 inches (64cm x 38cm) | Artist : Brian Palmer | £15 Off! | Now : £125.00 | VIEW EDITION... | GICLEE CANVAS | Limited edition of 50 giclee canvas prints. | Image size 30 inches x 20 inches (76cm x 51cm) | Artist : Brian Palmer on separate certificate | £100 Off! | Now : £400.00 | VIEW EDITION... | ORIGINAL PAINTING | Original painting by Brian Palmer.
SOLD. | Image size 30 inches x 20 inches (76cm x 51cm) | Artist : Brian Palmer | | SOLD OUT | VIEW EDITION... | POSTCARD | Collector's Postcard - Restricted Initial Print Run of 100 cards. | Postcard size 6 inches x 4 inches (15cm x 10cm) | none | | £2.70 | VIEW EDITION... | SLIGHT BORDER DAMAGE | Signed limited edition of 1150 prints.
The print has slight damage to the border area, mostly on a corner. Not noticeable once framed. | Image size 25 inches x 15 inches (64cm x 38cm) | Artist : Brian Palmer | £65 Off! | Now : £55.00 Better Than Half Price! | VIEW EDITION... |
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Artist Details : Brian Palmer | Click here for a full list of all artwork by Brian Palmer |
Brian Palmer
Ever since Brian Palmer was a young boy his two main passions have been art and history, in particular military history. Between 1965 and 1969 Brian studied graphic design and illustration at Hornsey College of Art in London and for many years worked as a Designer / Illustrator, primarily in the music and publishing industries. Some years ago he began to work solely as a freelance illustrator, eventually concentrating exclusively on military paintings as a means of combining his two great loves. The substantial majority of Brian's paintings of the past 12 or so years have been commisisoned by Cranston Fine Arts, and signed limited edition art prints have been produced, covering many famous and not so famous periods of warfare. For Brian, one of the most important elements of a painting is research. Costume or uniform details, arms, geography and even weather conditions if known, can all combine to bring a realistic and accurate look to a piece of work. Brian has been influenced by many artists and illustrators over the years but his personal favourites within the military genre are Messionier, J.P. Beadle and Caton Woodville, and he has long been a great admirer of Vermeer, Carravagio and the Pre-Raphaelite movement. Cranston Fine Arts are very happy with the art work Brian has produced for them and have commissioned many new items to be shown over the coming years.
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