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| Signatures on this item | |
| *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | |
| Name | Info |
  Rudolf Opitz (deceased) *Signature Value : £55 | Born in Landeshut, Germany in 1910, Rudolf Opitz joined a flying club in 1929 and began flying gliders. In 1934 he became an instructor at Germanys famous glider school at Wasserkuppe in the Rhoen Mountains. Later he joined the German Research Institute as a flight instructor for cargo gliders and airplanes. From 1936 to 1939 Rudy was involved as the test pilot for a research team working on flying wing designs. In 1939 he was drafted into the Luftwaffe, and in 1940 he flew his first combat mission as an assault glider pilot on a mission to capture and secure three strategic bridges over the Albert Canal. In 1941 Opitz was assigned to the German Rocket Research Center at Peenemuende. He was assigned as a test pilot to the Me-163A Komet. In 1942 Rudy would make the worlds first flight in a rocket powered fighter aircraft, the Me-163B. In 1944 he was assigned as Commander of the IIJG/400 Rocket Fighter Group. Rudy met Herman Goering once at an exclusive airshow for high ranking military and government officials. All the latest designs were displayed, and Goering stopped by each aircraft to personally speak with their pilots and crews. Rudy, as the Chief Test Pilot for the 163 program was a bit surprised when Goering asked him, Were you drafted to serve in the rocket fighter squadron or did you volunteer to fly this aircraft? On Rudys last flight in the 163, the fire warning light came on immediately after take off. Rudy began to jettison fuel, but the cockpit filled with burning fuel vapors. Rudy jettisoned the canopy and somehow managed to bring the 163 down in a meadow near the airfield. Despite being injured Rudy managed to get out of the burning aircraft before it exploded. During his recovery Rudy met a nurse, Hanna, who would become his wife after the war. Opitz moved to the U.S. following the War. He continued his career as a test pilot for the Aeronautical Research and Development Center at Wright Patterson AF13 in Ohio. He also worked with the gas turbine division of Avco Lycoming. For more than three decades Opitz served as a FAA pilot examiner for private commercial and flight- instructor certificates. In 1984 he was elected and certified as an Honorary Fellow of the Society of Experimental Test Pilots. In 1994 he was elected into the United States Soaring Hall of Fame. Although 86-years young at the time of this writing, Rudy continues his life long enthusiasm for flight, and still works with aspiring young pilots at his local soaring club in Connecticut. The tremendous technological breakthroughs embodied in the Me-262 and Me-163 development programs accelerated the development of modem rocket and jet powered aircraft by compressing decades of normal development time into a few intense wartime years. Rudy Opitz and his fellow test pilots, many who gave their lives in the process, were critical to the successful development of these programs. Sadly, Rudolf Opitz passed away in May 2010. |
| The Aircraft : | |
| Name | Info |
| Me163 | Rocket-powered Me-163 Comet, probably the most technically advanced aircraft of the second world war. Out of necessity, German aircraft designers compressed decades of development time into years or often months. Although it did not play a significant role in combat, the 163 represented a radical departure from conventional aircraft design. With a length of only 19 feet, the diminutive 163 was powered by a liquid fuel rocket engine. The production models of the Comet were fueled with a mixture of C-Stoff (a mixture of 57% methyl alcohol, 13% hydrazine hydrate, and 13% water) and T-Stoff which was 80% hydrogen peroxide. Almost 5000 pounds of fuel were carried, but the Comets engine had a burn time of only a few minutes. Many technological breakthroughs were required for the Comet program to succeed. Because space and weight were so critical, use of a conventional landing gear was not possible. Instead the 163 utilized a simple dolly consisting of an axle and two wheels which was jettisoned upon takeoff. For landing the 163 utilized a sturdy retractable skid with hydraulic shock absorbers. The Comet was also not particularly effective in combat despite its 596-MPH top speed and twin canon. The aircraft had only about 150 seconds of power once it reached altitude. Thereafter it became a very fast glider. Allied pilots learned to exploit the 163s vulnerability during landing. Rudolf Opitz, the Chief Test Pilot on the 163, was a central figure in the development and testing of the 163. Rudy met Herman Goering once at a special airshow for high ranking military and government officials. The few remaining 163s to survive the War are due to the efforts of Rudy to preserve this unique aircraft for aviation posterity. Of all the Komets lost, 80% were in take off and landing accidents, 15% due to loss of control or fires, and the remaining 5% to Allied aircraft. Only one front line squadron was ever equipped with the Komet. They claimed 9 aircraft for the loss of 14. |
| Artist Details : Stan Stokes |
| Click here for a full list of all artwork by Stan Stokes |
 Stan Stokes Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes. More than thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan. More about Stan Stokes |
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This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com |
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Opitz, Rudolf 
(signed in person)
Opitz, Rudolf 
(signed in person)
