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Please note that our logo (below) only appears on the images on our website and is not on the actual art prints. When you are ready to add this item to your basket, click the button below.       Website Price: £ 60.00       Pack 201. Pack of two Zulu War prints by Charles Fripp and Fayel. PCK0201. Pack of two Zulu War military art prints by Charles Fripp and Fayel, depicting the Battles of Isandhlwana and Ulundi. Military Print Pack. Items in this pack : Item #1 - Click to view individual item DHM1111. Battle of Isandhlwana by Charles Fripp. (B) On the 11th January 1879, a British Force under the command of Lord Chelmsford crossed the Buffalo River into Zululand. A small garrison was left at Rorkes Drift. The force consisted of 1600 British troops, mainly from the 1st and 2nd Battalions 24th Regiment, and 2500 native soldiers. A tented camp was established at Isandhlwana Hill. At 4am on the morning of 22nd January, Lord Chelmsford took half his force to reconnoitre to southeast in search of main Zulu army. Just after 8am a force of 25000 Zulu warriors attacked the remainder of the force in the camp. Surprised, outnumbered by more than six to one, in a position offering little defence, the defenders were soon overpowered and a dreadful slaughter ensued. A few men escaped and re-crossed the Buffalo River to safety. Victoria Crosses were awarded to Lieutenants Melvill and Coghill, who saved the Queens Colour of the 1st/24th and to Private Wassell, 90th Foot, who saved a comrade while escaping across the Buffalo River. Open edition print. Printed with 150 text and images of the VC and DCM Image size 25 inches x 15 inches (64cm x 38cm) Item #2 - Click to view individual item DHM060. Battle of Ulundi by Fayel The two forces meet on 4th July 1879 at Ulundi. Several thousand Zulus surrounded the British infantry which formed a square with the 17th Lancers at its centre. When the Zulus attack faltered the 17th Lancers were ordered to charge. Reproduced by Permission of the 17th/21st Lancers. Open edition print. Image size 21 inches x 14 inches (53cm x 36cm) Website Price: £ 60.00   To purchase these prints individually at their normal retail price would cost £122.00 . By buying them together in this special pack, you save £62 All prices are displayed in British Pounds Sterling   Artist Details : Charles Fripp Click here for a full list of all artwork by Charles Fripp Charles Fripp He was influenced by his father, the landscape artist George A Fripp, and he studied art in Nuremberg and at the Royal Academy of Munich. He is primarily known as an illustrator, in which capacity he worked for The Graphic from 1875 onwards, and the Daily Graphic from 1890 until 1900. Fripp spent many years in southern Africa covering the Ninth Kaffir, Zulu, Boer (1881 and 1899) and Matabele Wars; he was also 'special artist' in the 1885 campaign in Sudan, and covered a number of foreign wars including the Sino-Japanese conflict of 1894-95 and the Philippine insurrection of 1899. He also held a commission in the Artist's Rifles for 13 years. A number of his original sketches and water-colours survive but he is chiefly remembered for his painting 'The Last Stand at Isandhlula (Isandhlwana)'. (National Army Museum) which was exhibited at the Royal Academy in 1885. His only other Academy picture was his 1886 canvas, 'The attack on General Sir John McNeil's force near Suakim' (Duke of Edinburgh's Royal Regiment). The former picture resulted from his activities in the Zulu War which he recounted in an article published in 1900. He arrived at Durban on March 20th, 1879 and joined Lord Chelmsford's column for the relief of Etshowe. Fripp witnessed an attack on the British camp on April 2nd, and Chelmsford's successful relief of Pearson's force at Etshowe. Later he was in the column that discovered the body of the Prince Imperial which he vividly described, and his final account was of the battle at Ulundi which he sketched as he lay on the leather roof of an ammunition cart. He wrote: Now and again a bullet sighed overhead as I watched the beautiful advance of the enemy rapidly spreading over the undulations, disappearing and reappearing as the inequalities were traversed. The landscape in the Isandhlwana picture was drawn, no doubt, on the spot. Similarly the Suakim picture was a result of his participation with General Graham's second expedition from which he submitted many sketches which appeared in the Graphic. More about Charles Fripp

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