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Pack 495. Pack of two military art prints of the Battle of Fontenoy by Felix Philippoteaux and Horace Vernet. - Military Art
DHM074.  The Battle of Fontenoy by Felix Philippoteaux. <p>The Duke of Cumberland, their colonel, commanding the allied forces; measured his strength with Marshal Saxe, who was then besieging Tournay.  The First Guards were on the right of the centre, in the first line, when the Duke, furious at the failure on both wings, ordered the masses of troops to attack.  The infantry dashed forward between the village and the redoubt, and as the British Guards advanced over a low ridge, and saw the French Guards before them, a scene occurred which has become legendary in military history. 'Messieurs les Anglais, tirez les premiers!' is a phrase that bespeaks the old fashioned chivalry with which foemen worthy of each other's steel loved to treat one another.  The story of what occurred is variously given.  'The officers of the English Guards,' says Voltaire, 'when in the presence of the enemy, saluted the French by taking off their hats.  The Comte de Chabannes, and the Duc de Biron, who were in advance returned the salute, as did all the officers of the French Guards.  Lord Charles Hay of the King's Company, 1st Guards, stepped forward and took off his hat.  Lord Charles Hay then pulled out a flask and drank a toast to the French, saying: 'Gentlemen of the French Guard, I hope you will wait for us today and not escape by swimming the Scheldt as you swam the Main at Dettingen.'  Then he turned to his Company and said: 'Men of the King's Company, these are the French Guards and I hope you are going to beat them today.'  Count D'Anteroche, lieutenant of grenadiers, replied in a loud voice:  'Gentlemen, we never fire first; we will follow you.'  The French troops opened fire first but most of their shots went high.  Then the British troops opened fire and nineteen officers and up to 600 men of the French Guards are said to have fallen at the first discharge, as the English pushed on, the enemy were borne back, and in the face of a terrific fire, the Guards drove them into their camp. Here, exposed to the tremendous reverse fire of the redoubt of Eu, the Guards according to Rousseau, formed themselves into a kind of square, and resisted repeated attacks of the cavalry of the French Guards and Carabineers.  But unsupported and decimated by the withering hail of iron that assailed them, attacked by fresh troops and the Irish brigades of Clare and Dillon, beset as in a fiery furnace, the Guards at length began to retire.  They did so in perfect order; but the First Guards left 4 officers, 3 sergeants and 82 men dead on the field, besides having 149 wounded in all.  It was a defeat due to bad generalship and want of cohesion among allies, but its sanguinary episodes added new lustre to the great fame of the Guards. 'There are things, 'says Marshal Saxe, - or some say his friend General D'Heronville, in his Trait des Legions - 'which all of us have seen, but of which our pride makes us silent because we well know we cannot imitate them.'  Fontenoy was a defeat for the British army.  During the battle Lord Charles Hay was wounded but would later be in action again.<b><p>Open edition print. <p> Image size 30 inches x 19 inches (76cm x 48cm)
VAR375. Battle of Fontenoy by Horace Vernet. <p>Battle of Fontenoy during the war of Austrian Succession. French victory under Marshal Maurice De Saxe over the allies (British, Dutch and German under the Duke of Cumberland) 11th May 1745.  Fontenoy, 5 miles south east of Tournai (Tolnay) the battle which started with a Dutch assault and British and Hanovarian infantry advance against the French centre during the battle a sudden attack by an Irish Brigade under French command, attacked the allied forces. The allied square was broken but the British, Hanovarian and Dutch forces retreated in good order.<b><p> Open edition print. <p> Image size 12 inches x 7 inches (31cm x 18cm)

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Pack 495. Pack of two military art prints of the Battle of Fontenoy by Felix Philippoteaux and Horace Vernet.

PCK0495. Pack of two Battle of Fontenoy art prints by Felix Philippoteaux and Horace Vernet.

Military Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM074. The Battle of Fontenoy by Felix Philippoteaux.

The Duke of Cumberland, their colonel, commanding the allied forces; measured his strength with Marshal Saxe, who was then besieging Tournay. The First Guards were on the right of the centre, in the first line, when the Duke, furious at the failure on both wings, ordered the masses of troops to attack. The infantry dashed forward between the village and the redoubt, and as the British Guards advanced over a low ridge, and saw the French Guards before them, a scene occurred which has become legendary in military history. 'Messieurs les Anglais, tirez les premiers!' is a phrase that bespeaks the old fashioned chivalry with which foemen worthy of each other's steel loved to treat one another. The story of what occurred is variously given. 'The officers of the English Guards,' says Voltaire, 'when in the presence of the enemy, saluted the French by taking off their hats. The Comte de Chabannes, and the Duc de Biron, who were in advance returned the salute, as did all the officers of the French Guards. Lord Charles Hay of the King's Company, 1st Guards, stepped forward and took off his hat. Lord Charles Hay then pulled out a flask and drank a toast to the French, saying: 'Gentlemen of the French Guard, I hope you will wait for us today and not escape by swimming the Scheldt as you swam the Main at Dettingen.' Then he turned to his Company and said: 'Men of the King's Company, these are the French Guards and I hope you are going to beat them today.' Count D'Anteroche, lieutenant of grenadiers, replied in a loud voice: 'Gentlemen, we never fire first; we will follow you.' The French troops opened fire first but most of their shots went high. Then the British troops opened fire and nineteen officers and up to 600 men of the French Guards are said to have fallen at the first discharge, as the English pushed on, the enemy were borne back, and in the face of a terrific fire, the Guards drove them into their camp. Here, exposed to the tremendous reverse fire of the redoubt of Eu, the Guards according to Rousseau, formed themselves into a kind of square, and resisted repeated attacks of the cavalry of the French Guards and Carabineers. But unsupported and decimated by the withering hail of iron that assailed them, attacked by fresh troops and the Irish brigades of Clare and Dillon, beset as in a fiery furnace, the Guards at length began to retire. They did so in perfect order; but the First Guards left 4 officers, 3 sergeants and 82 men dead on the field, besides having 149 wounded in all. It was a defeat due to bad generalship and want of cohesion among allies, but its sanguinary episodes added new lustre to the great fame of the Guards. 'There are things, 'says Marshal Saxe, - or some say his friend General D'Heronville, in his Trait des Legions - 'which all of us have seen, but of which our pride makes us silent because we well know we cannot imitate them.' Fontenoy was a defeat for the British army. During the battle Lord Charles Hay was wounded but would later be in action again.

Open edition print.

Image size 30 inches x 19 inches (76cm x 48cm)


Item #2 - Click to view individual item

VAR375. Battle of Fontenoy by Horace Vernet.

Battle of Fontenoy during the war of Austrian Succession. French victory under Marshal Maurice De Saxe over the allies (British, Dutch and German under the Duke of Cumberland) 11th May 1745. Fontenoy, 5 miles south east of Tournai (Tolnay) the battle which started with a Dutch assault and British and Hanovarian infantry advance against the French centre during the battle a sudden attack by an Irish Brigade under French command, attacked the allied forces. The allied square was broken but the British, Hanovarian and Dutch forces retreated in good order.

Open edition print.

Image size 12 inches x 7 inches (31cm x 18cm)


Website Price: £ 58.00  

To purchase these prints individually at their normal retail price would cost £86.00 . By buying them together in this special pack, you save £28




All prices are displayed in British Pounds Sterling

 

Artist Details : Horace Vernet
Click here for a full list of all artwork by Horace Vernet

Horace Vernet

Emile Jean Horace Vernet The artist was born in Paris, in the galleries of the Louvre on 30th June, 1789 where his parents were lodging during the occupation of the palace in the revolution. He attained early distinction and quickly developed a disdain for the classical school of David. He set about therefore to develop his own style and his taste led him to military subjects. Taking nature as his guide, Vernet depicted the French soldier as he really was rather than in an idealised fashion. His pictures Dog of the Regiment, Trumpeter's Horse and Death of Poniatowski along with similar compositions gave him universal popularity. In 1819 he began to paint large battle scenes but though he worked on an immense scale and with the utmost speed, his figures and groupings were thoroughly artistic. In the past, artists had represented episodes in warfare but Vernet brought whole battlefields before his audience as in his famous Battle of Italy and Capture of Rome. Several of his well-known paintings represented battles of the French Revolution such as Valmy and Jemapes. One of his most famous pictures painted in 1826 entitled the Battle of the Bridge of Arcole showed the young Napoleon seizing a tattered flag and leading his men across the bridge on 17th November, 1796. He represented many of the victories of Napoleon including scenes of the emperor at the Battle of Jena, Friedland, and Wagram. During the Crimean War, he accompanied the French army and produced several important paintings including the Battle of the Alma exhibited in 1856. His Algerian battle pieces such as the Occupation by the French Army of the Pass of Mouzia, and the Capture of Smalah were well received as he had drawn the soldiers and the events from nature. Once when asked by Louis Napoleon to alter a picture of a military review leaving out a certain general who was obnoxious to the French emperor, Vernet refused to do it stating I am a painter of history, sire and I will not violate the truth. Vernet died in Paris on 17th January, 1863.

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