| | Item Code : DHM1156C | Defenders of the Reich by Graeme Lothian. (C) - This Edition | Buy 1 Get 1 Half Price! |
| | TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | | PRINT | Walter Schuck Knights Cross signature series edition of 100 prints from the signed limited edition of 1150 prints.
| Image size 25 inches x 14 inches (64cm x 36cm) | Schuck, Walter (signed in person) + Artist : Graeme Lothian
Signature(s) value alone : £70 | £40 Off! | Now : £105.00 |
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| SPECIAL OFFER : ADD A CLIPPED SIGNATURE TO THE ABOVE PRINT AT A VERY SPECIAL RATE! |  Add Signature : Werner Roell. for £55.00 Buy One Get One Half Price Add this signature to the print for £132.50
|  Add Signature : Gunther Rall. for £65.00 Buy One Get One Half Price Add this signature to the print for £137.50
|  Add Signature : Adolf Galland. for £60.00
|  Add Signature : Hermann Buchner. for £55.00 Buy One Get One Half Price Add this signature to the print for £132.50
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| Other editions of this item : | Defenders of the Reich by Graeme Lothian. | DHM1156 |
| | TYPE | EDITION DETAILS | SIZE | SIGNATURES | OFFERS | YOUR PRICE | PURCHASING | | PRINT | Signed limited edition of 1150 prints. | Image size 25 inches x 14 inches (64cm x 36cm) | Artist : Graeme Lothian | £45 Off! | Now : £75.00 | VIEW EDITION... | ARTIST PROOF | Limited edition of 50 artist proofs. | Image size 25 inches x 14 inches (64cm x 36cm) | Artist : Graeme Lothian | £25 Off! | Now : £115.00 | VIEW EDITION... | | REMARQUE | Hartmann Presentation Edition of Artist Proofs Nos. 1 - 5. | Image size 25 inches x 14 inches (64cm x 36cm) | Hartmann, Erich (clipped) + Artist : Graeme Lothian
Signature(s) value alone : £95 |  | £380.00 | VIEW EDITION... | | PRESENTATION | Reinert Presenetation Edition of Artist Proofs Nos. 6 - 10. | Image size 25 inches x 14 inches (64cm x 36cm) | Reinert, Ernst Wilhelm (clipped) + Artist : Graeme Lothian
Signature(s) value alone : £70 | | £340.00 | VIEW EDITION... | ARTIST PROOF | Erich Rudorffer Knights Cross signature series edition of 30 artist proofs from the edition of 50 artist proofs. | Image size 25 inches x 14 inches (64cm x 36cm) | Rudorffer, Erich (signed in person) + Artist : Graeme Lothian
Signature(s) value alone : £70 | £50 Off! | Now : £165.00 | VIEW EDITION... | | PRINT | Erich Rudorffer Knights Cross signature series edition of 240 prints from the signed limited edition of 1150 prints. | Image size 25 inches x 14 inches (64cm x 36cm) | Rudorffer, Erich (signed in person) + Artist : Graeme Lothian
Signature(s) value alone : £70 | £85 Off! | Now : £110.00 | VIEW EDITION... | | PRINT | Radlauer and Pflaum signature edition of 100 prints from the signed limited edition of 1150 prints. | Image size 25 inches x 14 inches (64cm x 36cm) | Radlauer, Heinz (signed in person)
Pflaum, Hubert-Ludwig (signed in person) + Artist : Graeme Lothian
Signature(s) value alone : £70 | £95 Off! | Now : £105.00 | VIEW EDITION... | GICLEE CANVAS | Limited edition of 50 giclee canvas prints. | Image size 36 inches x 22 inches (91cm x 56cm) | Artist : Graeme Lothian on separate certificate | £100 Off! | Now : £500.00 | VIEW EDITION... | GICLEE CANVAS | Limited edition of 50 giclee canvas prints. | Image size 30 inches x 18 inches (76cm x 46cm) | Artist : Graeme Lothian on separate certificate | £100 Off! | Now : £400.00 | VIEW EDITION... | ORIGINAL PAINTING | Original painting by Graeme Lothian. | Image size 38 inches x 22 inches (97cm x 56cm) | Artist : Graeme Lothian | £1000 Off! | Now : £3000.00 | VIEW EDITION... | SLIGHT BORDER DAMAGE | Signed limited edition of 1150 prints.
The print has slight damage to the border area, mostly on a corner. Not noticeable once framed. | Image size 25 inches x 14 inches (64cm x 36cm) | Artist : Graeme Lothian | £65 Off! | Now : £55.00 Better Than Half Price! | VIEW EDITION... |
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| Extra Details : Defenders of the Reich by Graeme Lothian. (C) | | About all editions : | Detail Images :

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| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 

Oberleutnant Walter Schuck (deceased) *Signature Value : £70
| Initially with JG3, Walter Schuck was posted north to 7./JG5 in April 1942. On 15 June 1944 he chalked up his 100th victory during a day when he shot down 6 aircraft. Two days later he had his most successful day, achieving 12 victories in twenty-four hours, a feat never surpassed in JG5. On 1 August, he assumed command of 10./JG5. Walter Schuck transferred to fly the Me262 as Staffelkapitan of 3./JG7, and achieved 8 further victories flying the new jet. His final tally was 206 air victories. He was awarded the Knights Cross with Oak Leaves. Walter Schuck died on 27th March 2015. |
| The Aircraft : | | Name | Info | | Flying Fortress | In the mid-1930s engineers at Boeing suggested the possibility of designing a modern long-range monoplane bomber to the U.S. Army Air Corps. In 1934 the USAAC issued Circular 35-26 that outlined specifications for a new bomber that was to have a minimum payload of 2000 pounds, a cruising speed in excess of 200-MPH, and a range of at least 2000 miles. Boeing produced a prototype at its own expense, the model 299, which first flew in July of 1935. The 299 was a long-range bomber based largely on the Model 247 airliner. The Model 299 had several advanced features including an all-metal wing, an enclosed cockpit, retractable landing gear, a fully enclosed bomb bay with electrically operated doors, and cowled engines. With gun blisters glistening everywhere, a newsman covering the unveiling coined the term Flying Fortress to describe the new aircraft. After a few initial test flights the 299 flew off to Wright Field setting a speed record with an average speed of 232-mph. At Wright Field the 299 bettered its competition in almost all respects. However, an unfortunate crash of the prototype in October of 1935 resulted in the Army awarding its primary production contract to Douglas Aircraft for its DB-1 (B-18.) The Army did order 13 test models of the 299 in January 1936, and designated the new plane the Y1B-17. Early work on the B-17 was plagued by many difficulties, including the crash of the first Y1B-17 on its third flight, and nearly bankrupted the Company. Minor quantities of the B-17B, B-17C, and B-17D variants were built, and about 100 of these aircraft were in service at the time Pearl Harbor was attacked. In fact a number of unarmed B-17s flew into the War at the time of the Japanese attack. The German Blitzkrieg in Europe resulted in accelerated aircraft production in America. The B-17E was the first truly heavily armed variant and made its initial flight in September of 1941. B-17Es cost $298,000 each and more than 500 were delivered. The B-17F and B-17G were the truly mass-produced wartime versions of the Flying Fortress. More than 3,400 B-17Fs and more than 8,600 B-17Gs would be produced. The American daylight strategic bombing campaign against Germany was a major factor in the Allies winning the War in Europe. This campaign was largely flown by B-17 Flying Fortresses (12,677 built) and B-24 Liberators (18,188 built.) The B-17 bases were closer to London than those of the B-24, so B-17s received a disproportionate share of wartime publicity. The first mission in Europe with the B-17 was an Eighth Air Force flight of 12 B-17Es on August 12, 1942. Thousands more missions, with as many as 1000 aircraft on a single mission would follow over the next 2 ½ years, virtually decimating all German war making facilities and plants. The B-17 could take a lot of damage and keep on flying, and it was loved by the crews for bringing them home despite extensive battle damage. Following WW II, B-17s would see some action in Korea, and in the 1948 Israel War. There are only 14 flyable B-17s in operation today and a total of 43 complete airframes | | Me262 | The Messerschmitt Me-262 Swallow, a masterpiece of engineering, was the first operational mass-produced jet to see service. Prototype testing of the airframe commenced in 1941 utilizing a piston engine. General Adolf Galland, who was in charge of the German Fighter Forces at that time, pressured both Goring and Hitler to accelerate the Me-262, and stress its use as a fighter to defend Germany from Allied bombers. Hitler, however, envisioned the 262 as the aircraft which might allow him to inflict punishment on Britain. About 1400 Swallows were produced, but fortunately for the Allies, only about 300 saw combat duty. While the original plans for the 262 presumed the use of BMW jet engines, production Swallows were ultimately equipped with Jumo 004B turbojet engines. The wing design of the 262 necessitated the unique triangular hull section of the fuselage, giving the aircraft a shark-like appearance. With an 18 degree swept wing, the 262 was capable of Mach .86. The 262 was totally ineffective in a turning duel with Allied fighters, and was also vulnerable to attack during take off and landings. The landing gear was also suspect, and many 262s were destroyed or damaged due to landing gear failure. Despite its sleek jet-age appearance, the 262 was roughly manufactured, because Germany had lost access to its normal aircraft assembly plants. In spite of these drawbacks the 262 was effective. For example, on April 7, 1945 a force of sixty 262s took on a large force of Allied bombers with escort fighters. Armed with their four nose-mounted cannons, and underwing rockets the Swallows succeeded in downing or damaging 25 Allied B-17s on that single mission. While it is unlikely that the outcome of the War could have been altered by an earlier introduction or greater production totals for this aircraft, it is clear to many historians that the duration of the War might have been drastically lengthened if the Me-262 had not been too little too late. |
| Artist Details : Graeme Lothian | | Click here for a full list of all artwork by Graeme Lothian |
 Graeme Lothian
Graeme Lothian is an artist whose ability has seen him apply his talent to many different subjects - military, aviation, naval and landscape art. Having spent time in the army, taking on adventures such as parachuting, the discipline he has obtained from his experiences has been key to allowing him to take on his first love - painting - full time. Graeme first took on painting full-time by producing paintings of WW2 aircraft, such as Spitfires and Messerschmitts, but over his career in art, now spanning over two decades, has also produced many military and naval pieces too. More recently, he has undertaken a masive project of painting the River Thames, from its source, through London and beyond, producing over 50 paintings in this series, as well as a book. Graeme Lothian describes himself as a landscape painter. The paintings may have a Tiger, Steam Train, Spitfire or Kentish Oasts in them, but they're still landscapes. Graeme started painting in 1978 in oils, a medium he has stayed with since then. Joining the Parachute Regiment and Airborne Forces at the beginning of the 1980s, a parachuting accident curtailed his career and he returned to his first love - art. In the early 90s he formed a partnership with the late great Air Vice-Marshal Johnnie Johnson CB CBE DSO(two bars) DFC(bar) the top scoring Allied fighter pilot of WWII. Embarking on a career as an aviation artist, travelling all over Britain and Europe obtaining the signatures for his prints. Personally meeting the most famous aviators and top aces of both sides of the last war. Graemes first book An Artist on the Thames came out in 2004. His second, An Artist in London, which has taken 5 years to complete, is due out in the autumn of 2012. In between, he printed an Everest painting carrying the signatures of Sir Edmund Hillary and Sir Chris Bonnington. Graeme had solo exhibitions in 1981, 1989 in Sydney, Australia, 2007, 2008. In 2009, Graeme was one of only 56 other artists to exhibit at the internationally acclaimed and prestigious BP Portrait Awards at the National Portrait Gallery, London. In 2010 Graeme went to Afghanistan as the artist to the Joint Forces Medical Group (JFMG). He covered everything medical in Helmand including many hours in the hospital at Camp Bastion watching the surgeons operating. The subsequent paintings and artwork were displayed at the Royal Society of Medicine, Wimpole Street, London. He returned to Afghanistan as the official artist to 20 Armoured Brigade and 101 Logistic Brigade's Herrick 15 winter tour 2011-2012. This time he was covering first the logistics and then the infantry soldier, taking him to places such as Nad e Ali, Babaji, Nahr e Saraj and Gereshk. 20 Armoured Brigade published an art book, 'Soldiers Flowers', showing art from their serving personnel on the tour. Graeme, subject to confirmation, is due back in Helmand again, this time as artist to 4 Mechanized Brigade, commanded by Brigadier Bob Bruce on their Herrick 17 winter tour, 2012-2013. Born in Sri Lanka, Graeme has painted all over the world including Europe, Australia, New Zealand, Nepal, Syria, India and most recently Oman and Jordan. His originals hang all over the world and to date has had over 80 limited edition art prints published.
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Graeme with German Ace Ernst Wilhelm Reinert and the painting Fighter General |
Graeme sketching in Musa Qala, Helmand Province, Afghanistan, March 2010. |
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