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Jabs, Falck Me110 Night-Fighter Prints by Nicolas Trudgian and Stan Stokes.
PCK1238. Jabs, Falck Me110 Night-Fighter Prints by Nicolas Trudgian and Stan Stokes. Items in this pack :
Aviation Print Pack.
Item #1 - Click to view individual item
STK0124B. Top Night Fighter by Stan Stokes.
Major Heinz Schnaufer, with 121 victories, was the top-scoring night fighter ace of all time. He became a Luftwaffe pilot in 1942 and obtained his first victory in June of that year. By August his victory count had reached twenty-two and he was put in command of the 9th Staffel of the IV/BJG1. On the evening of December 16, 1943 Schnaufer downed four RAF Lancaster 4-engine bombers, and on February 21, 1945 he claimed a total of nine Lancasters in one evening. He received the highest award which could be obtained, the Diamonds to the Knights Cross, upon attainment of his 100th victory. Schnaufer survived the War, but was killed in a motoring accident in 1950. As depicted by Stan Stokes in his dramatic painting entitled Top Night Fighter, Schnaufer, who primarily flew the night fighter version of the Messerschmitt Bf-110 Zerstorer, homes in on an RAF Lancaster heavy bomber. The Bf-110 grew out of Herman Gorings specifications for a multipurpose aircraft capable of penetrating deep into enemy airspace to clear the sky of enemy fighters in advance of German bomber formations. The aircraft would also be utilized as a long range interceptor, and as a ground support and ground attack bomber. The Bf-110 prototype first flew in 1936. The prototype was under powered with its Daimier Benz DB 600A engines. Several months passed before a go ahead was given for large scale production which commenced in 1938. Utilizing improved DB 601 engines, the early production 110s were as fast as any single engine fighter at that time, and had superior fire power. Their biggest apparent weakness was in the areas of armor protection for the crew, and in terms of maneuverability when compared to single seat fighters. The 110 was produced in large numbers and in many different variants. The 110D was the long range model. An additional belly tank was fitted to that aircraft, with several later variants having the more traditional drop tanks. The first serious test for the Bf-110 came during the Battle of Britain. About 300 Bf-110s were involved. They became easy prey for Hurricane and Spitfire pilots, and Bf-109s were often required to assist the 110s in their own defense. On August 15, 1940, which became known as Black Tuesday, the Bf-110s were ravaged by the RAF, and for the month over 100 aircraft were lost. On the Eastern Front the Bf-110 performed admirably in the early stages of Operation Barbarossa. With the Soviet Air Force weakened in the first several weeks of the attack, 110s were effectively utilized in a ground attack role. Ultimately, the Luftwaffe re-equipped a significant number of its 110s as night fighters. The aircraft performed well in this role because it was a good gun platform with sufficient speed to overtake the RAF night bombers. Such night missions were typically carried out with no Allied fighter escort, so the 110 night fighters would not have to engage or elude Allied fighters in this role.
Signed by Oberstleutnant Hans-Joachim Jabs (deceased).
225 prints from the signed limited edition of 4750 prints, with signature of Stan Stokes and pilot, and a remarque.
Image size 16 inches x 11.5 inches (41cm x 30cm)
Item #2 - Click to view individual item
NT0321AP. Night Hunters of the Reich by Nicolas Trudgian.
The German High Command entered World War II with the notion that the war would be quickly won, and certainly without the need to fight at night. The RAF changed all that when Bomber Command, having suffered appalling losses in daylight, turned to attacking under the cloak of darkness. By mid-1940 the Luftwaffe was forced to hurriedly form its first night fighter wing utilising the Messerschmitt Bf110. Without specialised equipment, initially Luftwaffe pilots relied on visual acquisition, detecting enemy aircraft with the aid of searchlights. To combat intensifying RAF night attacks, new electronic methods of navigation and detection were developed, and by the end on 1942 the German night fighter force had almost 400 aircraft contesting the night skies. Almost 1300 British aircraft were destroyed in that year alone.The Bf110G-4 of 47-night victory pilot Oberleutnant Martin Drewes at dusk in March 1944, heading out to intercept in-bound British four-engined bombers over north west Germany. Equipped with the latest FuG220 and 218 radars, the experienced crew will lie in wait, carefully choose their prey, stalk and close for the kill. The deadly game of hide and seek is about to begin.
Signed by Oberst Wolfgang Falck (deceased), in addition to the artist.
Limited edition of artist proofs.
Paper size 24 inches x 19 inches (61cm x 48cm)
Website Price: £ 230.00
To purchase these prints individually at their normal retail price would cost £319.00 . By buying them together in this special pack, you save £89
All prices are displayed in British Pounds Sterling
|Signatures on this item|
Oberstleutnant Hans-Joachim Jabs (deceased)
*Signature Value : £55 (matted)
|After seeing combat as a pilot in Czechoslovakia and the great air battles over France and Belgium, Hans-Joachim Jabs flew the Messerschmitt Me110 Zerstorer throughout the Battle of Britain with II./ZG76 Sharks Gruppe. During this time he shot down eight Spitfires and four Hurricanes and was awarded the Knights Cross in October 1940. Hans-Joachim Jabs retrained as a night fighter pilot, briefly returning to daylight operations to escort the German capital ships on the famous Channel Dash. He became Kommandeur of IV./NJG1, and from March 1944, Kommodore. He was awarded Oak Leaves to the Knights Cross in March 1944. In April 1944 he acheived two remarkable day victories, both over Spitfires. Hans-Joachim Jabs flew 710 missions and scored 22 day and 28 night victories. Born 14th November 1917, died 26th October 2003. Born in Lubeck Germany in 1917, Han-Joachim Jabs, one of the highest scoring Bf- 110 aces to survive the War, joined the Luftwaffe in late 1936. He was originally trained as a Bf-109 pilot, but in March of 1940 he was transferred to ZG-76 which flew the Bf- 110, twin-engine fighter. Jabs honed his fighter pilot skills during the Battle of France, during which he downed four French fighters and two Spitfires, making him an ace. As the Battle of Britain commenced, most Bf-110s were initially assigned the role of escort for German bombers. Pitted against large numbers of Hurricanes and Spitfires flown by well-trained pilots of the RAF, many of these Zerstorer pilots would not survive the Battle of Britain. Hans-Joachim Jabs was an exception. He was one of the few German Bf-110 aces to attain numerous victories against Hurricanes and Spitfires during the Battle of Britain, during which he downed eight Spitfires and four Hurricanes. Downing the superior-performing Spitfires and Hurricanes in the twin-engine Bf-110 was considered by fellow Zerstorer pilots as the ultimate achievement of a fighter pilot. However, by mid 1941 it was very clear that the Bf-110 needed to be withdrawn from front-line daytime fighter service. Many 110s were retrofitted for the night fighter role, where the aircraft would not encounter fighter opposition. Jabs was retrained in late 1941, and he joined NJG-3 in the defense of Hamburg from the RAF night bombing attacks. He did participate in a daylight mission to provide air cover for the famed Channel Dash of the Prinz Eugen and several other capital ships. Jabs had few good scoring opportunities until he was transferred to NJG-1 operating in Holland. This unit was equipped with a later variant of the 110 with better radar and with heavier armament. Jabs night fighter score began to mount, with most of his victims being RAF bombers. By January of 1944 he had attained a total of 44 victories. He was promoted to Kommodore of NJG-1, but continued to fly missions with the men under his command. Major Heinz Schnaufer, the top-scoring night fighter ace of all-time, with 121 victories, served for a while under Jabs' command. While preparing to return from a mission on April 29, 1944, Jabs' 110 was jumped by several Spitfires. Turning into the enemy and firing with his long range cannons, Jabs bagged one the Spitfires, and temporarily sent the others scurrying. The Spitfires regrouped and once again Jabs turned into them and downed one of his pursuers. The ace's 110 had taken quite a few hits and Jabs now desperately tried to return to his base. He was able to land the badly shot-up aircraft and seek cover before the remaining Spitfires strafed his Zerstorer into a burning piece of rubble. Jabs' final victories came on the night of February 21, 1945, when he downed two Lancasters. Jabs total of fifty aerial victories, which included twenty-two daytime victories and twenty-eight night fighter victories were all attained in the Bf-110. Following the end of the War, Jabs began a new life as a businessman and public servant. Jabs married in 1940 and has two sons. He died 23th October 2003.|
|Signatures on item 2|
Oberst Wolfgang Falck (deceased)
*Signature Value : £65 (matted)
|At the outbreak of war Wolfgang Falck was Staffelkapitan of 8,/JG132 flying the Bf110 Zerstorer in the Polish Campaign. In Feb 1940 he became Kommandeur 1./ZG1 and led it during the Western campaign. From June 1940 Falck was appointed Kommodore NJG1, the largest Geschwader in the Luftwaffe. During this time the greatest Luftwaffe night Aces were under his command. In July 1943 he joined the staff of Luftflotte Recih where he was responsible for the day and night fighter defence of the Reich. In the autumn of 1944 he was made Fighter Leader in the Balkans, and later became head of staff for flying training. Wolfgang Falck flew 90 operations and was awarded the Knight's Cross. Died 13th March 2007.|
|Artist Details : Nicolas Trudgian|
|Click here for a full list of all artwork by Nicolas Trudgian|
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition.
Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
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|Artist Details : Stan Stokes|
|Click here for a full list of all artwork by Stan Stokes|
Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes.†More than†thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won†many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff,†Stan often spends†more time pouring over research materials for his paintings to assure their accuracy†to the smallest detail†than†he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan.
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