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WW2 Avro Lancaster Prints by Simon Atack and Robert Taylor. - Military Art
DHM2186.  One Hundred Up! by Simon Atack. <p> Piloted by RAAF skipper T.N.Scholefield, No. 467 Squadrons Lancaster S For Sugar, one of RAF Bomber Commands most famous Lancs, heads out on her 100th mission on May 11, 1944. Embellished with a bomb symbol painted on the fuselage signifying each raid completed, and the infamous Hermann Goering quotation No enemy plane will fly over the Reich Territory, the mighty bomber leads a formation bound for Germany. In total she completed 137 bombing raids. Today, beautifully restored, S For Sugar proudly rests in the RAF Bomber Command Museum at Hendon, London. <b><p>Signed by Flight Sergeant Stan Bradford DFM and Flight Lieutenant Bob Knights DSO DFC (deceased). <p> Signed limited edition of 500 prints. <p> Paper size 23 inches x 31 inches (58cm x 79cm)
DHM2221.  Strike and Return by Robert Taylor. <p>Winter in Northern Europe brings short days, long nights and, for the most part, appalling weather making navigation difficult and flying hazardous, even by todays electronically sophisticated standards.  Throughout RAF Bomber Commands arduous six year World War II campaign, as if atrocious weather were not enough to contend with, day and night bomber crews faced interceptions by enemy fighters, constant flak over occupied territory, and the real and ever-present danger of mid-air collision.  Add snowstorms, gale force winds, freezing temperatures and the comparatively rudimentary navigational aids available at the time, it seems a miracle they were able to continue at all.  But continue they did, and whenever there was the slimmest chance of hitting an enemy target, unhesitatingly, the aircrews of Bomber Command took up the challenge.  460 Squadron, RAAF was typical of the bomber squadrons under overall command of Air Chief Marshal Sir Arthur Harris, squadrons manned by volunteer aircrews from Britain, Australia, New Zealand, Canada, Rhodesia, South Africa, and many other nations opposed to Hitlers Nazi Germany.  To a man they knew the frightening odds against completing a tour of duty, yet many faked their ages just to join this elite band of wartime flyers.  True to their squadron motto Strike and Return, the artist shows Lancasters of 460 Squadron RAAF, returning to RAF Binbrook in Lincolnshire following a daylight raid over Germany in the late winter of 1944.  With the sun almost set, chill evening shadows lengthen on a magnificent winter landscape dusted with snow, Lancaster J-Squared leads the mighty bombers as they descend in the fading light.  <b><p>Signed bySquadron Leader Pat Carden DFC AE (deceased), <br>Flt Lieutenant Bob Knights DSO, DFC (deceased), <br>Squadron Leader Tony Iveson DFC (deceased)<br> and <br>Flying Officer Bill North (deceased).<p>Aircrew Edition.  Signed limited edition of 400 prints, with four signatures.  <p>Paper size 31 inches x 24 inches (79cm x 61cm)

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WW2 Avro Lancaster Prints by Simon Atack and Robert Taylor.

PCK1460. WW2 Avro Lancaster Prints by Simon Atack and Robert Taylor.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2186. One Hundred Up! by Simon Atack.

Piloted by RAAF skipper T.N.Scholefield, No. 467 Squadrons Lancaster S For Sugar, one of RAF Bomber Commands most famous Lancs, heads out on her 100th mission on May 11, 1944. Embellished with a bomb symbol painted on the fuselage signifying each raid completed, and the infamous Hermann Goering quotation No enemy plane will fly over the Reich Territory, the mighty bomber leads a formation bound for Germany. In total she completed 137 bombing raids. Today, beautifully restored, S For Sugar proudly rests in the RAF Bomber Command Museum at Hendon, London.

Signed by Flight Sergeant Stan Bradford DFM and Flight Lieutenant Bob Knights DSO DFC (deceased).

Signed limited edition of 500 prints.

Paper size 23 inches x 31 inches (58cm x 79cm)


Item #2 - Click to view individual item

DHM2221. Strike and Return by Robert Taylor.

Winter in Northern Europe brings short days, long nights and, for the most part, appalling weather making navigation difficult and flying hazardous, even by todays electronically sophisticated standards. Throughout RAF Bomber Commands arduous six year World War II campaign, as if atrocious weather were not enough to contend with, day and night bomber crews faced interceptions by enemy fighters, constant flak over occupied territory, and the real and ever-present danger of mid-air collision. Add snowstorms, gale force winds, freezing temperatures and the comparatively rudimentary navigational aids available at the time, it seems a miracle they were able to continue at all. But continue they did, and whenever there was the slimmest chance of hitting an enemy target, unhesitatingly, the aircrews of Bomber Command took up the challenge. 460 Squadron, RAAF was typical of the bomber squadrons under overall command of Air Chief Marshal Sir Arthur Harris, squadrons manned by volunteer aircrews from Britain, Australia, New Zealand, Canada, Rhodesia, South Africa, and many other nations opposed to Hitlers Nazi Germany. To a man they knew the frightening odds against completing a tour of duty, yet many faked their ages just to join this elite band of wartime flyers. True to their squadron motto Strike and Return, the artist shows Lancasters of 460 Squadron RAAF, returning to RAF Binbrook in Lincolnshire following a daylight raid over Germany in the late winter of 1944. With the sun almost set, chill evening shadows lengthen on a magnificent winter landscape dusted with snow, Lancaster J-Squared leads the mighty bombers as they descend in the fading light.

Signed bySquadron Leader Pat Carden DFC AE (deceased),
Flt Lieutenant Bob Knights DSO, DFC (deceased),
Squadron Leader Tony Iveson DFC (deceased)
and
Flying Officer Bill North (deceased).

Aircrew Edition. Signed limited edition of 400 prints, with four signatures.

Paper size 31 inches x 24 inches (79cm x 61cm)




Website Price: £ 320.00  

To purchase these prints individually at their normal retail price would cost £570.00 . By buying them together in this special pack, you save £250




All prices are displayed in British Pounds Sterling

 

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Flt Lieutenant Bob Knights DSO, DFC (deceased)

Flt Lieutenant Bob Knights DSO, DFC (deceased)
*Signature Value : £40 (matted)

A member of the elite 617 Dambusters squadron, Bob Knights had a key role on the night before D-Day. With the rest of the squadron he flew on Operation Taxable which simulated the approach of the invasion across the Pas de Calais by dropping metal strips of window to a very precise pattern. The enemy was completely deceived and kept most of their best troops on the wrong side of the Seine. Bob Knights had already flown a full operational tour with 619 Squadron Lancasters, including eight trips to Berlin, before volunteering for 617 Squadron. Under Cheshire he flew on some of the squadrons most challenging precision operations and later under Willie Tait took part in the attack that finally destroyed the Tirpitz. Seconded to BOAC in December 1944 he stayed with the airline after the war for a 30 year long career. He died 4th December 2004.


The signature of Flt Sergeant Stan Bradford DFM (deceased)

Flt Sergeant Stan Bradford DFM (deceased)
*Signature Value : £40 (matted)

A mid-upper gunner on Lancaster ED308 D-Donald of 57 squadron RAF Bomber Command, then based at Scampton. By the end of his tour in March 1944 Stan had become an air Ace, credited by 5 Group with the shooting down of 6 enemy fighters, including a Bf109 over France on his very first operation on the night of August 27th 1943. He died on 22nd June 2017.
Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Flt Lieutenant Bob Knights DSO, DFC (deceased)

Flt Lieutenant Bob Knights DSO, DFC (deceased)
*Signature Value : £40 (matted)

A member of the elite 617 Dambusters squadron, Bob Knights had a key role on the night before D-Day. With the rest of the squadron he flew on Operation Taxable which simulated the approach of the invasion across the Pas de Calais by dropping metal strips of window to a very precise pattern. The enemy was completely deceived and kept most of their best troops on the wrong side of the Seine. Bob Knights had already flown a full operational tour with 619 Squadron Lancasters, including eight trips to Berlin, before volunteering for 617 Squadron. Under Cheshire he flew on some of the squadrons most challenging precision operations and later under Willie Tait took part in the attack that finally destroyed the Tirpitz. Seconded to BOAC in December 1944 he stayed with the airline after the war for a 30 year long career. He died 4th December 2004.


The signature of Flying Officer Bill North (deceased)

Flying Officer Bill North (deceased)
*Signature Value : £35 (matted)

Flying Lancasters with 61 Squadron, in 1944 he was shot down over Northern France. With his aircraft badly hit, he gave the order to bale out, but as some of the crew had damaged parachutes, he elected to stay with the aircraft and crash land. Despite being badly wounded, he managed to land his Lancaster at night, and every crewmember walked away - two of them evading capture and returned to England. Bill spent the rest of the war as a POW.
The signature of Squadron Leader Pat Carden DFC AE (deceased)

Squadron Leader Pat Carden DFC AE (deceased)
*Signature Value : £40 (matted)

Joining the RAF in 1932, after qualifying as a pilot, he served as an instructor until 1942, when he joined 15 Squadron at Mildenhall, flying Lancasters. Volunteering for the Pathfinder Force he joined 35 Squadron at Gravely on Halifaxes, followed by 582 Squadron on Lancasters, taking part in many bombing sorties over Normandy, including two missions on D-Day. He finished the war having completed 66 operations. Pat Carden sadly died 28th June 2008, aged 96.


The signature of Squadron Leader Tony Iveson DFC (deceased)

Squadron Leader Tony Iveson DFC (deceased)
*Signature Value : £40 (matted)

Tony Iveson fought in the Battle of Britain with RAF Fighter Command, as a Sergeant pilot, joining 616 Squadron at Kenley flying Spitfires on 2 September 1940. On the 16th of September, he was forced to ditch into the sea after running out of fuel following a pursuit of a Ju88 bomber. His Spitfire L1036 ditched 20 miles off Cromer in Norfolk, and he was picked up by an MTB. He joined No.92 Sqn the following month. Commissioned in 1942, Tony undertook his second tour transferring to RAF Bomber Command, where he was selected to join the famous 617 Squadron, flying Lancasters. He took part in most of 617 Squadrons high precision operations, including all three sorties against the German battleship Tirpitz, and went on to become one of the most respected pilots in the squadron. He died on 5th November 2013.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.

More about Robert Taylor

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