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Halifax Aircraft Print Pack by Robert Taylor and Gerald Coulson. - Military Art
DHM2250.  Leading the Way by Gerald Coulson. <p>On August 15th 1942, under the leadership of Don Bennet, a new group was formed from Bomber Command to develop specialised target finding and target  marking. Made up purely from experienced volunteers, this elite and highly trained group of men were known as the Pathfinders. Up until this point the means available to Bomber Command of accurately finding their targets were totally lacking and the task of the Pathfinders was to develop techniques to precisely define these targets ahead of the main force.  Initially made up of four Squadrons  Nos. 7 (Stirlings) 35 (Halifax) 83 (Lancaster) and 156 (Wellingtons)  they were based at a clutch of airfields between Cambridge and Huntingdon. Originally part of No.3 Group Bomber Command the Pathfinder Force was directly answerable to C-in-C Air Marshal Arthur Harris until January 1943 when it became a separate group, No.8 (PFF)  .  Personally selected for the task by Arthur Harris, the Australian born Don Bennet, just 32 years of age proved to be and inspired choice to form the Pathfinders. A navigation expert without peers he was widely experienced in flying all types of aircraft including fighters, flying boats and bombers and already an experienced operational bomber captain. Along with many of his colleagues, such as Hamish Mahaddie and John Searby he was responsible for instilling in his men the Pathfinder Spirit - an intangible quality of dedication which bonded them together.  Pathfinder crews used a combination of personal skill and technical equipment to locate their targets. Often flying against overwhelming odds and in appalling conditions they transformed the performance of a bomber force that in 1941 was dropping almost half its bombs on open countryside.  The first Pathfinder unit to fly the Halifax was 35 Squadron based at Graveley. With some of the greatest Bomber Aircrew amongst their number the unit quickly gained a reputation for excellence that was second to none.  This superb painting from one of the worlds most highly regarded Aviation Artists, Gerald Coulson, depicts a Halifax B.MkII series 1A of 35 (PFF) Squadron on an operation over occupied Europe. Flying at around 20,000 feet and completely alone and unprotected, the crew navigate their bomber well ahead of the main force, leading the way to their target.  <p><b>Less than 20 now available.</b><b><p>Signed by Flight Lieutenant John Rollins DFC AFC (deceased), <br>Warrant Officer Ernest Kenwright DFC DFM <br>and <br>Squadron Leader Pat Carden DFC AE (deceased). <p>Signed limited edition of 500 prints. <p> Image size 31 inches x 26 inches (79cm x 66cm)
DHM2094.  Halifax Legend by Robert Tayor. <p>RAF Pathfinder founder and Commander signs print featuring the four engined Halifax bomber.<b><p>Signed by Air Vice Marshall Donald Bennett (deceased). <p>Signed limited edition of 1500 prints.  <p>Paper size 24 inches x 20 inches (61cm x 51cm)

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  Website Price: £ 240.00  

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Halifax Aircraft Print Pack by Robert Taylor and Gerald Coulson.

PCK1541. Halifax Aircraft Print Pack by Robert Taylor and Gerald Coulson.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2250. Leading the Way by Gerald Coulson.

On August 15th 1942, under the leadership of Don Bennet, a new group was formed from Bomber Command to develop specialised target finding and target marking. Made up purely from experienced volunteers, this elite and highly trained group of men were known as the Pathfinders. Up until this point the means available to Bomber Command of accurately finding their targets were totally lacking and the task of the Pathfinders was to develop techniques to precisely define these targets ahead of the main force. Initially made up of four Squadrons Nos. 7 (Stirlings) 35 (Halifax) 83 (Lancaster) and 156 (Wellingtons) they were based at a clutch of airfields between Cambridge and Huntingdon. Originally part of No.3 Group Bomber Command the Pathfinder Force was directly answerable to C-in-C Air Marshal Arthur Harris until January 1943 when it became a separate group, No.8 (PFF) . Personally selected for the task by Arthur Harris, the Australian born Don Bennet, just 32 years of age proved to be and inspired choice to form the Pathfinders. A navigation expert without peers he was widely experienced in flying all types of aircraft including fighters, flying boats and bombers and already an experienced operational bomber captain. Along with many of his colleagues, such as Hamish Mahaddie and John Searby he was responsible for instilling in his men the Pathfinder Spirit - an intangible quality of dedication which bonded them together. Pathfinder crews used a combination of personal skill and technical equipment to locate their targets. Often flying against overwhelming odds and in appalling conditions they transformed the performance of a bomber force that in 1941 was dropping almost half its bombs on open countryside. The first Pathfinder unit to fly the Halifax was 35 Squadron based at Graveley. With some of the greatest Bomber Aircrew amongst their number the unit quickly gained a reputation for excellence that was second to none. This superb painting from one of the worlds most highly regarded Aviation Artists, Gerald Coulson, depicts a Halifax B.MkII series 1A of 35 (PFF) Squadron on an operation over occupied Europe. Flying at around 20,000 feet and completely alone and unprotected, the crew navigate their bomber well ahead of the main force, leading the way to their target.

Less than 20 now available.

Signed by Flight Lieutenant John Rollins DFC AFC (deceased),
Warrant Officer Ernest Kenwright DFC DFM
and
Squadron Leader Pat Carden DFC AE (deceased).

Signed limited edition of 500 prints.

Image size 31 inches x 26 inches (79cm x 66cm)


Item #2 - Click to view individual item

DHM2094. Halifax Legend by Robert Tayor.

RAF Pathfinder founder and Commander signs print featuring the four engined Halifax bomber.

Signed by Air Vice Marshall Donald Bennett (deceased).

Signed limited edition of 1500 prints.

Paper size 24 inches x 20 inches (61cm x 51cm)


Website Price: £ 240.00  

To purchase these prints individually at their normal retail price would cost £360.00 . By buying them together in this special pack, you save £120




All prices are displayed in British Pounds Sterling

 

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo
Flight Lieutenant John Rollins DFC AFC (deceased)
*Signature Value : £40 (matted)

After joining the RAF in 1940 he was called up in early 1941 and entered OTU where he qualified as an observer and was then posted operationally to 466 Sqn at Leconfield on Wellingtons. At the end of 1942 he joined 35 Sqn as a Navigator at Gravely as part of the Pathfinder Force, initially on the Halifax and later converting to Lancasters. He remained with the Pathfinders until 1944 when he was posted to Stoney Cross to convert back to Wellington 1C's as a way of becoming reacquainted with two engined aircraft. he spent the remainder of the war flying Dakotas in the Far East and left the RAF in mid 1946. Died 26th March 2005.
The signature of Squadron Leader Pat Carden DFC AE (deceased)

Squadron Leader Pat Carden DFC AE (deceased)
*Signature Value : £30 (matted)

Joining the RAF in 1932, after qualifying as a pilot, he served as an instructor until 1942, when he joined 15 Squadron at Mildenhall, flying Lancasters. Volunteering for the Pathfinder Force he joined 35 Squadron at Gravely on Halifaxes, followed by 582 Squadron on Lancasters, taking part in many bombing sorties over Normandy, including two missions on D-Day. He finished the war having completed 66 operations. Pat Carden sadly died 28th June 2008, aged 96.
Warrant Officer Ernest Kenwright DFC DFM
*Signature Value : £30 (matted)

Joining the RAF in 1940 he was initially posted to Cardington as a driver and ended up on the Isle of Sheppey releasing explosive met balloons in order to hamper enemy aircraft. Volunteering for aircrew he attended a gunnery course at Stormy Down in 1942 and shortly after joined 51 squadron at Snaith in Yorkshire, as a Rear Gunner on Halifaxes. In 1943 after many operations with the main force he volunteered for the Pathfinders and joined 35 Squadron at Gravely on both the Halifax and Lancaster. He remained with this unit until the end of the war completing 82 operations and left the RAF in 1946
Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Air Vice Marshall Donald Bennett (deceased)

Air Vice Marshall Donald Bennett (deceased)
*Signature Value : £60 (matted)

Born in Australia, Bennet had joined the RAF before the war. He became widely experienced in flying all types of aircraft including fighters, flying boats and heavy bombers commanding 77 squadron, flying Halifaxes. In 1942, whilst commanding 10 Squadron, he was shot down on one of the attacks on the Tirpitz, but evaded capture and returned to England. Widley regarded as a navigation expert beyond comparison, he was personally selected by Arthur Harris to form the Pathfinder Force and his uncompromising attitude and ceaseless devotion to his men made him a legendary figure in WWII history. He died 15th September 1986.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

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