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Luftwaffe Me109 Prints by Nicolas Trudgian and Robert Taylor.
PCK1979. Luftwaffe Me109 Prints by Nicolas Trudgian and Robert Taylor. Aviation Print Pack.
Items in this pack :
Item #1 - Click to view individual item
DHM1918. Air Armada by Robert Taylor. In just six weeks Hitler's forces had overrun western Europe as once proud armies swiftly fell before the might of the German blitzkrieg. It was a devastating defeat, and now only Britain stood alone. Few thought she could survive. As Churchill pledged that Britain would never surrender, a German invasion seemed inevitable. But before any invasion could take place the Luftwaffe must neutralise the RAF and win control of the skies over southern England. Awaiting them was a small but resilient band of young men, the pilots of RAF Fighter Command. First the Germans attacked the coastal convoys, hoping to draw the RAF en-masse into battle. They failed. And then on 12th August, they turned their full attention to the forward fighter bases and radar stations, hoping to obliterate them once and for all. From Norway in the north, through the Low Countries and northern France to Brittany in the west, the Luftwaffe threw every available aircraft into the attack. For the young men of Fighter Command the next seven days of fighting would leave them exhausted and all but spent. They were to be the hardest days of the Battle of Britain, culminating on Sunday 18th August. This painting recreates a moment on that day as Heinz Bar, the Luftwaffe's top-scoring NCO Ace of the Battle of Britain and one of the greatest Aces in history, climbs away from his airfield near Calais with the other pilots of 1./JG51 to escort the Dornier Do17s of KG76 for yet another deadly attack on the RAF. Away in the distance, Me110s from EPRG210 also prepare to join the epic encounters that lie ahead. Signed by Oberst Hajo Hermann (deceased)
and
Major Hans-Ekkehard Bob. Signed limited edition of 450 prints. Paper size 33 inches x 25 inches (84cm x 64cm) Image size 26.5 inches x 17.5 inches (67cm x 44cm)
Item #2 - Click to view individual item
DHM2033. Stormclouds Gather by Nicolas Trudgian. Me109s of I/JG2, under the command of the brilliant Helmut Wick, setting out on a mission across the English Channel in September 1940. Wick, seen in the foreground, with Gunther Seeger off his starboard wing, was the top-scoring Luftwaffe Ace in the Battle of Britain with 56 victories.
Published 2000. Last 30 copies of this sold out edition. Signed by Oberleutnant Gunther Seeger and Oberleutnant Siegfried Bethke (deceased), in addition to the artist. Signed limited edition of 400 prints. Paper size 27 inches x 19 inches (69cm x 48cm)
Website Price: £ 270.00
To purchase these prints individually at their normal retail price would cost £450.00 . By buying them together in this special pack, you save £180
All prices are displayed in British Pounds Sterling
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| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Major Hans-Ekkehard Bob (deceased)
*Signature Value : £45 (matted)
| After success in the Battle of Britain, Hans-Ekkehard Bob took over leadership of 9./JG54 in 1940. The following year he was awarded the Knights Cross. Transferring to the Eastern Front his victories rose steadily to 50 by September 1942. His Group later transferred back to the West for a short period, where in April 1943, he rammed a B-17 Fortress. Returning to the Eastern Front as Kommander of IV./JG3, he ended the war as Adjutant of Gallands JV44 in the West. In his 700 missions he scored 60 victories. | 
Oberst Hajo Hermann (deceased)
*Signature Value : £55 (matted)
| Hans-Joachim Hermann was born on August 1st 1913 in Kiel, Germany. Hans-Joachim Hermann began his military career as an infantry officer, but after his introduction to gliding – and an invitation from Herman Göring, he transferred to the newly-created Luftwaffe and was commissioned in 1935. In August 1936, Herrmann was in the first group of Germans to arrive in Spain to support General Franco's Nationalist forces. Initially Hans-Joachim Hermann flew bombing operations in the Junkers 52 before becoming a founder member of the Condor Legion, whosemain mission was to attack airfields and defensive positions near Madrid. Many more bombing operations followed, and in April 1937 he returned to Germany. When Germany invading Poland Hermann took off in his Heinkel He111 to bomb railway lines in Poland on the first day. This was the first of 18 targets that Hermann attacked before his unit moved to support the German invasion of Norway. His unit was deployed to bomb targets near Oslo and Stavanger and after the fall of Norway, Hermann's unit was re-equipped with the Junkers 88 and moved to support the German army during the blitzkrieg across the Low Countries and France. During the battle of Britain Hermann was the commander of the 7th Staffel of KG-4, and he led many bombing attacks on England. His first target was oil refineries at Thames Haven and on the night of the 7th / 8th of September 1940 he attacked London. This was his 69th operation against England, when he bombed the India Dock. By the end of the Battle of Britian Hajo Hermann had flown 21 missions over London. A formidable figure in the Luftwaffe, Hajo Hermann was originally awarded the Knight's Cross in 1940 as a bomber pilot. In February 1941 while based in Sicily, Hermann led dive-bombing attacks against airfields on Malta. He was also ordered to hold the British Fleet in check. Attacks against the Royal Navy's heaviest ships followed. On April 7th 1941 following the German advance into Greece, Hermann's unit started mining and bombing operations in the eastern Mediterranean. On one attack, against shipping in Piraeus harbour, Hermann's bomb hit Clan Fraser, which was carrying 350 tons of high explosive. The resulting explosion sank 10 other ships and closed the port for many months. Hermann flew over 320 operations with KG4. In July 1941 Hermann was appointed commander of a bomber group, initially based in France to attack targets in England, before moving to a new base in the far north of Norway. His unit attacked Allied convoys heading for Murmansk with supplies for the Russians - these artic convoys included PQ-17, which was continously attacked. PQ -17 would lose a total of 24 merchantmen and only 11 ships made it through. With II./JG30, Hermann sank a total of 12 ships and in 1942 Hermann was assigned to the general staff in Germany, where he became a close confidant of Göring. In July 1942 he was appointed to the Luftwaffe operational staff. During the summer of 1943 as the Royal Air Force carried out night bombing raids, Hermann devised the tactic of using day fighters to hunt alone rather than in packs. As a bomber man himself, his ideas initially gained little support from the Luftwaffe's night fighter staff, but Göring supported the idea. Flown by experienced night fighter pilots and ex-instructors, the fighters waited in the darkness above their Allied targets, using the light of fires below to illuminate the bombers before attacking. He was responsible for the formation of JG300 and founded the highly successful Wilde Sau (Wild Boar) tactics of free roaming Fw190 night fighters. Hermann himself flew more than 50 wild boar missions and was twice forced to bail out of his stricken fighter. In December 1943 he was appointed Luftwaffe Inspector of Aerial Defence. At the end of 1944 he led the 9th Flieger division and created the famous Rammkommando. Hermann was credited with shooting down nine RAF bombers. After being Inspector General of night fighters, Hermann was appointed to command the First Fighter Division, when he continued to fly on operations. At the end of the war he was captured by the Russians. He spent 10 years in Soviet camps and was one of the last to be released, returning to Germany on October 12th 1955. Hajo Hermann awarded the Knight's Cross, Oak Leaves and Swords. Sadly, we have learned that Hajo Hermann passed away on 5th November 2010. |
| Signatures on item 2 | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Oberleutnant Gunther Seeger (deceased)
*Signature Value : £45 (matted)
| In February 1940, Gunther Seeger was an Unteroffizier with 3./JG2, scoring his first victory in the early days of the Battle of Britain. he served on the Channel Front until December 1942, including several months with the Geschwaderstabsschwarm. He transferred to the Mediterranean theatre with II./JG2 before joining 6./JG53. In February 1943 he joined 7./JG53 becoming Staffelkapitan in September 1944. Awarded the Knight's Cross, Gunther Seeger scored 56 victories. | 
Oberleutnant Siegfried Bethke (deceased)
*Signature Value : £45 (matted)
| Siegfried Bethke joined the Luftwaffe in 1935 and was posted to II./JG2 shortly before the Battle of France. During the Battle of Britain he was Staffelkapitan of 2. Staffel JG2, and by the end of 1940 his tally had reached 10. He flew on the Channel Dash but later a serious accident halted his flying career. Awarded the Iron Cross I and II Class, he had a total of 14 victories. |
| Artist Details : Robert Taylor | | Click here for a full list of all artwork by Robert Taylor |
Robert Taylor
The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.
More about Robert Taylor
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