Please note that our logo (below) only appears on the images on our website and is not on the actual art prints.
|
|
Hurricane Squadron Aircraft Prints by Robert Taylor and Graeme Lothian.
PCK1992. Hurricane Squadron Aircraft Prints by Robert Taylor and Graeme Lothian. Aviation Print Pack.
Items in this pack :
Item #1 - Click to view individual item
DHM2078. Fastest Victory by Robert Taylor. Taking his Hurricane off from Speke, a raiding JU88 crossed the airfield in front of Denys Gillam, who promptly shot it down. It was the fastest air victory of the war, and probably of all time. Sold out at the publisher - last few copies available. Signed by Air Vice-Marshal Denys Gillam (deceased). Signed limited edition of 990 prints. Paper size 24 inches x 20 inches (61cm x 51cm)
Item #2 - Click to view individual item
DHM1177D. Hurricane Patrol by Graeme Lothian. After taking part in the Battle of France early in 1940, 85 Squadron moved to Croydon on the 19th August, where, led by renowned squadron leader Peter Townsend DSO DFC, the squadron played a notable part in the Battle of Britain. Thirty Hurricane squadrons participated in the Battle of Britain compared to only eighteen Spitfire squadrons, claiming 80 percent of the RAF victories. Sir Sidney Camms innovative design ensured the Hurricane became a classic fighter. Hurricane Patrol portrays Squadron Leader Peter Townsend leading 85 Squadron on a high altitude sortie during the long hot summer of 1940. Signed by Flying Officer Ken Wilkinson,
Dame Vera Lynn
and
Flight Lieutenant Alex Thom DFC. Wilkinson, Thom and Vera Lynn signature edition of 30 prints from the signed limited edition of 1150 prints. Image size 25 inches x 16 inches (64cm x 41cm)
Website Price: £ 275.00
To purchase these prints individually at their normal retail price would cost £405.00 . By buying them together in this special pack, you save £130
All prices are displayed in British Pounds Sterling
|
|
|
| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | Air Vice-Marshal Denys Gillam (deceased)
*Signature Value : £65 (matted)
| Battle of Britain Ace who served with 616 and 312 Squadrons. He scored a total of 7 victories, including one of the fastest ever, where he downed a Ju-88 which was making a bombing run, as he took off from the airfield. He took command of the Typhoon Wing at Duxford in March 1942, which flew their first combat operation in June 1942. He died in 1991. |
| Signatures on item 2 | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Dame Vera Lynn
*Signature Value : £55 (matted)
| | 
Flight Lieutenant Alexander Henry Thom DFC (deceased)
*Signature Value : £45 (matted)
| Born in Perth, Scotland, Alex Thom joined the RAFVR on June 24th 1939 and flew at the weekends at 11 EARFTS Perth. At the outbreak of World War Two, Thom was called up for full time service with the Royal Air Force and was posted to 3 ITW at Hastings on October 2nd 1939, moving to 15 EFTS at Redhill on April 29th 1940 and on June 15th moved again to 15 FTS, initially at Brize Norton and later to Chipping Norton. Alex Thom went to 6 OTU on September 29th at Sutton Bridge where he converted to Hawker Hurricanes and joined 79 squadron stationed at Pembury only for a short period when he was transferred to 87 Squadron on October 6th 1940, moving with the squadron on the 31st of October to their new base at Exeter. He achieved the rank of Pilot Officer on the 3rd of December 1941. During his time at Exeter he was also based on the Scilly Isles and on one occasion after shooting down an enemy bomber the crew bailed out over the sea. Alex Thom circled the downed German crew who were in a life raft until a motor launch came and picked them up. Thom would later meet the crew and was given a flying helmet by the German pilot, an item he still has today. Alex Thom was appointed B Flight commander on 10th July 1942 and was awarded the DFC on the 14th August 1942. At this time he was credited with two enemy aircraft destroyed and a probable He111. On the 19th of August 1942 while supporting the ground forces at Dieppe, his Hurricane (LK - M) was hit by ground fire and lost oil pressure. He managed to limp back to England where he made a forced landing at East Den. Thom managed to get back to his airfield as a passenger in a Master flown by Flt Sgt Lowe and immediately took off again in Hurricane (LK - A) back to Dieppe where he proceeded to strafe enemy positions. On the 1st of October 1942 he became F/O. In November 1942, 87 Squadron was transferred to North Africa. They were transported by ship to Gibraltar where the squadron flew sorties, and then onto North Africa. Thom was posted away from the squadron to be a flying control officer at Bone. He returned to 87 Squadron which was then based at Tongley and took command on June 27th 1943. He was again posted away from the squadron on September 27th returning to the UK with the Rank of Flight Lt. Thom became an instructor with 55 OTU at Annan on November 17th moving to Kirton in Linsay on March 12th 1944 to join 53 OTU. He was appointed Flight Commander Fighter Affiliation Flight at 84 (Bomber) OTU at Husbands Bosworth on May 19th 1944 and remained there until October 10th when he went to RAF Peterhead as Adjutant. His final posting was to HQ13 Group, Inverness on May 8th 1945 as a Staff Officer and retired from the RAF on December 4th 1945 as a Flight Lt. He died on 10th January 2016. | 
Flying Officer Ken Wilkinson (deceased)
*Signature Value : £35 (matted)
| Battle of Britain pilot flying Hurricanes, he flew Spitfires with 611 Sqn and then 616 Sqn at Kirton-in-Lindsey and 19 Sqn at Fowlmere during 1940 and after a spell instructing returned to operations on Spitfires, with 234 and 165 Squadrons. After spending time with 53, 24 and 10 Operational Training Units, he left the RAF in November 1945 and served in the RAFVR.
Ken said :
From 1st September 1939 I wrote myself off. I thought, 'you've got no chance' lasting through whatever is going to be. It was quite obvious, in the way the Germans were moving, they were going to make a hell of a war out of it, so I was ready for war. I can remember saying 'we've got to stop this fellow Hitler'. When you think of all the thousands of citizens that were being killed by this absurd bombing. They had to pay for it didn't they. Yes, we lost people. Friends that didn't come back. I don't think we were the sort of people to brood over it, ever. You have to get into an attitude to make sure that you're as cold as a fish. Once someone has failed to return, that's it. Fortune smiled on me and not on some of the others. I can only say that whoever it was who popped off at me, wasn't a very good marksman. It transpired that we were doing something far more important than we thought. As far as we were concerned, it was just that there were some untidy creatures from over the other side of the channel, trying to bomb England and the United Kingdom. And we didn't want them to bomb us. After all, we never asked the Germans to start this nonsense, did we? But they did, and we had to stop them, and we did. It's our country. You die for you country.
|
| Artist Details : Robert Taylor | | Click here for a full list of all artwork by Robert Taylor |
Robert Taylor
The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.
More about Robert Taylor
|
|
