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Signed Battle of Britain Hawker Hurricane Prints by Robert Taylor and Simon Smith. - Military Art
DHM2078.  Fastest Victory by Robert Taylor. <p> Taking his Hurricane off from Speke, a raiding JU88 crossed the airfield in front of Denys Gillam, who promptly shot it down. It was the fastest air victory of the war, and probably of all time. <p><b>Sold out at the publisher - last few copies available.</b><b><p>Signed by Air Vice-Marshal Denys Gillam (deceased). <p> Signed limited edition of 990 prints.  <p>Paper size 24 inches x 20 inches (61cm x 51cm)
DHM1462.  Return From Combat by Simon Smith. <p>Two 85 squadron Hurricanes returning to base after a battle over the skies of southern England in the summer of 1940.<b><p> Signed by Group Captain Billy Drake DSO DFC* (deceased). <p>Drake Signature edition of 100 prints from the signed limited edition of 850.  <p>Image size 20 inches x 15 inches (51cm x 38cm)

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  Website Price: £ 220.00  

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Signed Battle of Britain Hawker Hurricane Prints by Robert Taylor and Simon Smith.

PCK2000. Signed Battle of Britain Hawker Hurricane Prints by Robert Taylor and Simon Smith.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2078. Fastest Victory by Robert Taylor.

Taking his Hurricane off from Speke, a raiding JU88 crossed the airfield in front of Denys Gillam, who promptly shot it down. It was the fastest air victory of the war, and probably of all time.

Sold out at the publisher - last few copies available.

Signed by Air Vice-Marshal Denys Gillam (deceased).

Signed limited edition of 990 prints.

Paper size 24 inches x 20 inches (61cm x 51cm)


Item #2 - Click to view individual item

DHM1462. Return From Combat by Simon Smith.

Two 85 squadron Hurricanes returning to base after a battle over the skies of southern England in the summer of 1940.

Signed by Group Captain Billy Drake DSO DFC* (deceased).

Drake Signature edition of 100 prints from the signed limited edition of 850.

Image size 20 inches x 15 inches (51cm x 38cm)


Website Price: £ 220.00  

To purchase these prints individually at their normal retail price would cost £360.00 . By buying them together in this special pack, you save £140




All prices are displayed in British Pounds Sterling

 

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo
Air Vice-Marshal Denys Gillam (deceased)
*Signature Value : £65 (matted)

Battle of Britain Ace who served with 616 and 312 Squadrons. He scored a total of 7 victories, including one of the fastest ever, where he downed a Ju-88 which was making a bombing run, as he took off from the airfield. He took command of the Typhoon Wing at Duxford in March 1942, which flew their first combat operation in June 1942. He died in 1991.
Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


The signature of Group Captain Billy Drake DSO DFC* (deceased)

Group Captain Billy Drake DSO DFC* (deceased)
*Signature Value : £45 (matted)

Joined the R.A.F. in 1936. His first posting was to 1 squadron flying Furies then Hurricanes and first saw action over France in the Spring of 1940 and was awarded his first DFC by the end of the year. As a Squadron Leader he was sent to West Africa to command 128 Squadron. 1942 saw his commanding 112 squadron in North Africa, in July saw an immediate BAR to his DFC and in December an immediate DSO. Posted to Malta as Wing Commander he won a US DFC in 1943. Back in the UK he now was flying Typhoons in the lead up to D-Day. With Pete Brothers he was sent to the States to attend the US Staff School at Fort Leavenworth. After the war he continued in the R.A.F. serving in Japan, Malaya, Singapore, Switzerland and his final posting as Group Captain RAF Chivenor, Devon. Retired in July 1963. Going to Portugal where he ran a Bar and Restaurant and dealing in Real Estate. In his flying career he accounted for more than 24 enemy aircraft. Sadly, Billy Drake passed away on 28th August 2011.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

More about Robert Taylor

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