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SR71 Blackbird Aircraft Aviation Prints by Philip West and Stan Stokes. - Military Art
DHM2041. Habu 972 at Mach 3.0 by Philip West. <p>Richard Graham and RSO Don Emmons cruising their SR-71 in after-burner, gathering intelligence over the Soviet nuclear facility at Kamchatka, December 15, 1976.  At 80,000ft Rich Grahams SR-71 Blackbird is all but invisible to the three MiG fighters seen contrailing at 45,000 ft below. Under radar control, the MiGs make a futile attempt to intercept, but with the SR-71 travelling at three times the speed of sound along the edge of the stratosphere, there is nothing they can do. At this great height the crew of Habu 972 can clearly see the pronounced curvature of the earth and, in broad daylight above them, the brightest stars shining in the heavens. The SR-71 Habu 972, now resides in the National Air & Space Museum, Washington DC.<p><b>Last 4 prints of this sold out edition.</b><b><p> Signed limited edition of 500 prints. <p>Paper size 27 inches x 18 inches (69cm x 46cm)
STK0151. Way Ahead of its Time by Stan Stokes. <p> Aviation artist Stan Stokes has appropriately entitled his outstanding painting of an SR-71 Blackbird as, Way Ahead of its Time. The Blackbirds origins, amazingly, date back to the 1950s. At that time the U.S. government was very concerned about nuclear developments in the Soviet Union, and a high altitude reconnaissance aircraft was needed to overfly the Soviet Union. The Lockheed Corporation responded by developing the U-2, which was akin to a high powered glider. The U-2 was based on cost effective adaptations of currently available technologies, and was very effective initially, but as surface-to-air missile capability improved, the U-2 became vulnerable. What was needed was a long-range, very fast, very high altitude aircraft, capable of outrunning Soviet surface-to-air missiles. Mr. Kelly Johnson, Lockheeds project engineer who oversaw the famous skunkworks, presented a proposal to the U.S. government in 1959 regarding the development of a state-of-the-art ultra high speed and ultra high altitude aircraft. The plane, initially designated the A-12, first appeared as the YF-12 interceptor, but the government decided not to fund the YF-12. The design, however, became the SR-71, and the first production Blackbird took to the skies in 1964. The aircraft incorporated many design features never utilized on any aircraft up to that time. For example, at cruising speed the Blackbirds skin would reach nearly 1000 degrees, so the aircraft had to be constructed primarily from a titanium alloy. The SR-71 gets so hot, in fact, that the plane is one foot longer at cruising speed than it is on the ground. For twenty-six years this secretive aircraft held many of the worlds records for both speed and altitude. It is believed that about thirty two Blackbirds were produced, and about twenty of these were still in service with the Air Force in 1990. With the development of more capable satellites, and the high cost of maintaining the Blackbird fleet, the Air Force suspended Blackbird operations in 1990. On the final Air Force flight of a Blackbird, from California to Washington, D.C., this incredible aircraft once again set a speed record in making the trip in only sixty-eight minutes. Mr. Stokes has depicted in his painting a SR-71 Blackbird flying at 80,000 feet and at Mach 3.1 over the west coast of the United States. The plane as depicted is piloted by Col. Robert Powell, who is believed to have logged over 1.0 million miles in his 1,020 hours of flight time. Becoming a Blackbird pilot was about as difficult as becoming an astronaut, and Col. Powell personifies the talented and dedicated pioneers, who much like the Blackbird, were way ahead of their time.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)

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  Website Price: £ 120.00  

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SR71 Blackbird Aircraft Aviation Prints by Philip West and Stan Stokes.

PCK2015. SR71 Blackbird Aircraft Aviation Prints by Philip West and Stan Stokes.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

DHM2041. Habu 972 at Mach 3.0 by Philip West.

Richard Graham and RSO Don Emmons cruising their SR-71 in after-burner, gathering intelligence over the Soviet nuclear facility at Kamchatka, December 15, 1976. At 80,000ft Rich Grahams SR-71 Blackbird is all but invisible to the three MiG fighters seen contrailing at 45,000 ft below. Under radar control, the MiGs make a futile attempt to intercept, but with the SR-71 travelling at three times the speed of sound along the edge of the stratosphere, there is nothing they can do. At this great height the crew of Habu 972 can clearly see the pronounced curvature of the earth and, in broad daylight above them, the brightest stars shining in the heavens. The SR-71 Habu 972, now resides in the National Air & Space Museum, Washington DC.

Last 4 prints of this sold out edition.

Signed limited edition of 500 prints.

Paper size 27 inches x 18 inches (69cm x 46cm)


Item #2 - Click to view individual item

STK0151. Way Ahead of its Time by Stan Stokes.

Aviation artist Stan Stokes has appropriately entitled his outstanding painting of an SR-71 Blackbird as, Way Ahead of its Time. The Blackbirds origins, amazingly, date back to the 1950s. At that time the U.S. government was very concerned about nuclear developments in the Soviet Union, and a high altitude reconnaissance aircraft was needed to overfly the Soviet Union. The Lockheed Corporation responded by developing the U-2, which was akin to a high powered glider. The U-2 was based on cost effective adaptations of currently available technologies, and was very effective initially, but as surface-to-air missile capability improved, the U-2 became vulnerable. What was needed was a long-range, very fast, very high altitude aircraft, capable of outrunning Soviet surface-to-air missiles. Mr. Kelly Johnson, Lockheeds project engineer who oversaw the famous skunkworks, presented a proposal to the U.S. government in 1959 regarding the development of a state-of-the-art ultra high speed and ultra high altitude aircraft. The plane, initially designated the A-12, first appeared as the YF-12 interceptor, but the government decided not to fund the YF-12. The design, however, became the SR-71, and the first production Blackbird took to the skies in 1964. The aircraft incorporated many design features never utilized on any aircraft up to that time. For example, at cruising speed the Blackbirds skin would reach nearly 1000 degrees, so the aircraft had to be constructed primarily from a titanium alloy. The SR-71 gets so hot, in fact, that the plane is one foot longer at cruising speed than it is on the ground. For twenty-six years this secretive aircraft held many of the worlds records for both speed and altitude. It is believed that about thirty two Blackbirds were produced, and about twenty of these were still in service with the Air Force in 1990. With the development of more capable satellites, and the high cost of maintaining the Blackbird fleet, the Air Force suspended Blackbird operations in 1990. On the final Air Force flight of a Blackbird, from California to Washington, D.C., this incredible aircraft once again set a speed record in making the trip in only sixty-eight minutes. Mr. Stokes has depicted in his painting a SR-71 Blackbird flying at 80,000 feet and at Mach 3.1 over the west coast of the United States. The plane as depicted is piloted by Col. Robert Powell, who is believed to have logged over 1.0 million miles in his 1,020 hours of flight time. Becoming a Blackbird pilot was about as difficult as becoming an astronaut, and Col. Powell personifies the talented and dedicated pioneers, who much like the Blackbird, were way ahead of their time.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Website Price: £ 120.00  

To purchase these prints individually at their normal retail price would cost £160.00 . By buying them together in this special pack, you save £40




All prices are displayed in British Pounds Sterling

 

Artist Details : Stan Stokes
Click here for a full list of all artwork by Stan Stokes


Stan Stokes

Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes. More than thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan.

More about Stan Stokes

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