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D-Day Dakota Aircraft Prints by Nicolas Trudgian and Stan Stokes.
PCK2046. D-Day Dakota Aircraft Prints by Nicolas Trudgian and Stan Stokes. Aviation Print Pack.
Items in this pack :
Item #1 - Click to view individual item
DHM2440. Invasion Force by Nicolas Trudgian. Almost every major invasion that took place in Europe in World War II began with para drops, and in almost every case the C-47 was the aircraft that delivered these elite fighting troops. Few C-47 pilots had more combat experience than Sid Harwell, seen flying his Dakota in this typical action scene, dropping airborne troops into occupied Europe soon after D-Day. No matter what resistance he encountered, the good C-47 pilot put his aircraft right over the Dropping Zone, every time. Signed by Colonel Sid Harwell, in addition to the artist. Signed limited edition of 800 prints. Paper size 16 inches x 14 inches (41cm x 36cm)
Item #2 - Click to view individual item
STK0107. D-Day Invaders by Stan Stokes. You are about to embark on the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you. In company with our brave Allies and brothers-in-arms on other fronts, you will bring the destruction of the German war machine, the elimination of Nazi tyranny over the oppressed peoples of Europe, and security for ourselves in a free world. These were the final words of Supreme Commander Eisenhower to the huge force assembled in June of 1944 on the eve of D-Day. Parachute infantry units would play an important role on D-Day. Although Billy Mitchell had contemplated forming airborne military forces during WW I, it was not until May of 1939 that the United States commenced a study regarding the feasibility of creating an air infantry. By 1940 an all-volunteer test platoon had been organized at Ft. Benning, Georgia. As the threat of War continued, the Army began experimenting with gliders in mid-1941. After the attack on Pearl Harbor, the Army established Parachute Infantry Battalions, and by early 1943 an Airborne Command was organized as well as an Air Transport Command to facilitate the training of air crews necessary for the deployment of airborne forces. By mid-1942 authorization was received to form two airborne divisions the 82nd and the 101st. With a strength of about 8,000 men, these divisions were about half the normal strength of an infantry division. The first major test for Americas new airborne forces came in North Africa during operation TORCH where the 1st Battalion of the 503rd Infantry was deployed. The 82nd Airborne was later successfully deployed during the invasion of Sicily. Operation OVERLORD, the code name for the D-Day invasion, included both of Americas Airborne Divisions as well as the British 6th Airborne Division. The plan called for numerous parachute jumps and glider landings during the evening prior to the invasion. Supplemental jumps or landings would take place later during daylight hours to reinforce these troops and bring in supplies. Although eighteen aircraft were utilized as pathfinders, the evening jumps were highly scattered and off target in many cases. Despite the massive difficulty in reassembling, the troops of the 101st and 82nd performed their missions with distinction. By June 9 nearly all airborne objectives had been secured despite heavy casualties. Both the 101st and the 82nd each lost about 1,200 men killed-in-action. By occupying German forces behind the invasion front, these airborne forces saved the lives of many on the beaches at Normandy. The 101st and 82nd Divisions continued fighting until mid-July when they were pulled back to England. During these hectic weeks of fighting casualty rates were in excess of 50%. As depicted in Stan Stokes painting, which is dedicated to all those who participated in the Great Crusade, a C-47 Skytrain (bearing white and black invasion stripes) passes over the beaches of Normandy following a drop behind enemy lines on June 6, 1944. Supplied with signed and numbered certificate of authenticity. Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm)
Website Price: £ 90.00
To purchase these prints individually at their normal retail price would cost £145.00 . By buying them together in this special pack, you save £55
All prices are displayed in British Pounds Sterling
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| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Colonel Sid Harwell
*Signature Value : £35 (matted)
| Col Sid Harwell. C-47 pilot who had more combat experience than most C-47 pilots, and participated in the Airborne assault during D-day with the 87th Troop Carrier Sqn dropping 101st Airborne Paratroopers into Ste-Mere-Eglise. |
| Artist Details : Nicolas Trudgian | | Click here for a full list of all artwork by Nicolas Trudgian |
Nicolas Trudgian
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
More about Nicolas Trudgian
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