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Please note that our logo is used on our website images only and does not appear on our products. Chosin Fires by James Dietz. (AP) US Army and Marine Field Artillery. In the history of warfare, many battles have made manifest the fact that when forces join on the field of battle, Field Artillery firepower is the element of combat that makes a difference. Such was the case in late November and early December 1950 at the Chosin Reservoir, in the Republic of Korea. This epic conflict, characterized by misery, cold, exhaustion, and sacrifice, portrays an epic 17-day struggle between primarily U.S. and Chinese Communist Forces. To say the conditions were tough is an understatement. The bitter cold cut so deeply that the men became numb and the equipment ceased operating. When the opportunity arose to change boots, soldiers could see the ice crystals that had formed between their toes; some died while advancing, merely from the shock of the coldness. The fluid in the howitzers recoil systems became more like glue, and at night, the only way to keep the men and the guns warm was to keep them firing. That worked out well, as there was no shortage of targets. The Chinese military had sent 10 Divisions, 120,000 of its very best troops south that November with orders to annihilate the US and its allies to the last man. These were not farmers or conscripts; most of the Chinese troops were veterans of the victorious campaigns against Chiang Kai-shek's Nationalist forces. They came to Chosin looking for a fight, and that's just what they got. The battle at Chosin was ripe for heavy firepower, but the sea was 70 miles away, thus no naval gunfire; and the weather was often unfit for flying, thus affecting air support. Just as so many times before, consistent firepower was in the able hands of the King of Battle - the Field Artillery. The Chinese Communist Forces didn't count on the ferocity or the tenacity of American soldiers and marines, nor did they anticipate the shocking blow they would be dealt by the Redlegs sent to keep watch over them. Outnumbered six to one, the Allied forces chose retrograde operations, and began the long march through narrow, mountainous defiles south to Hagaru-Ri. Field Artillery of every kind supported the U.S. forces: Army and Marine Corps, light and heavy cannons; towed and self-Propelled howitzers; Active and Reserve Forces destroying enemy targets with direct and indirect fires. Many redlegs alternated between fighting as artillerymen or as infantry, whatever the battle required, while leapfrogging their way back to relative safety. This vast mix of fire support came together to create effects so devastating to the enemy that when it was over, the nearly impossible had happened: seven of the ten Chinese Communist divisions were destroyed, and would never see combat again during the Korean War. America sacrificed many lives during those 17 days in the winter 1950, but in the end, what should statistically have been an irrefutable annihilation of American troops, was a lesson in Field Artillery and Firepower for our foes. Determined forces of freedom lived to tell the story of those 17 days: of the unbearable cold, of the impossible odds, of the loss of comrades, and of the times when the effects of Field Artillery made the impossible suddenly seem possible, the hopeless seem attainable. These men, these heroes, will never forget the extraordinary role that they and their Chosin Fires played in an unforgettable chapter of our Field Artillery heritage. AMAZING VALUE! - The value of the signatures on this item is in excess of the price of the print itself! Item Code : JD0038AP Chosin Fires by James Dietz. (AP) - This Edition TYPE EDITION DETAILS SIZE SIGNATURES OFFERS YOUR PRICE PURCHASING ARTIST PROOF Limited edition of 100 artist proofs. SOLD OUT. Image size 25 inches x 12.5 inches (64cm x 32cm) Artist : James Dietz SOLD OUT NOT AVAILABLE All prices on our website are displayed in British Pounds Sterling

Other editions of this item : Chosin Fires by James Dietz. JD0038 TYPE EDITION DETAILS SIZE SIGNATURES OFFERS YOUR PRICE PURCHASING PRINT Limited edition of 350 publisher proofs. Image size 25 inches x 12.5 inches (64cm x 32cm) Artist : James Dietz £240.00 VIEW EDITION... General descriptions of types of editions :

Artist Details : James Dietz

Click here for a full list of all artwork by James Dietz

James Dietz Born in San Francisco, Jim graduated from Art Center College of Design in 1969. He had a successful illustration career in Los Angeles and New York, with a steady flow of work ranging from automobile ads, movie posters, and romantic and historical/action book covers. By 1978, Jim and his wife had moved to Seattle, where Jim's work gradually shifted away from commercial illustration to primarily historical aviation, automotive and military art. Today his work is internationally known and collected, and his style, with its emphasis on depth of story, is recognized by collectors of historical art. His list of clients includes Boeing, Bell Helicopter, Federal Express, Allison, Cessna, Flying Tigers, the Indianapolis 500, BMW, US Air Force Documentary Art Program, Wingnut Studios, Meadowbrook and Pebble Beach Concours d'Elegance, the National Guard and many U.S. Army organizations and associations to include: the 82nd Airborne Division, the 101st Airborne Division, U.S. Army Rangers, Special Forces, 1st Division, 2nd Division 3rd Division, 4th Division, 1st Cavalry Division, 11th Armored Cavalry Regiment, 173rd Airborne Regiment, the Command General Staff College, and the United States Army War College. Awards include: Best in Show, EAA Aviation Art Show, three successive years, 1989-91 Named Master Artist, EAA, 1992 People's Choice Award, American Society of Aviation Artists, 1988 Best in Show, Franklin Mint Artists Show, 1992 Best in Show & three Best of Era Awards, San Antonio Military Art Show, 1992 Honorable Mention, American Society of Aviation Artists Show, 1994 Best in Show, Flying Magazine/Simuflite Art Show, 1993, 1994, 1999, 2000, 2001 Award of Merit, Flying Magazine/Simuflite Art Show, 1995, 2000 Best in Show, Naval Aviation Museum Art Show, 1994, 2000 First Place, Naval Aviation Museum Art Show, 1995 R. G. Smith Award for Excellence in Naval Aviation Art, National Naval Aviation Museum, Pensacola, FL, 1997 Best in Show, Women in Aviation Show, C.R. Smith Museum, Dallas, TX, 1997 Stanley Wanlass Award, for excellence in strength of design and composition, echoing the spirit of the automobile, Meadow Brook Concours d'Elegance, 1997 Featured Artist, Meadow Brook Concours d'Elegance, 1999 Award of Excellence, Automotive Fine Artists of America show at Pebble Beach Concours d'Elegance, 1999, 2000 Peter Helck Award, Automotive Fine Artists of America show at Pebble Beach Concours d'Elegance, 1999, 2000 League of WWI Aviation Historians, four Silver Cups Jim Dietz from san Francisco graduated in 1969 from the Art centre College of Designed. and many of his military paintings hang in regimental collections. including the 82nd Airborne, 101st Airborne Division and the us Army Rangers. More about James Dietz

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