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Valiant Response by Robert Taylor. - Cranston Fine Arts Aviation, Military and Naval Art
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Valiant Response by Robert Taylor.


Valiant Response by Robert Taylor.

The Spitfires of 54 Squadron, quickly scrambled from nearby Hornchurch, clash with the Me109s from 1./JG51 over Kent. Below, Me110s from KPRG210 are about to receive unwelcome attention as the rest of the Spitfires hurtle down upon them and in the distance, a group of Hurricanes rip through a dense formation of Do17s from KG76 as they struggle back to France. What clouds there are will be unlikely to give much sanctuary and, for the onlookers on the ground far below, the skies will soon be filled with weaving trails of smoke and debris. For nearly a week the Luftwaffe had thrown everything they had into the attack on southern England in order to annihilate RAF Fighter Command, in preparation for Operation Sealion, the invasion of Britain. And, heavily outnumbered, the young RAF Spitfire and Hurricane pilots of Fighter Command had so far repelled them, at a cost. But on Sunday 18 August 1940, the Germans launched the heaviest formations of aircraft seen in the battle so far. This was to be a grinding day of relentless assaults on the airfields of southern England, the hardest day of the Battle of Britain.
Item Code : DHM1977Valiant Response by Robert Taylor. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 450 prints.

Paper size 33 inches x 25 inches (84cm x 64cm) Image size 26.5 inches x 17.5 inches (67cm x 44cm) Jones, Richard L
Nicholls, Doug
Wilkinson, Ken
+ Artist : Robert Taylor


Signature(s) value alone : £130
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FREE PRINT : Where Thoroughbreds Play by Ivan Berryman.

This complimentary art print worth £45
(Size : Image size 12 inches x 9 inches (31cm x 23cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

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Titles in this pack :
Valiant Response by Robert Taylor.  (View This Item)
High Patrol by Ivan Berryman. (B)  (View This Item)
In Them We Trust by Ivan Berryman. (C)  (View This Item)
Combat Over Beachy Head by Nicolas Trudgian. (C)  (View This Item)
Hurricane Mk.IIC by Ivan Berryman.  (View This Item)

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Other editions of this item : Valiant Response by Robert Taylor. DHM1977
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Anniversary edition of 25 artist proofs.
Great value : Value of signatures exceeds price of item!
Paper size 33 inches x 25 inches (84cm x 64cm) Image size 26.5 inches x 17.5 inches (67cm x 44cm) Jones, Richard L
Nicholls, Doug
Wilkinson, Ken
Bent, Benjamin
Duckenfield, Byron
Corbin, William J
Elkington, John
Gray, Trevor
Lawrence, Keith
Lucas, Robin M M D
Seeger, Gunther
Steinhoff, Johannes
+ Artist : Robert Taylor


Signature(s) value alone : £515
Free
Shipping!
£375.00VIEW EDITION...
PRINT Anniversary edition of 350 prints.
Great value : Value of signatures exceeds price of item!
Paper size 33 inches x 25 inches (84cm x 64cm) Image size 26.5 inches x 17.5 inches (67cm x 44cm) Jones, Richard L
Nicholls, Doug
Wilkinson, Ken
Bent, Benjamin
Duckenfield, Byron
Corbin, William J
Elkington, John
Gray, Trevor
Lawrence, Keith
Lucas, Robin M M D
Seeger, Gunther
Steinhoff, Johannes
+ Artist : Robert Taylor


Signature(s) value alone : £515
£90 Off!
Supplied with one or more free art prints!
Now : £265.00VIEW EDITION...
PRINT Battle of Britain Tribute Proof edition of 10 prints, supplied with an original pencil drawing.

SOLD OUT.
Paper size 33 inches x 25 inches (84cm x 64cm) Image size 26.5 inches x 17.5 inches (67cm x 44cm) Jones, Richard L
Nicholls, Doug
Wilkinson, Ken
Bent, Benjamin
Duckenfield, Byron
Corbin, William J
Elkington, John
Gray, Trevor
Lawrence, Keith
Lucas, Robin M M D
Seeger, Gunther
Steinhoff, Johannes
Croskell, Michael E (companion print)
Denchfield, David (companion print)
Lacey, Ginger (matted on companion print)
Lange, Heinz (matted on companion print)
Losigkeit, Fritz (matted on companion print)
Schopfel, Gerhard (matted on companion print)
Trautloft, Hannes (matted on companion print)
Wick, Helmut (matted on companion print)
+ Artist : Robert Taylor


Signature(s) value alone : £865
SOLD
OUT
VIEW EDITION...
General descriptions of types of editions :


Signatures on this item
NameInfo


The signature of Flight Lieutenant Richard L Jones (deceased)

Flight Lieutenant Richard L Jones (deceased)
*Signature Value : £45

Richard Jones was born in 1918 and in July 1940 Richard Jones was posted to 64 Squadron at Kenley, flying Spitfires. He was involved in heavy fighting over the Channel during the Battle of Britain, with the squadron suffering many losses during July and August. Towards the end of the Battle of Britain, in October, he moved to 19 Squadron flying Spitfires from Fowlmere, and was heavily involved in the fighter sweeps taking place at that time. Near the end of the Battle of Britain, Pilot Officer Richard Jones was shot down during a dogfight over Kent with Me 109s. Jones crash landed his Spitfire in a field, colliding with a flock of sheep - he would go on to write in his log book "Crashed into a load of sheep. What a bloody mess!"After the Battle of Britain, Richard Jones became a test pilot for De Havilland at Witney in Oxfordshire, and test flew thousands of Hawker Hurricanes and other types, including civil types. After the war Richard Jones joined the RAFVR and started a long career in the motor industry. Sadly Richard Jones passed away on 7th March 2012.


Flying Officer Ken Wilkinson
*Signature Value : £40

Battle of Britain pilot flying Hurricanes, he flew Spitfires with 611 Sqn and then 616 Sqn at Kirton-in-Lindsey and 19 Sqn at Fowlmere during 1940 and after a spell instructing returned to operations on Spitfires, with 234 and 165 Squadrons. After spending time with 53, 24 and 10 Operational Training Units, he left the RAF in November 1945 and served in the RAFVR.
Ken said :
From 1st September 1939 I wrote myself off. I thought, 'you've got no chance' lasting through whatever is going to be. It was quite obvious, in the way the Germans were moving, they were going to make a hell of a war out of it, so I was ready for war. I can remember saying 'we've got to stop this fellow Hitler'. When you think of all the thousands of citizens that were being killed by this absurd bombing. They had to pay for it didn't they. Yes, we lost people. Friends that didn't come back. I don't think we were the sort of people to brood over it, ever. You have to get into an attitude to make sure that you're as cold as a fish. Once someone has failed to return, that's it. Fortune smiled on me and not on some of the others. I can only say that whoever it was who pooped off at me, wasn't a very good marksman. It transpired that we were doing something far more important than we thought. As far as we were concerned, it was just that there were some untidy creatures from over the other side of the channel, trying to bomb England and the United Kingdom. And we didn't want them to bomb us. After all, we never asked the Germans to start this nonsense, did we? But they did, and we had to stop them, and we did. It's our country. You die for you country.


The signature of Squadron Leader Doug Nicholls DFC (deceased)

Squadron Leader Doug Nicholls DFC (deceased)
*Signature Value : £45

A pre-war RAFVR pilot, in June 1940 Nicholls converted to Hurricanes at 7 OTU, Hawarden. Nicholls flew during the Battle of Britain with 85 and 242 and in September joined 151 Squadron.at Digby On September 30, 1940, he shared in the destruction of a Ju 88 and returned to Digby with his Hurricane P 5182 severely damaged by return fire. Nicholls spent only a brief time with 242 but Bader made a considerable impression. After a hard day Nicholls remembers Bader taking off his legs and dressing the stumps with lotion and talcum powder. Few people realise, Nicholls feels, just how much strain combat flying with artificial legs must have been. Later in the war Nicholls flew Hurricanes with 258 Squadron in the Far East to Seletar airfield, Singapore and flew their first operation on January 31 1942. On February 10 1942 the three surviving Hurricanes of 258 were withdrawn to Palembang with the fifteen surviving pilots, six remained behind to fly with 605 Squadron, with Nicholls being one of the nine evacuated from Java to Ceylon. 258 Squadron was reformed at Ratmalana on March 1 1942 and Nicholls rejoined it. Awarded the DFC (19.5.44) he remained with 258 until August 1944, when he was posted to HQ 224 Group, Burma, as Squadron Leader Tactics. Squadron Leader Doug Nicholls, who has died aged 95, flew Hurricanes in the Battle of Britain, avoided capture in Java and earned the DFC flying ground attack missions in Burma. Nicholls and his fellow pilots of No 258 Squadron had just arrived in the Middle East as reinforcements in 1941 when Japan attacked Pearl Harbour. It was decided to rush the squadron to Singapore and it embarked on the aircraft carrier Indomitable before sailing for the Far East. On January 28 1942, 22 Hurricanes took off from the carrier and departed on the three-hour flight to Batavia. After refuelling, Nicholls headed for Palembang in the south of Sumatra. During the hazardous crossings, the squadron had lost a quarter of its aircraft before facing the Japanese. Two pilots were soon lost in combat. On February 6, the airfield at Palembang was attacked. Nicholls managed to damage a Japanese bomber but he was attacked by a Zero fighter and was forced to bail out over the jungle 30 miles from his airfield. Nicholls started walking and eventually commandeered a car, but found that his squadron had been forced to evacuate Palembang. When the car ran out of petrol he traded it for a railway ticket to a nearby port where he escaped to Batavia to rejoin his depleted squadron. It was soon decided to withdraw the squadron and leave six pilots to fly the only remaining Hurricanes. Three volunteered to stay and the remainder cut cards, the three drawing the lowest to remain. Nicholls cut a jack, which was high enough for him to join the party to be evacuated. On February 28, just six of the 22 pilots who had arrived a few weeks earlier sailed for Ceylon on an overcrowded boat. Those left behind were either killed or became PoWs for the next three years.
The Aircraft :
NameInfo
SpitfireRoyal Air Force fighter aircraft, maximum speed for mark I Supermarine Spitfire, 362mph up to The Seafire 47 with a top speed of 452mph. maximum ceiling for Mk I 34,000feet up to 44,500 for the mark XIV. Maximum range for MK I 575 miles . up to 1475 miles for the Seafire 47. Armament for the various Marks of Spitfire. for MK I, and II . eight fixed .303 browning Machine guns, for MKs V-IX and XVI two 20mm Hispano cannons and four .303 browning machine guns. and on later Marks, six to eight Rockets under the wings or a maximum bomb load of 1,000 lbs. Designed by R J Mitchell, The proto type Spitfire first flew on the 5th March 1936. and entered service with the Royal Air Force in August 1938, with 19 squadron based and RAF Duxford. by the outbreak of World war two, there were twelve squadrons with a total of 187 spitfires, with another 83 in store. Between 1939 and 1945, a large variety of modifications and developments produced a variety of MK,s from I to XVI. The mark II came into service in late 1940, and in March 1941, the Mk,V came into service. To counter the Improvements in fighters of the Luftwaffe especially the FW190, the MK,XII was introduced with its Griffin engine. The Fleet Air Arm used the Mk,I and II and were named Seafires. By the end of production in 1948 a total of 20,351 spitfires had been made and 2408 Seafires. The most produced variant was the Spitfire Mark V, with a total of 6479 spitfires produced. The Royal Air Force kept Spitfires in front line use until April 1954.
Me109Willy Messerschmitt designed the BF109 during the early 1930s. The Bf109 was one of the first all metal monocoque construction fighters with a closed canopy and retractable undercarriage. The engine of the Me109 was a V12 aero engine which was liquid-cooled. The Bf109 first saw operational service during the Spanish Civil War and flew to the end of World War II, during which time it was the backbone of the Luftwaffe fighter squadrons. During the Battle of Britian the Bf109 was used in the role of an escort fighter, a role for which it was not designed for, and it was also used as a fighter bomber. During the last days of May 1940 Robert Stanford-Tuck, the RAF ace, got the chance to fly an Me109 which they had rebuilt after it had crash landed. Stanford-Tuck found out that the Me109 was a wonderful little plane, it was slightly faster than the Spitfire, but lacked the Spitfire manoeuvrability. By testing the Me109, Tuck could put himself inside the Me109 when fighting them, knowing its weak and strong points. With the introduction of the improved Bf109F in the spring of 1941, the type again proved to be an effective fighter during the invasion of Yugoslavia and during the Battle of Crete and the invasion of Russia and it was used during the Siege of the Mediteranean island of Malta. The Bf109 was the main fighter for the Luftwaffe until 1942 when the Fw190 entered service and shared this position, and was partially replaced in Western Europe, but the Me109 continued to serve on the Eastern Front and during the defence of the Reich against the allied bombers. It was also used to good effect in the Mediterranean and North Africa in support of The Africa Korps. The Me109 was also supplied to several German allies, including Finland, Hungary, Romania, Bulgaria, Croatia, and Slovakia. The Bf109 scored more kills than any other fighter of any country during the war and was built in greater numbers with a total of over 31,000 aircraft being built. The Bf109 was flown by the three top German aces of the war war. Erich Hartmann with 352 victories, Gerhard Barkhorn with 301 victories and Gunther Rall with 275 kills. Bf109 pilots were credited with the destruction of 100 or more enemy aircraft. Thirteen Luftwaffe Aces scored more than 200 kills. Altogether this group of pilots were credited with a total of nearly 15,000 kills, of which the Messerschmitt Bf109 was credited with over 10,000 of these victories. The Bf109 was the most produced warplane during World War II, with 30,573 examples built during the war, and the most produced fighter aircraft in history, with a total of 33,984 units produced up to April 1945. Bf109s remained in foreign service for many years after World War II. The Swiss used their Bf109Gs well into the 1950s. The Finnish Air Force did not retire their Bf109Gs until March 1954. Romania used its Bf109s until 1955. The Spanish Hispanos flew even longer. Some were still in service in the late 1960s.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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