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Me262 Aviation Art Prints by Brian Bateman and Nicolas Trudgian.
PCK2429. Me262 Aviation Art Prints by Brian Bateman and Nicolas Trudgian. Aviation Print Pack.
Items in this pack :
Item #1 - Click to view individual item
DHM1874. Thunder from the Heavens by Brian Bateman. It was a time of grueling air combat and continuous sorties facing overwhelming odds. A time of wrecked nerves, fatigue, and the constant reality that the end was near for the men and machines of Hitlers Luftwaffe. Nevertheless, men flew into combat time and time again, defending their solemn oath to fight and die for the Fatherland! Thunder from the Heavens depicts the pilots and machines of JG7, the first operational jet fighter group to be formed after the remotely successful EKDO 262. Flying high above the ruins of the Reich in the beauty of an early evening sky, its hard to realize the enormity of destruction to the scorched earth below. Set in early March, 1945, the painting conveys the beauty of these sleek machines of war, contrasting with the peaceful surrounding of the coming spring evening. Ex-display print with some slight damage to the border. Only one available. Signed limited edition of 250 prints. Image size 36 inches x 24 inches (91cm x 61cm)
Item #2 - Click to view individual item
DHM2109. Clash Over Remagen by Nicolas Trudgian. When the American Army reached the Rhine at Remagen on March 7, 1945, such was the speed of their advance, they arrived before the retreating Germans had time to blow the vital bridge. The Americans seized the bridge intact. Realising the threat to the German defences, the Luftwaffe were ordered into destroy the bridge at all costs. Desperate efforts were made to attack the bridge, and over the course of the following days the fighting became one of the legendary battles of the war. Two RAF Tempests have flown right through the Luftwaffe formation of Me262 and Arado 234 jets bombers, the high speed aircraft missing each other by feet. The concentration of the desperate attackers is broken momentarily, sufficiently so that their bombs miss the target - but more Luftwaffe aircraft can be seen streaming into attack. Less than 30 prints left. Signed by Hauptmann Georg Csurusky,
Oberfeldwebel Rony Lauer
and
Oberfeldwebel Hermann Wieczorek, in addition to the artist. Limited edition of 600 prints. Paper size 35 inches x 24 inches (89cm x 61cm)
Website Price: £ 270.00
To purchase these prints individually at their normal retail price would cost £310.00 . By buying them together in this special pack, you save £40
All prices are displayed in British Pounds Sterling
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| Signatures on item 2 | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Hauptmann Georg Csurusky
*Signature Value : £50 (matted)
| After completing his pilot training, Georg was posted in January, 1943, to 1.KG51 on the eastern front, flying the JU-88 all-weather medium bomber. In August, 1943, he converted to fly the ME-410 Hornet. On October 3rd 1943 Hauptmann Georg Csurusky was awarded the Deutsches Kreuz in Gold (The German Cross in Gold). In 1944, 1 Gruppe KG51 converted to train on the ME-262 jet fighter-bomber for the Western Front. Georg flew the 262 on the attack on the Ludendorff Bridge. At the war's end he had flown 209 combat missions on both fronts, 68 of which were in the ME-262. | 
Oberfeldwebel Hermann Wieczorek
*Signature Value : £50 (matted)
| Hermann Wieczorek joined the Luftwaffe in 1935 and served as a flight mechanic before training as a pilot. Upon qualifying, he served initially as a flying instructor before joining Oberfehlshaber Sud, under General Kesselring, flying photoreconnaissance missions in the ME-110 and JU-88 over Italy and North Africa. In June, 1944, he was transferred to 1./KG51, flying the ME-262 on the Western Front. Hermann flew the 262 in the action against the Bridge at Remagen and afterword until the end of the war. | 
Oberfeldwebel Rony Lauer (deceased)
*Signature Value : £50 (matted)
| Rony Lauer joined the Luftwaffe in 1937 but was still in pilot training at the start of the war. In 1942 he was posted to join KG30, flying the JU-88 on operations over England and later in the Mediteranean theater. In June, 1944, he transferred to 1./KG51 for training on the ME-262 and flew in in combat a few months later. Rony flew one of the lead aircraft in the attack on the Bridge at Remagen, and flew the 262 until the end of the war. Rony Lauer was witness to the first recorded Allied destruction of a Me262, belonging to the unit known as Kommando Schenk, on 28th August 1944, claimed as destroyed by 78th FG pilots Major Joseph Myers and Second Lieutenant Manford O. Croy flying P-47 Thunderbolts. On August 28th 1944, General William Kepner's men came up against Oberfeldwebel Hieronymus 'Rony' Lauer, a straightforward, clean-cut young man who exuded quiet confidence and seemed incapable of being afraid. He had been living on the edge longer than any of the Americans who were fighting Hitler's jets. Lauer joined the Luftwaffe in 1937 and was in pilot training at the start of the war, in those early days when the Luftwaffe could afford the time for the same kind of rigorous training program that was typical of the Americans. That luxury would vanish, though, and Lauer would eventually find himself fighting alongside men with relatively little experience. With an initial assignment similar to that of his fellow pilot Hans Busch, Lauer flew the twin-prop Junkers Ju 88 in the Mediterranean theater. In 1944, he was transferred to unit 1/KG51 for training on the Me 262 and flew in combat a few months later. He appeared to have a natural feel for the jet aircraft and to be stoic about its flaws. Lauer was to achieve several firsts as a jet pilot and one was becoming the first Me 62 pilot claimed as an aerial victory by the Allies. It happened when Major Joseph Myers led the Surtax Blue Flight of P-47 Thunderbolts of the 82nd Fighter Squadron, 78th Fighter Group, on a fighter sweep at eleven thousand feet near Termonde, Belgium. At 7:15 p.m., Myers saw what he thought was a B-26 Marauder going south very fast and very low. He dove at forty-five degrees registering 450 miles per hour and got right above the aircraft at five thousand feet, observing that it was painted slate blue with no markings. The plane began doing ninety-degree-wide evasive turns, apparently demonstrating in the process what many pilots would conclude later - that it could not turn inside a P-47. Myers cut him off and closed in to within eight hundred yards. That is when Myers remembered that intelligence officers had shown him recognition plats of a new aircraft called the Me 262. The pilot: Rony Lauer. Lauer's guns weren't even loaded. He was ferrying the Me262 on a transfer from Juvincourt, near Reims, France, to Chievres, Belgium. Myers and 2nd Lt. Manford O. Croy Jr. latched on and chased Lauer. As Myers held his thumb over the firing switch, Lauer slowed down and crashed in a plowed field. Myers started shooting as the Me262 touched the ground and continued pumping bursts into it at close quarters, getting hits in the cockpit and both engines. The Me262 skidded across a field, on fire. Lauer leaped out and ran. By then Croy was opening up with his eight .50-caliber guns, and the after-action report indicated that Croy hit the pilot as he ran from the jet. In fact, Lauer was never touched. Myers and Croy are each credited with one-half of an air-to-air victory, officially the first American kill of a jet. Lauer wasn't finished being shot down - it would happen again - but at the very time Allied armies were making a breakout in France, there was a lull in engagements. Rony Lauer died in 2002. |
| Artist Details : Nicolas Trudgian | | Click here for a full list of all artwork by Nicolas Trudgian |
Nicolas Trudgian
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
More about Nicolas Trudgian
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