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Bristol Blenheim Aviation Art Prints by Stan Stokes and Ivan Berryman. - Military Art
STK0134. Dangerous Duty by Stan Stokes. <p> Some of those most dangerous missions of WW II were the low level shipping attacks by Bristol Blenheims carried out against Axis shipping. These missions were important in the early stages of the War in the Mediterranean in terms of disrupting supply lines to Rommels troops fighting in North Africa. It was not uncommon for the RAF to lose 10-30% of the aircraft it sent on such missions.  One of the most successful of the RAFs Blenheim pilots was Sir Ivor Broom, who rose from the rank of Sergeant Pilot, completing three combat tours, including thirty-one low level attacks while based on the island of Malta. With all the officer pilots in his squadron either killed or missing in action, Broom received his commission. Allied interdiction efforts had become so successful that in October and November of 1941 only 25% of the supplies destined to supply Rommels armies in North Africa were getting through. The Germans decided to reroute their supply ships, opting for taking a longer route, but one which made Allied attacks much less likely. The Blenheimss of Brooms 107 Squadron had sufficient range to reach shipping targets off the Greek coast, but this necessitated a long over water flight and precise navigation. Brooms 43rd combat mission involved the attack on German ships at anchor in the harbor at Argostoli which was on the island of Cephalonia off the west coast of Greece. The ships there were forming a convoy which would make the dash to Benghazi. Six Blenheims from 107 and 18 Squadrons took part in the raid. With Broom in the lead the six attackers avoided the heavily armed coastal defenses by approaching the harbor from an inland direction. This required some highly skilled low level flying as they followed a road through a saddle in the hills. With the advantage of surprise on their side the six attackers swept down on the ships at anchor in the harbor at mast height. After releasing their bomb load the group executed a sharp turn to starboard and a fast climb up and over the hills to the west of the harbor. A-A fire greeted the Blenheims as they made their escape, and two of the six aircraft fell victim. This attack on December 13, 1941 is depicted in Stan Stokes painting appropriately entitled Dangerous Duty. The Bristol Blenheim, the most plentiful aircraft in the RAFs inventory when WW II began, was designed by Frank Barnwell, and when first flown in 1936 was unique with its all metal monoplane design incorporating a retractable undercarriage, wing flaps, metal props, and supercharged engines. A typical bomb load for a Blenheim was 1,000 pounds. In the early stages of the war Blenheims were used on many daylight bombing missions. While great heroism was displayed by the air crews, tremendous losses were sustained during these missions. The Blenhiem was easy pickings at altitude for German Bf-109 fighters who quickly learned to attack from below. To protect the vulnerable bellies of the Blenheims many missions were shifted to low altitude, but this increased the aircrafts exposure to anti-aircraft fire.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)
B0295. Blenheim Mk.IVF of No.68 Sqn by Ivan Berryman. <p> Bristol Blenheim Mk.IVF of No.68 Squadron. The night-fighter squadron flew Blenheims from mid1941 to early 1942 before converting to Beaufighters. Aircraft WM-Z is shown in combat with a marauding Dornier Do17. <b><p>Signed by Wing Commander Roger Morewood (deceased)<p>Signed limited edition of 35 prints. <p> Image size 12 inches x 9 inches (31cm x 23cm)

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  Website Price: £ 85.00  

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Bristol Blenheim Aviation Art Prints by Stan Stokes and Ivan Berryman.

PCK2540. Bristol Blenheim Aviation Art Prints by Stan Stokes and Ivan Berryman.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

STK0134. Dangerous Duty by Stan Stokes.

Some of those most dangerous missions of WW II were the low level shipping attacks by Bristol Blenheims carried out against Axis shipping. These missions were important in the early stages of the War in the Mediterranean in terms of disrupting supply lines to Rommels troops fighting in North Africa. It was not uncommon for the RAF to lose 10-30% of the aircraft it sent on such missions. One of the most successful of the RAFs Blenheim pilots was Sir Ivor Broom, who rose from the rank of Sergeant Pilot, completing three combat tours, including thirty-one low level attacks while based on the island of Malta. With all the officer pilots in his squadron either killed or missing in action, Broom received his commission. Allied interdiction efforts had become so successful that in October and November of 1941 only 25% of the supplies destined to supply Rommels armies in North Africa were getting through. The Germans decided to reroute their supply ships, opting for taking a longer route, but one which made Allied attacks much less likely. The Blenheimss of Brooms 107 Squadron had sufficient range to reach shipping targets off the Greek coast, but this necessitated a long over water flight and precise navigation. Brooms 43rd combat mission involved the attack on German ships at anchor in the harbor at Argostoli which was on the island of Cephalonia off the west coast of Greece. The ships there were forming a convoy which would make the dash to Benghazi. Six Blenheims from 107 and 18 Squadrons took part in the raid. With Broom in the lead the six attackers avoided the heavily armed coastal defenses by approaching the harbor from an inland direction. This required some highly skilled low level flying as they followed a road through a saddle in the hills. With the advantage of surprise on their side the six attackers swept down on the ships at anchor in the harbor at mast height. After releasing their bomb load the group executed a sharp turn to starboard and a fast climb up and over the hills to the west of the harbor. A-A fire greeted the Blenheims as they made their escape, and two of the six aircraft fell victim. This attack on December 13, 1941 is depicted in Stan Stokes painting appropriately entitled Dangerous Duty. The Bristol Blenheim, the most plentiful aircraft in the RAFs inventory when WW II began, was designed by Frank Barnwell, and when first flown in 1936 was unique with its all metal monoplane design incorporating a retractable undercarriage, wing flaps, metal props, and supercharged engines. A typical bomb load for a Blenheim was 1,000 pounds. In the early stages of the war Blenheims were used on many daylight bombing missions. While great heroism was displayed by the air crews, tremendous losses were sustained during these missions. The Blenhiem was easy pickings at altitude for German Bf-109 fighters who quickly learned to attack from below. To protect the vulnerable bellies of the Blenheims many missions were shifted to low altitude, but this increased the aircrafts exposure to anti-aircraft fire.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Item #2 - Click to view individual item

B0295. Blenheim Mk.IVF of No.68 Sqn by Ivan Berryman.

Bristol Blenheim Mk.IVF of No.68 Squadron. The night-fighter squadron flew Blenheims from mid1941 to early 1942 before converting to Beaufighters. Aircraft WM-Z is shown in combat with a marauding Dornier Do17.

Signed by Wing Commander Roger Morewood (deceased)

Signed limited edition of 35 prints.

Image size 12 inches x 9 inches (31cm x 23cm)


Website Price: £ 85.00  

To purchase these prints individually at their normal retail price would cost £140.00 . By buying them together in this special pack, you save £55




All prices are displayed in British Pounds Sterling

 

Signatures on item 2
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
NameInfo


Wing Commander Roger Morewood (deceased)
*Signature Value : £40 (matted)

An uncle suggested to Roger Morewood that he should join the RAF so Roger did at the age of 17. Roger said : I was going be a pilot, that was the only reason to join. Roger trained to fly in a Tiger Moth biplane before joining 56 Squadron - regarded within the RAF as an elite unit - flying open cockpit Gauntlet fighters. The squadron were then re-equipped with Gloster Gladiators - the last RAF biplane - then the Hawker Hurricanes that would join Spitfires in fighting off Hitlers Luftwaffe in the Battle of Britain. While serving with 56 Squadron Roger Morewood was assigned the dangerous role of long-range fighter sweeps over the coast of occupied France and Holland but left to help form 248 Sqn at Hendon with whom he served throughout the Battle of Britain flying Blenheims. Roger said: We had a few panic station alerts when we were scrambled. We wouldd be leaping into our aircraft with flying suits over our pyjamas as we tried to get into the air in a minute and a half. In July 1942 Morewood went to 9 OTU and later HQ Transport Command. After a long post-war career in the RAF he retired in 1957. Roger Morewood once said of his squadron: It was damned dodgy. We had a high loss rate on operations. And on one sortie - then aged 21 - he nearly met his maker : I flew across to Den Helder (Northern Holland) in a long-nosed Blenheim to look after this battleship at the entrance to the Zuiderzee. We flew round this thing and sure enough I saw some aircraft coming up. They were twin-engine bombers naturally - Messerschmitt 110s. That was a bit hairy. My two blokes (other pilots) shoved off in a hurry into a cloud, and there was me popping away until I ran out of ammunition. There was just me left. I realised there was no point chasing - I was not going to knock his wings off. So I started flying home. After making hardly any noise all flight the chap (navigator) in the back said you haveve got somebody on your tail now - you had better move swiftly. So I moved to left and right. We got a pretty hefty clobbering. His turret disappeared at the back. My poor navigator wore a tin hat and I dont blame him. He got a bullet half way through his armour. He was alright. I had a dreadful wound. If I shook my hand really hard I could get blood out of one finger. I was hit all over the place. We took dozens of bullets. The aircraft was ruined. That is all there was to it. We were still going home - even with the North Sea to go across. So I trundled off back and ditched the damn thing. Thank God it didnt blow up. We literally got away with it. It was the hairiest trip I ever did. On another occasion, Roger intercepted a German weather forecasting flying boat called Weary Willy : I was in a Beaufighter at this time. I flew upwind and had a shot at him downwind. Then all the guns jammed. So I pulled alongside him - not too close - and waved him good luck lad. Anyway he sank when he got back to Norway. That was that one finished. Flying from Shetland, his squadron attacked German shipping off Norway. Roger was rested and spent two years training new Beaufighter pilots but still managed to go on some operations, mainly attacking convoys off the coast of Holland. Roger Morewood said: job was to attack the flak ships, floating anti-aircraft batteries, so other Beaufighters could attack the cargo ships. It could be pretty hairy as 12 Beaufighters lined up to have a crack at the target. You wouldd see tracer shells from your mates plane whizzing over your head or underneath you. They were a bigger danger than the Germans Wing Commander Roger Morwood was posted to the Mediterranean where he contracted TB. He recalled: "In hospital, they treated you with whisky in milk and a pint of Guinness for breakfast, very primitive stuff." When the war ended and the RAF were scaled down, Roger continued to serve in various postings around the UK until 1947. after leaving the RAF Roger was recalled again as an instructor at the Central Flying School, but with the rank of flight lieutenant. He was posted to Edinburgh and then Glasgow University squadrons. finnaly leaving service in 1957. Wing Commander Roger Morewood notched up more than 5000 flying hours in 32 different types of aircraft. Roger Morewood died in early December 2014.
Artist Details : Ivan Berryman
Click here for a full list of all artwork by Ivan Berryman


Ivan Berryman

Over the last 30 years, Ivan Berryman has become a leading aviation, motor racing and naval artist. In this time, the subjects of his paintings have been wide and varied as he has deliberately strived to include some of the lesser know aircraft, ships and events in his portfolio, which includes aircraft like the Defiant, TSR2, Beaufort, ships including MTBs and corvettes, and around 100 different aircraft of the first world war. In addition to this he has taken new approaches to the classic subjects of his field, including the Dambuster Lancasters, Battle of Britain Spitfires, Bf109s and Hurricanes, HMS Hood, Bismarck and the best known naval ships, as well as some iconic sporting moments. In his own words : Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...


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