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Stan Stokes German WW1 Aviation Trade Pack Art Prints. - Military Art
STK0002. Early Night Raiders by Stan Stokes. <p> One of the strategies utilized by the German military in WW I was the terror bombing of civilian targets in hopes of swaying popular opinion to permit favorable peace terms to be exacted. While this strategy was flawed, the principal instrument utilized in its implementation early in the War was the dirigible. While dirigibles had the range to hit targets in Britain, they became increasingly vulnerable to attack as fighter aircraft and ammunitions performance improved. One of the most successful developers and builders of these dirigibles was Count von Zeppelin. Zeppelin was a visionary in airship and aircraft design, and by the time WW I had begun his interest had largely shifted from lighter-than-air airships to more conventional aircraft designs. Zeppelin was well aware that his giant dirigibles had severe limitations in a military role, including their large size, slow speed, small payload capacity, and most important their high flammability. What was needed was a conventional aircraft capable of flying round-trip to strategic military targets that could carry a meaningful payload. Such aircraft would have to be fast enough and have sufficient defensive armament to evade or fend off enemy pursuit aircraft to complete their missions. The most impressive and successful aircraft in this class were built by the Zeppelin-Werke Staaken, a company formed by Zeppelin in Berlin with Robert Bosch as his partner. The company's first goal was to develop a long-range, six-engine, bomber/transport. By late 1915 German military authorities recognized the need for such aircraft and laid down specifications for their design. Included in the specs were the unique requirements for oxygen apparatus, in-flight servicing of the engines, and for both onboard navigational and communications apparatus. Called R-planes by the military, Zeppelin produced a series of three giants, commonly all referred to as Zeppelin-Staakens. Only one of the R-planes was actually downed by opposing fighters. The R.43 was downed while flying a night bombing mission on August 10, 1918 near Abbeville, England. The R. V series was the largest of the series, but only one aircraft was produced. With a wingspan in excess of 138 feet, it was powered by five 245-HP Maybach engines. Its gross weight at takeoff of more than 28,000 pounds was 15 to 20 times that of a typical fighter aircraft. Despite its size the wing loading of the Zeppelin-Staakens compared favorably to most fighter aircraft of the era. Shown in Stan Stokes' painting is a Zeppelin-Staaken R. VI, the blunt-nosed, 4-engine, version of the German giants. This was the most widely built version of the Zeppelin-Staaken series. Preparing for a night bombing mission at dusk, the crew readies the massive aircraft for a long flight to a target in Britain.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)
STK0004. The Fokker Scourge by Stan Stokes. <p> Anthony Herman Gerard Fokker was born in the Dutch East Indies in 1890. When his father retired the Fokker family returned to Holland, where Anthony attended school. He dropped out of college, and being deemed unfit for military service, worked at a number of odd jobs. Fokkers father persuaded his son to attend an automobile mechanics school in Germany, but Anthony was disappointed and convinced his father to enroll him in a school near Mainz which offered courses in aircraft construction and flying. This endeavor was not particularly successful, and Anthony decided to build his own flying machine. He found a partner in Oberlieutenant Von Daum, a fifty-year-old officer in the German military. The aircraft was completed in 1910, and Fokker flew it successfully on a number of flights. Von Daum, unfortunately, destroyed the machine on his first attempt at flying it. The two partners then teamed with a boat-builder to construct a second aircraft. In early 1912 Anthony had organized  Fokker Aviatik GmbH with money advanced from his father. Fokker won his first contract for military aircraft in July 1913. Fokker became interested in the design of the Moraine-Saulnier, which exhibited flying characteristics far superior to the early Fokker designs. The Fokker M.5 (Eindecker I) emerged from the reengineering of a damaged Moraine-Sualnier. With the outbreak of WW I, the German military ordered large numbers of this aircraft for use as a scout. These Fokker scouts were good machines and well-liked by the pilots that flew them. Early in 1915 the French equipped their scouts with forward firing machine guns, and German losses in aerial combat increased sharply. The French system was simplistic and utilized shields on the propeller to deflect soft copper shells. Anthony Fokkers company was the first to introduce a workable machine gun synchronizer which would allow steel bullets to be used. The German military ordered the new Fokker fighter in large numbers, and by late 1915 the tide had shifted dramatically in favor of the Germans. The British press coined the term Fokker Scourge to describe this new menace which was increasing casualties to unprecedented numbers. Oswald Boelcke, and Max Immelmann were two German pilot aces who became very popular. Immelmann is depicted in Stan Stokes painting executing the aerial maneuver which took his name. Immelman received the Blue Max (Pour le Merite) to add to his Iron Cross following his eighth victory on January 12, 1916. He would officially be credited with fifteen victories prior to his death in June of 1916. The Germans maintained that a defective gun synchronizer caused Immelmann to shoot off his own propeller.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)
STK0007. The Kaisers Battle by Stan Stokes. <p> By the spring of 1918 WW I was fast approaching its climax. In the East, Russia had collapsed, allowing Germany to amass a force of 3.5 million troops in 194 divisions on the all-important Western Front. The German strategy was to end the War before the full brunt of American involvement could swing the balance irretrievably in favor of the Allies. In an offensive of titanic proportions, later known as the Kaisers Battle, German forces strove to break the three-and-a-half year stalemate in trench warfare. This massive offensive would combine the use of sturmtruppen trained to infiltrate Allied positions, massed artillery attacks, and finally schlachtstasffein which were formations of specialized ground attack aircraft. These units, while lacking the publicity of the fighter squadrons, played a more offensive role than any other aircraft of WW I. As part of German industrys Amerika Programm, begun in mid-1917 to counter the anticipated arrival of an American air armada, the Imperial German Air Force called for the development of a new light, compact, highly maneuverable, two-seat aircraft to be known as the CL class. These new aircraft were to be offensive machines to be used to escort bombers and strafe trenches. One of the most successful of the new class of aircraft was the Hannover CL IIIa. The Hannover, as a single-engined aircraft, was unique in having a biplane tail. Its purpose was to reduce the tailplane span, thereby affording a wider field of fire for the observer/gunner. For a two seat aircraft the CL IIIa was a smallish (38 foot wingspan) and compact aircraft, and was often mistaken by Allied scouts as a single seater, whereupon they were speedily disabused of their illusion by a hail of fire from the observers Parabellum machine-gun. The small size of this aircraft imparted great maneuverability and an excellent field of view for its pilot. Powered by an Argus As III engine, the Hannover also utilized a plywood fuselage, giving the aircraft great strength and the ability to withstand a lot of punishment. These characteristics made the CL IIIa an ideal ground attack aircraft. More than one thousand of these airplanes were built, and they entered service in late 1917. The Hannoveranas, as they were called by the RFC, were without doubt, formidable opponents. Major James McCudden, V.C., the RFCs fourth ranking ace with 57 victories, was to write: These machines are very deceptive and pilots are apt to mistake them for Albatros scouts until they get to close range, when up pops the Hun gunner from inside his office. Johann Baur, who later became the personal pilot of Adolf Hitler, flew Hannovers and claimed nine victories. In Stan Stokes dramatic depiction, a CL IIIa strafes counter-attacking British Mk IV tanks in a shell pocked landscape during the Spring offensive of 1918, Germanys supreme bid for victory in the West.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)
STK0014. The Ringmaster by Stan Stokes. <p> Born in Prussia to wealthy aristocratic parents, Manfred Freherr von Richtofen, The Red Baron, was to become the top ace of World War I, with 80 confirmed kills, and probably another 40-50 which took place over enemy lines and could not be confirmed. Richtofen was originally a cavalry officer, but with great persistence he was transferred to the air arm. After a brief period on the eastern front Richtofen was transferred to the western front in August 1915. His first confirmed victory was recorded in September 1916 and by November he recorded eleven kills, including Major Lance Hawker, the top British fighter pilot. With his keen reflexes and eyesight he quickly ascended, and by June 1917 Richtofen took control of a unit near Coutrai. This unit became known as Richtofens Circus. By July the ringmaster had his fifty-seventh victim. Despite his successes Richtofen shunned publicity and became increasingly withdrawn. Richtofen was wounded in combat and spent three weeks in the hospital recuperating. After his return to duty Manfred became a vocal proponent of the Fokker triplane. The bright red paint scheme utilized on one of Richtofens aircraft is what earned him the nick-name, The Red Baron. Richtofens brother, Lothar, was also an ace with forty victories to his credit. By April of 1918, aided by Americas entry into the War, Germany was facing overwhelming numbers of enemy aircraft, and many with performance capabilities the equal to, and in some cases superior to, their own. The Germans mounted a final desperate offensive, and on April 21,1918 The Red Baron finally fell victim to the perils of combat. Although there is considerable controversy over the Red Barons demise, it appears that Richtofen was either killed by Captain Arthur Brown, a Canadian flying with the RAF, or was shot down by Australian machine gunners while evading Captain Brown. Richtofen was provided a full military funeral by the Allies, and on the evening following his funeral a single RAF fighter dropped a small package containing photos of the funeral onto the Circus headquarters. By Wars end the Circus was credited with the destruction of 644 aircraft, but 56 of its airmen had been killed, 32 seriously wounded, and 6 captured. Richtofen is pictured in July of 1917 tangling with Sopwith Camels in the skies over Belgium. Flying his beloved Fokker triplane, the infamous Red Baron is shown positioning his aircraft for yet another victory.  <p><b> Supplied with signed and numbered certificate of authenticity.</b><b><p> Signed limited edition of 4750 prints.  <p> Print size 16 inches x 11.5 inches (41cm x 30cm)

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Stan Stokes German WW1 Aviation Trade Pack Art Prints.

DPK0430. Stan Stokes German WW1 Aviation Trade Pack Art Prints.

Aviation Print Pack.

Items in this pack :

Item #1 - Click to view individual item

STK0002. Early Night Raiders by Stan Stokes.

One of the strategies utilized by the German military in WW I was the terror bombing of civilian targets in hopes of swaying popular opinion to permit favorable peace terms to be exacted. While this strategy was flawed, the principal instrument utilized in its implementation early in the War was the dirigible. While dirigibles had the range to hit targets in Britain, they became increasingly vulnerable to attack as fighter aircraft and ammunitions performance improved. One of the most successful developers and builders of these dirigibles was Count von Zeppelin. Zeppelin was a visionary in airship and aircraft design, and by the time WW I had begun his interest had largely shifted from lighter-than-air airships to more conventional aircraft designs. Zeppelin was well aware that his giant dirigibles had severe limitations in a military role, including their large size, slow speed, small payload capacity, and most important their high flammability. What was needed was a conventional aircraft capable of flying round-trip to strategic military targets that could carry a meaningful payload. Such aircraft would have to be fast enough and have sufficient defensive armament to evade or fend off enemy pursuit aircraft to complete their missions. The most impressive and successful aircraft in this class were built by the Zeppelin-Werke Staaken, a company formed by Zeppelin in Berlin with Robert Bosch as his partner. The company's first goal was to develop a long-range, six-engine, bomber/transport. By late 1915 German military authorities recognized the need for such aircraft and laid down specifications for their design. Included in the specs were the unique requirements for oxygen apparatus, in-flight servicing of the engines, and for both onboard navigational and communications apparatus. Called R-planes by the military, Zeppelin produced a series of three giants, commonly all referred to as Zeppelin-Staakens. Only one of the R-planes was actually downed by opposing fighters. The R.43 was downed while flying a night bombing mission on August 10, 1918 near Abbeville, England. The R. V series was the largest of the series, but only one aircraft was produced. With a wingspan in excess of 138 feet, it was powered by five 245-HP Maybach engines. Its gross weight at takeoff of more than 28,000 pounds was 15 to 20 times that of a typical fighter aircraft. Despite its size the wing loading of the Zeppelin-Staakens compared favorably to most fighter aircraft of the era. Shown in Stan Stokes' painting is a Zeppelin-Staaken R. VI, the blunt-nosed, 4-engine, version of the German giants. This was the most widely built version of the Zeppelin-Staaken series. Preparing for a night bombing mission at dusk, the crew readies the massive aircraft for a long flight to a target in Britain.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Item #2 - Click to view individual item

STK0004. The Fokker Scourge by Stan Stokes.

Anthony Herman Gerard Fokker was born in the Dutch East Indies in 1890. When his father retired the Fokker family returned to Holland, where Anthony attended school. He dropped out of college, and being deemed unfit for military service, worked at a number of odd jobs. Fokkers father persuaded his son to attend an automobile mechanics school in Germany, but Anthony was disappointed and convinced his father to enroll him in a school near Mainz which offered courses in aircraft construction and flying. This endeavor was not particularly successful, and Anthony decided to build his own flying machine. He found a partner in Oberlieutenant Von Daum, a fifty-year-old officer in the German military. The aircraft was completed in 1910, and Fokker flew it successfully on a number of flights. Von Daum, unfortunately, destroyed the machine on his first attempt at flying it. The two partners then teamed with a boat-builder to construct a second aircraft. In early 1912 Anthony had organized Fokker Aviatik GmbH with money advanced from his father. Fokker won his first contract for military aircraft in July 1913. Fokker became interested in the design of the Moraine-Saulnier, which exhibited flying characteristics far superior to the early Fokker designs. The Fokker M.5 (Eindecker I) emerged from the reengineering of a damaged Moraine-Sualnier. With the outbreak of WW I, the German military ordered large numbers of this aircraft for use as a scout. These Fokker scouts were good machines and well-liked by the pilots that flew them. Early in 1915 the French equipped their scouts with forward firing machine guns, and German losses in aerial combat increased sharply. The French system was simplistic and utilized shields on the propeller to deflect soft copper shells. Anthony Fokkers company was the first to introduce a workable machine gun synchronizer which would allow steel bullets to be used. The German military ordered the new Fokker fighter in large numbers, and by late 1915 the tide had shifted dramatically in favor of the Germans. The British press coined the term Fokker Scourge to describe this new menace which was increasing casualties to unprecedented numbers. Oswald Boelcke, and Max Immelmann were two German pilot aces who became very popular. Immelmann is depicted in Stan Stokes painting executing the aerial maneuver which took his name. Immelman received the Blue Max (Pour le Merite) to add to his Iron Cross following his eighth victory on January 12, 1916. He would officially be credited with fifteen victories prior to his death in June of 1916. The Germans maintained that a defective gun synchronizer caused Immelmann to shoot off his own propeller.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Item #3 - Click to view individual item

STK0007. The Kaisers Battle by Stan Stokes.

By the spring of 1918 WW I was fast approaching its climax. In the East, Russia had collapsed, allowing Germany to amass a force of 3.5 million troops in 194 divisions on the all-important Western Front. The German strategy was to end the War before the full brunt of American involvement could swing the balance irretrievably in favor of the Allies. In an offensive of titanic proportions, later known as the Kaisers Battle, German forces strove to break the three-and-a-half year stalemate in trench warfare. This massive offensive would combine the use of sturmtruppen trained to infiltrate Allied positions, massed artillery attacks, and finally schlachtstasffein which were formations of specialized ground attack aircraft. These units, while lacking the publicity of the fighter squadrons, played a more offensive role than any other aircraft of WW I. As part of German industrys Amerika Programm, begun in mid-1917 to counter the anticipated arrival of an American air armada, the Imperial German Air Force called for the development of a new light, compact, highly maneuverable, two-seat aircraft to be known as the CL class. These new aircraft were to be offensive machines to be used to escort bombers and strafe trenches. One of the most successful of the new class of aircraft was the Hannover CL IIIa. The Hannover, as a single-engined aircraft, was unique in having a biplane tail. Its purpose was to reduce the tailplane span, thereby affording a wider field of fire for the observer/gunner. For a two seat aircraft the CL IIIa was a smallish (38 foot wingspan) and compact aircraft, and was often mistaken by Allied scouts as a single seater, whereupon they were speedily disabused of their illusion by a hail of fire from the observers Parabellum machine-gun. The small size of this aircraft imparted great maneuverability and an excellent field of view for its pilot. Powered by an Argus As III engine, the Hannover also utilized a plywood fuselage, giving the aircraft great strength and the ability to withstand a lot of punishment. These characteristics made the CL IIIa an ideal ground attack aircraft. More than one thousand of these airplanes were built, and they entered service in late 1917. The Hannoveranas, as they were called by the RFC, were without doubt, formidable opponents. Major James McCudden, V.C., the RFCs fourth ranking ace with 57 victories, was to write: These machines are very deceptive and pilots are apt to mistake them for Albatros scouts until they get to close range, when up pops the Hun gunner from inside his office. Johann Baur, who later became the personal pilot of Adolf Hitler, flew Hannovers and claimed nine victories. In Stan Stokes dramatic depiction, a CL IIIa strafes counter-attacking British Mk IV tanks in a shell pocked landscape during the Spring offensive of 1918, Germanys supreme bid for victory in the West.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Item #4 - Click to view individual item

STK0014. The Ringmaster by Stan Stokes.

Born in Prussia to wealthy aristocratic parents, Manfred Freherr von Richtofen, The Red Baron, was to become the top ace of World War I, with 80 confirmed kills, and probably another 40-50 which took place over enemy lines and could not be confirmed. Richtofen was originally a cavalry officer, but with great persistence he was transferred to the air arm. After a brief period on the eastern front Richtofen was transferred to the western front in August 1915. His first confirmed victory was recorded in September 1916 and by November he recorded eleven kills, including Major Lance Hawker, the top British fighter pilot. With his keen reflexes and eyesight he quickly ascended, and by June 1917 Richtofen took control of a unit near Coutrai. This unit became known as Richtofens Circus. By July the ringmaster had his fifty-seventh victim. Despite his successes Richtofen shunned publicity and became increasingly withdrawn. Richtofen was wounded in combat and spent three weeks in the hospital recuperating. After his return to duty Manfred became a vocal proponent of the Fokker triplane. The bright red paint scheme utilized on one of Richtofens aircraft is what earned him the nick-name, The Red Baron. Richtofens brother, Lothar, was also an ace with forty victories to his credit. By April of 1918, aided by Americas entry into the War, Germany was facing overwhelming numbers of enemy aircraft, and many with performance capabilities the equal to, and in some cases superior to, their own. The Germans mounted a final desperate offensive, and on April 21,1918 The Red Baron finally fell victim to the perils of combat. Although there is considerable controversy over the Red Barons demise, it appears that Richtofen was either killed by Captain Arthur Brown, a Canadian flying with the RAF, or was shot down by Australian machine gunners while evading Captain Brown. Richtofen was provided a full military funeral by the Allies, and on the evening following his funeral a single RAF fighter dropped a small package containing photos of the funeral onto the Circus headquarters. By Wars end the Circus was credited with the destruction of 644 aircraft, but 56 of its airmen had been killed, 32 seriously wounded, and 6 captured. Richtofen is pictured in July of 1917 tangling with Sopwith Camels in the skies over Belgium. Flying his beloved Fokker triplane, the infamous Red Baron is shown positioning his aircraft for yet another victory.

Supplied with signed and numbered certificate of authenticity.

Signed limited edition of 4750 prints.

Print size 16 inches x 11.5 inches (41cm x 30cm)


Website Price: £ 95.00  

To purchase these prints individually at their normal retail price would cost £200.00 . By buying them together in this special pack, you save £105




All prices are displayed in British Pounds Sterling

 

Artist Details : Stan Stokes
Click here for a full list of all artwork by Stan Stokes


Stan Stokes

Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes. More than thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan.

More about Stan Stokes

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