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JG3 Me109 Aviation Art Prints by Gerald Coulson and Nicolas Trudgian.
PCK2643. JG3 Me109 Aviation Art Prints by Gerald Coulson and Nicolas Trudgian. Aviation Print Pack.
Items in this pack :
Item #1 - Click to view individual item
DHM2671. Morning Chorus by Gerald Coulson. The roar of Daimler-Benz engines at full power awakens the day as Gunther Lutzow, his aircraft still in the markings of his previous unit JG51, leads his Me109Fs of JG3 into combat from a snow covered airfield at Schatalowka on the Russian Front, in December 1941. With prints signed by no less than four veteran Me109 pilots who fought on the cruel Eastern Front, this is sure to be a valuable addition to any aviation art collection. Signed by Feldwebel Johannes Bachmann,
Fahnrich Manfred Leisebein,
Fahnrich Klaus Vollgold
and
Unteroffizier Otfried Sahl. Signed limited edition of 350 prints. Paper size 39 inches x 23.5 inches (99cm x 60cm)
Item #2 - Click to view individual item
DHM2112. Dragons of Colombert by Nicolas Trudgian. In the summer of 1940, JG3, under the command of Hans von Hahn, scramble their Me109s from their French countryside base at Colombert, near Calais. With the deafening sound of their piston-engined aircraft, sporting the groups colourful Dragon emblem on their cowlings, they head for the battle front.
Published 2000. Only 4 prints remain. Signed by Oberstleutnant Gunther Scholz (deceased) and Oberstleutnant Erwin Leykauf (deceased), in addition to the artist. Signed limited edition of 500 prints. Paper size 27 inches x 19 inches (69cm x 48cm)
Website Price: £ 230.00
To purchase these prints individually at their normal retail price would cost £415.00 . By buying them together in this special pack, you save £185
All prices are displayed in British Pounds Sterling
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| Signatures on this item | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Fahnrich Klaus Vollgold
*Signature Value : £50 (matted)
| Born on 16th October 1925 in Zwickau, Klaus was called up to join the Luftwaffe in the summer of 1943, where he underwent training to qualify as a fighter pilot. Posted to join JG52 in the east flying Me109s, Klaus took part in 30 combat flights, and scored 3 confirmed victories before the war came to an end. | 
Fahnrich Manfred Leisebein
*Signature Value : £40 (matted)
| Joining the Luftwaffe in the summer of 1943, aged 18, Manfred Leisebein was posted, after completing his fighter pilots trianing, to 3./JG52 in Russia. Flying Me109s throughout his 37 combat flights, Manfred scored a total of 5 aerial victories with JG52, and was awarded the Iron Cross II | 
Feldwebel Johannes Bachmann
*Signature Value : £40 (matted)
| Born in Aue near Dresden in 1921, Johannes Bachmann joined the Luftwaffe in the spring of 1943. After training as a pilot, he was posted to join 9./JG52 in Russia where in over 40 combat missions on Me109s, he scored 5 confirmed air victories before the war ended. | 
Unteroffizier Otfried Sahl
*Signature Value : £40 (matted)
| Born in Eigenrode on 17th August 1925, Ottfried was called up for service in 1943, joining the Luftwaffe in July of that year. Trained as a fighter pilot he was posted to the Eastern Front to join 5./JG52, where he undertook 35 combat operations on Me109s before the end of the war. |
| Signatures on item 2 | | *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | | Name | Info | 
Oberleutnant Erwin Leykauf (deceased)
*Signature Value : £40 (matted)
| Born in January 1918, Erwin Leykauf learned to fly at glider school and Luftkriegschule, before being called up to fly at the beginning of the war. He flew with JG21 at the beginning of the Battle of Britain, which soon became JG54 where he scored his first 7 victories. Transferring to the Balkans and later the Eastern Front he was forced into an emergency landing behind enemy lines during Operation Barbarossa, eventually making his way back to rejoin his unit. On the night of 22nd - 23rd June 1942, he claimed 6 victories in less than one hour. In August 1943, Leykauf began converting with JG54 to the Fw190 fighter. At the end of the war he was with JG7, flying the Me262, although he did not get a chance to fly any missions on the jet fighter. Erwin was awarded the Iron Cross I and II and his victories had climbed to 33. | 
Oberstleutnant Gunther Scholz (deceased)
*Signature Value : £45 (matted)
| After seeing action in the Spanish campaign, Gunther Scholz flew with 7./JG54 in Poland and France, and during the Battle of Britain. Transferring to the Eastern Front he flew with III./JG5 from February 1942, later with Geschwaderstab JG5. In July 1944 he was posted to Norway. Scholz was awarded the Iron Cross I and finished the war with 33 victories. Died 24th October 2014. |
| Artist Details : Nicolas Trudgian | | Click here for a full list of all artwork by Nicolas Trudgian |
Nicolas Trudgian
Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!
More about Nicolas Trudgian
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