|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
| |||||||||||||||||||||||||||||||||||||
| ||||||||||||||||||||||||||||
| Signatures on this item | |
| *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | |
| Name | Info |
 Flight Lieutenant William Robert Bob Hughes DFC AE (deceased) *Signature Value : £25 | Bob Hughes joined the RAF Volunteer Reserve in May 1939 and became an air gunner taking the wireless & gunnery courses as a WOp/AG, and was posted to 5 OTU Aston Down on 20th July to convert to Bristol Blenheims. On 17th August 1940 he joined 23 Squadron at Wittering. During the Battle of Britain he took part in night-fighter Operations. After the Battle of Britain he completed 2 operational tours on bombers with 149 Squadron at Mildenhall, in Wellington Bombers. On 11th March 1941, he went to the Middle East via Malta with 148 Squadron, based at Luqa, and then posted on to Egypt with 70 Squadron at Kabrit. In 1942 he returned to the UK and joined 12 Squadron at Binbrook. Commissioned from Warrant Officer in November 1942. Later on 12th March 1943 he received the Distinguished Flying Cross. He died on 3rd December 2018 aged 97. |
  Tony Pickering AFC (deceased) *Signature Value : £45 | With the RAFVR just before the war commenced, Tony Pickering joined 32 Squadron at Biggin Hill in July 1940, flying Hurricanes, and in August 1940 to 501 Squadron at Gravesend. In September he was shot down in Hurricane P5200, but unhurt in a duel with an Me109, destroying another 109 a few weeks later. In December he joined 601 Squadron at Northolt. After a spell instructing, he joined 131 as a Flight Commander in February 1943, and later served as a Squadron Commander in the Middle East. Tony Pickering died on 24th March 2016. |
  Wing Commander Terence Kane (deceased) *Signature Value : £40 | Terence Michael Kane was born in London on September 9th 1920 and educated at Varndean School in Brighton. He joined the RAF on a short service commission on July 25th 1938, During his flying training he was injured in an Audax crash and admitted to hospital, however he was able to complete his training and was posted to CFS, Upavon, for an instructor's course, after which he joined the staff at 14 FTS, Kinloss and later Cranfield. He went to 7 OTU, Hawarden in July 1940, converted to Spitfires and joined No.234 Squadron on September 14th. On September 22nd 1940 he had shared in the destruction of a Junkers Ju88 bomber. The following day, only nine days after joining No.234 Squadron, Kane took off on a routine patrol when Messerschmitt Bf109s attacked his section. Kane shot one of them down but, during the combat, the engine of his Spitfire was damaged and he was forced to bale out at 6,000 feet. He had difficulty escaping from the fighter's cockpit but eventually managed to roll the aircraft over and fall clear. His parachute opened at 500 feet and seconds later he landed in the sea off the French coast. Floating in his life jacket, he was fortunate to be plucked from the sea within two hours by the German Navy. After being rescued, Kane was well treated before being taken to his first PoW camp. After initial interrogation he was sent to Oflag IXA/H, a converted medieval castle at Spangenberg, 15 miles south of Kassel. With his fellow RAF PoWs, Kane was moved between camps a number of times and on October 2nd 1941 he was in a large party that arrived at Oflag VIB near Warburg. A week later another group of RAF prisoners arrived, among whom Kane recognised his elder brother, Squadron Leader Mike Kane MBE, whose Whitley bomber had been shot down two months earlier. The younger Kane was unaware that his brother had been posted as missing, or that he had already made a daring escape bid – only to be recaptured when he was discovered in the hold of a Swedish ship in the docks at Lübeck. The two brothers were moved in May 1942 to the new Luftwaffe camp, Stalag Luft III at Sagan. They were sent to the East Compound, next to the one where the Great Escape took place in March 1944. On the night of January 27th 1945 the prisoners were given a few hours' notice to gather their belongings and prepare to leave. The Soviet Army was approaching from the east and the Germans had decided to evacuate the camp and march the prisoners westwards. During one of the coldest winters of the century, the men suffered great privation and numerous casualties on what became known as 'The Long March'. Eventually, Kane and his colleagues reached Lübeck where they were liberated by a scout car of the British 11th Armoured Division. Kane was flown back to England on May 8th after four-and-a half years as a PoW. Kane remained in the RAF, mainly on intelligence duties including two years in the Middle East. He left the service in 1950 but could not settle to civilian life and re-joined in February 1954. He specialised as a fighter controller, serving in Germany and in the United Kingdom. After a period as the defence adviser in Libya he became the project officer in the MoD for the 'Linesman' system, a network of radars and a centralised control system for the air defence of the UK. He finally he retired in 1974. He died on 5th August 2016. |
| Artist Details : Robert Taylor |
| Click here for a full list of all artwork by Robert Taylor |
 Robert Taylor The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024. More about Robert Taylor |
Related Pages :
Battle of Britain
|
Contact Details |
|
Sign Up To Our Newsletter!
This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com |
 |
Kane, Terence 
(signed in person)
