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Please note that our logo is used on our website images only and does not appear on our products. War in the Atlantic by Stan Stokes. (C) During WW I Germany made very effective use of its U-boat fleet in a campaign which almost resulted in Englands defeat. As a result, the Versailles Treaty prohibited Germany from possessing submarines. By the late 1920s Germany had circumvented these restrictions and by the time WW II began, they had several dozen U-boats in service. The period between July of 1940 and December of 1941 was known as the fat years for the U-boat fleet. During this period, aided by the use of French Atlantic ports, and the effective use of wolfpack hunting techniques, German U-boats wreaked havoc on convoys in the Atlantic. By the spring of 1941 the Nazi U-boat fleet numbered 120, and later in the war would exceed 350 in number. The tide began to turn in favor of the Allies in late 1941 when the Royal Navy acquired fifty old destroyers from the U.S., and began an effective campaign against German weather and supply surface ships which supported the undersea hunters. The RAF was also involved, and the Short Sunderland flying boat played an important role in stemming the tide. The Short Brothers acquired one of the first licenses to built Wright biplanes, and eventually began building their own designs, including a number of dirigibles and torpedo planes during WW I. After the war they developed the first British all metal aircraft, the Silver Streak. The company is probably best known for a series of commercial flying boats, the pinnacle of which was their Empire Series of 4-engine, high wing monoplanes which were capable of cruising speeds of 200-MPH. The Short Sunderland was developed in the 1930s for the British Air Ministry as a long-range, all purpose flying boat. It was a large aircraft for its time with a wingspan of 112 feet. More than 700 of these aircraft were produced. During WW II the Sunderland was utilized in the anti-U-Boat role. With its armament upgraded the aircraft earned the nick-name the Flying Porcupine from U-boat crews. When America entered the war, the U-boat command expanded its hunting zone all the way to the East Coast of the United States. For a period the submariners experienced another period of happy times, and in November of 1942 almost 750,000 gross tons of shipping was lost. With production of averaging five new U-boats per week, for a time it appeared that victory in the Atlantic might be obtainable for the Germans. Eventually, the U-boat war was won by the Allies through the use of effective radar technology, the use of the Leigh Light (a powerful airborne searchlight), development of forward firing depth charges, and the use of special techniques to counter the U-boat threat. The U-boats also suffered from a general lack of coordination between its command and that of the Luftwaffe. In May of 1943 a total of 41 U-boats were lost, and by early 1944 more U-boats were being destroyed than Allied merchant ships were being sunk. The men who served in the U-boat command during WW II had the most hazardous of all positions in the War with close to a 75% casualty rate by wars end. Item Code : STK0139C War in the Atlantic by Stan Stokes. (C) - This Edition TYPE EDITION DETAILS SIZE SIGNATURES OFFERS YOUR PRICE PURCHASING PRESENTATION Signature Special edition of 2 prints from the limited edition of 4750 prints. Supplied with signed and numbered certificate of authenticity. Print size 16 inches x 11.5 inches (41cm x 30cm) Bishop, John (clipped) Hodgkinson, V (clipped) Mahon, A W L Paddy (clipped) Nicoll, Alan (clipped) + Artist : Stan Stokes Signature(s) value alone : £150 £20 Off! Now : £240.00 INFORMATION ABOUT THE CLIPPED SIGNATURES SUPPLIED WITH THIS ITEM This item is supplied with 'clipped' signatures. Where you see the name of the signatures with the word '(clipped)' next to it, this signature is supplied separately from the item. These clipped signatures are usually sourced from other prints which have become damaged but the signatures remain unaffected. Sometimes, rarer signatures have been collected in person either by Cranston Fine Arts or militaria dealers and collectors we work with. In the past, we mounted these signatures with prints and drawings ourselves to send to customers, but it is significantly better value to send everything unmounted for you to get matted and framed the way you want it - saving you money on shipping costs. Here you can see some examples of how the clipped signatures are sent out (usually on A6 size cards) with brief details of the signature. Also, we show a couple of examples of how prints and drawings can be matted together with these signatures. An example of how these clipped signatures can be mounted with a print : More examples of signatures clipped from other prints and supplied separately to mount with other items : Another example of how these clipped signatures can be mounted with a print : SPECIAL OFFER : ADD A CLIPPED SIGNATURE TO THE ABOVE PRINT AT A VERY SPECIAL RATE! Add Signature : Gerald Moreby. for £30.00 Buy One Get One Half Price Add Signature : Geoffrey Tyson. for £60.00 Buy One Get One Half Price Add Signature : Duncan Simpson. for £45.00 Buy One Get One Half Price Add Signature : Roland Beamont. for £45.00 All prices on our website are displayed in British Pounds Sterling

Other editions of this item : War in the Atlantic by Stan Stokes. STK0139 TYPE EDITION DETAILS SIZE SIGNATURES OFFERS YOUR PRICE PURCHASING PRINT Signed limited edition of 4750 prints. Supplied with signed and numbered certificate of authenticity. Print size 16 inches x 11.5 inches (41cm x 30cm) Artist : Stan Stokes £15 Off! Now : £35.00 VIEW EDITION... PRINT Limited edition of 25 giclee art prints. SOLD OUT. Size 21 inches x 14 inches (53cm x 36cm) Artist : Stan Stokes SOLD OUT VIEW EDITION... GICLEE CANVAS Limited edition of 100 giclee canvas prints. SOLD OUT. Size 45 inches x 30 inches (114cm x 76cm) none SOLD OUT VIEW EDITION... GICLEE CANVAS Limited edition of 100 giclee canvas prints. SOLD OUT. Size 36 inches x 24 inches (91cm x 61cm) none SOLD OUT VIEW EDITION... GICLEE CANVAS Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm) none £294.00 VIEW EDITION... General descriptions of types of editions :

Extra Details : War in the Atlantic by Stan Stokes. (C)

About all editions : A photo of an edition of the print.

Signatures on this item
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare.
Name	Info
Flt. Lt. John Bishop *Signature Value : £30 (clipped)	Joined the RAF in April 1943 from Edinburgh University Air Squadron and trained as a pilot in Rhodesia. In August 1944 he was posted to Diego Suarez to fly Catalina flying boats on anti-submarine patrols. He converted to Sunderlands at Mombassa on 209 Sqdn. and 57 MU also on Sunderlands until 1953. This included the Berlin airlift in 1948, flying from the river in Hamburg to Havel Lake, and flew in an anti-shipping role in Burma. At the end o fthe war in the Far East he flew form Hong Kong and Singapore until returning to the UK in Spetember 1946. He continued on 201 Sqd. Flying Boats until 1953. Thereafter he was mainly employed on V.I.P. duties flying from Malta, Northolt, Fontainebleau, Bovingdon and White Waltham. He flew 173 ops and 1800 hours on Sunderlands and 1800 hours on Devons out of a total of 6250 flying hours. The last fiver years of his service was as an Air Traffic Controller at R.A.F. Benson and RAF Abingdon.
Sqn. Ldr. Alan Nicoll *Signature Value : £30 (clipped)	Joined the RAF in February 1939 and trained as an Observer (Navigator). His first posting was to 44 Squadron newly equipped with the Hampden bomber at RAF Waddington. When war was declared on 3rd September 1939 he was immediately involved in operations flying that night on the very first sortie of WW2. By the end of 1940 he had completed a full tour of 37 raids before being commissioned and selected for advanced navigation training in Canada. He was subsequently posted to Rhodesia as a navigational instructor and examiner. He completed Pilot training before returning to the UK where he qualified as a Sunderland flying boat Captain serving at Calshot and Pembroke Dock. In 1956 he took the last RAF aircraft to moor up in the Pool of London for 'Battle of Britain' celebrations. A posting to RAF Seletar (Singapore) followed where Sunderlands were finally retired from service in 1959. He then served on Shackletons and in Transport Command before retiring in 1975.
Wg. Cdr. A.W.L. Paddy Mahon MBE, C. Eng. MRAeS *Signature Value : £30 (clipped)	Started his 37 year career in the Royal Air Force in 1930 when he enlisted as an Aircraft Apprentice at Halton. he served as Metal Rigger and later as an Aircraft Fitter on Fleet Air stations and ships, for a while on Queen Bee aircraft. In 1937 he finally succeeded in selection as an Airman Pilot. EFTS at Bristol, SFTS at South Cerney, Maritime Recce at Thorney Island, and finally Flying Boat School at Calshot. There he learned his craft as a 'Boat' pilot on ageing Supermarine Scapas formerly used by 202 Squadron, Malta. On completion he was posted to 228 Squadrion at Pembroke Dock which was in process of re-equipping with Stranraers. In December 1938 he was 2nd pilot on the collection from Rochester of the Squadron's first Sunderland. In June 1939 the Squadron moved to Alexandria for Naval Co-operation Exercises. In addition to these the Sunderlands were used for long range V.I.P. flights and for transport around the Med. In course of these, the crew of which Sgt Mahon was a member, visited Malta, Bizerta, Cairo, Cyprus and for the third time Athens, leaving on 2nd September 1939. The Squadron was ordered home to Pembroke Dock on September 9th and immediately started the round of convoy escorting anti-submarine sweeps and general maritime tasks covering from Norway to Malta. On 24th November Sgt Mahon was one of the crew detailed to search for the Deutschland after it had sunk the armed merchant cruiser Jervis Bay. The operation involved the crew in 15 hours of flying in the most severe weather. Detachments to the Shetlands often meant the whole crew living on the aircraft for several days at a time because the weather prevented small craft coming along side but flying by day continued. In June 1940 he was seconded to 10 RAAF Squadron at Mount Batten to increase their roll of qualified first Pilots. One of his first trips was to convey Lord Gort and Mr Duff Cooper to Rabat on an unsuccessful attempt to persuade the Sultan of Morocco to continue the war on its allies' side. That trip earned the Captain a DFC. In the months he spent with 10 Squadron several trips were made to Malta supporting the Hurricane reinforcement by aircraft carriers conveying essential ground personnel and equipment including one load of several tons of Browning gun links, none of which were held on the island. In February 1941 it was back to 'two layers of wing'. He was posted to 202 Squadron at Gibraltar, which was flying Saro Londons but expected to be re-equipped with Sunderlands. He travelled as a 'passenger' on a 10 Squadron aircraft in company with Anthony Eden and Lord Dill. That trip is recorded in several books on the Sunderland as being 'special'. It was Sgt Mahon's last ever time flying in a Sunderland as 202 Squadron were subsequently re-equipped with Catalinas. The transfer meant flying to UK with a London, a memorable trip of over 15 hours. Qualifying courses at Stranraer on the Catalina led to the ferrying flight back to Gibraltar. Unfortunately on Sgt Mahon's ferry trip the elevator controls failed en route and the attempted landing at Gibraltar using only trim tabs resulted in a serious crash ending his flying career. After a long period of hospital and subsequent rehabilitation, he reverted to his ground trade. He was commissioned into the Technical Branch in which he served until 1967 being awarded the MBE in 1963.
Wg. Cdr. V. Hodgkinson DFC, MID, MRAeS *Signature Value : £30 (clipped)	Joined the Royal Australian Air Force in 1937 (Service no 463). He was posted to No. 10 Sqdn. RAAF in the UK in January 1940 flying Sunderlands from Pembroke Dock and went on to serve until 1942 flying operations in the Atlantic and Mediterranean from bases in Pembroke Dock, Oban, Plymouth, Gibraltar and Alexandria (Egypt). In 1942 he was posted back to No. 20 Sqdn. in Australia flying Catalinas from Cairns on bombing raids over Japanese bases and anti-shipping patrols throughout the Solomon Islands and north of New Guinea . He went on to complete 44 operations and commanded this squadron until 1943 before becoming Chief Flying Instructor, Catalinas 3 OTU Rathmines. Vic later formed and commanded No. 40 Sqdn. RAAF Sunderlands, Port Moresby, New Guinea until 1945. He retired from the RAAF in 1946 to join BOAC, Hythe, flying their civil Sunderland conversions - Hythes, Sandringhams and Solents. Vic transferred to landplanes in 1950 flying Canadair Argonauts, Bristol Britannias, DH Comet 4s, 707-436s and 336s. Vic retired in 1971 having amassed 19,300 hours, including some 4,300 hours on Flying Boats. In his retirement Vic is currently restoring and maintaining a Sandringham Flying Boat at the Southampton Hall of Aviation.

Artist Details : Stan Stokes

Click here for a full list of all artwork by Stan Stokes

Stan Stokes Stan Stokes is a California native with more than 37 years as a full time professional artist, who developed a passion for vintage cars, trains and airplanes at an early age. Model building and RC planes filled the many hours of the young enthusiasts free time. However, unlike most other young aviation enthusiasts Stokes also displayed a great gift for artistic talent. After studying art in College, Stan decided to pursue a career as a professional artist. Stokes initially focused his great talents on depicting uniquely realistic landscapes of the western desert and mountain scenes. More than thirty years ago a good friend suggested that Stan combine his passion for aviation history and flying with his artistic talents, and render an aircraft or two. The rest is history. Stan has won many prestigious awards including the Benedictine Art Award in 1975 and the Smithsonian National Air and Space Museums Golden Age of Flight award in 1985. In May of 2000, Stan was honored with the National Museum of Naval Aviations R. G. Smith Award for Excellence in Naval Aviation Art. Commissioned by the Ronald Reagan Presidential Library in Simi Valley, California, Stans 12 x 120 foot mural of the History of the Flying White House is on permanent display in the Air Force One Pavilion. In addition Stans painting of the USS Ronald Reagan is hanging in the Legacy Room of the library. In 2005 Stan also completed a painting of our nations next aircraft carrier, the USS George H. W. Bush, which is on permanent display at the George H. W. Bush Presidential Library in College Station, Texas. Stan has also completed several impressive murals for the Palm Springs Air Museum including: The Tuskegee Airmen at 12 x 60 feet and contains 51 portraits of the original Tuskegee Airmen. Dauntless at Midway at 12 x 34 feet and Corsair on Approach at 19 x 55 feet. Stans work also hangs in the Air Force art collection, the Pentagon, San Diego Aerospace Museum, and the Smithsonian National Air and Space Museum in Washington DC. Stan has had the pleasure of meeting and working with many of his boyhood aviation heroes, including the late General Jimmy Doolittle, the late Pappy Boyington, Chuck Yeager, and many many others. A true aviation history buff, Stan often spends more time pouring over research materials for his paintings to assure their accuracy to the smallest detail than he does behind the canvas. Noted for his incredible detail and strikingly realistic illustration, Stans canvases have a life-like three-dimensional effect that often leaves viewers spellbound. Today his work encompasses not only aviation and space but also portraits, landscapes, ships, classic cars and his new collection of cat-related fine art paintings. Stan particularly enjoys the tough assignment. During his 37 years as a professional artist, he has been asked to produce literally hundreds of paintings documenting historical events, people and places. Although Stan has logged many hours flying his own airplanes, in recent years pleasure flying has had to take a backseat to the artistic demands of his backlog. Stan was commissioned to paint more than twenty original paintings for an aviation museum being in the Philippines. Since the mid-1980s NASA has also tapped Stans talents from time to time and he has completed more than fifteen paintings ranging from the space shuttles to the SR 71 Blackbird. Stan has also painted numerous works for the cutting edge genius in aviation and space design, Burt Rutan. More about Stan Stokes

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