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Signatures on this item | |
*The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | |
Name | Info |
Chief Fitter Joe Roddis (deceased) *Signature Value : £10 | A crew chief fitter in the RAF from 1939 to 1945 and worked on Spitfires all this time, during the Battle of Britain he was Bob Doe's fitter and was also involved in the Normandy campaign working on numerous forward bases during 1944 and 45. He stayed in the RAF post war and in the early 50s was posted to 617 Sqn on Canberras and saw action in Malaya conflict. He died on 17th April 2017. |
Flight Lieutenant Terry Clark (deceased) *Signature Value : £40 | Terry Clark was born in Croyden on 11th April 1919. Terry Clark joined 615 RAuxAF in March 1938 in Kenley, as an Aircrafthand. Called up in 1939, he joined 615 Squadron, Auxiliary Air force, and flew as a gunner in Hawker Hectors before he qualified as an Air Gunner and also a Radio Observer. He joined No.219 Sqn at Catterick in July 1940 and flew on Beaufighters throughout the Battle of Britain. By September 1940, the conflict had reached its zenith and at night the feared Blitz began in earnest. More radar specialists were needed to deal with the threat so Mr Clark was sent to Beaufighters. He did not receive any training and still wore the AG brevet, but people began to ask why a plane without a gun turret had an air gunner on board, so he was given a badge that said RO. Eventually, in recognition of his new role, Mr Clark was awarded his third flying badge – N for Navigator. His job was to track enemy aircraft and guide the pilot towards the selected contact. It was while flying the Beaufighter that he was awarded the DFM on 8th July 1941 after assisting his pilot to down three aircraft at night. He joined 1455 Flight in 1941, forming at Tangmere with Turbinlite Havocs, then flew the same aircraft with 1451 Flight at Hunsdon, locating enemy aircraft by Radar in the Havoc for accompanying fighters to attack and destroy. Commissioned in May 1942 from Warrant Officer and in May 1943 he was posted to No.488 Sqn RNZAF. He died on 7th May 2020. |
Flight Lieutenant William Robert Bob Hughes DFC AE (deceased) *Signature Value : £25 | Bob Hughes joined the RAF Volunteer Reserve in May 1939 and became an air gunner taking the wireless & gunnery courses as a WOp/AG, and was posted to 5 OTU Aston Down on 20th July to convert to Bristol Blenheims. On 17th August 1940 he joined 23 Squadron at Wittering. During the Battle of Britain he took part in night-fighter Operations. After the Battle of Britain he completed 2 operational tours on bombers with 149 Squadron at Mildenhall, in Wellington Bombers. On 11th March 1941, he went to the Middle East via Malta with 148 Squadron, based at Luqa, and then posted on to Egypt with 70 Squadron at Kabrit. In 1942 he returned to the UK and joined 12 Squadron at Binbrook. Commissioned from Warrant Officer in November 1942. Later on 12th March 1943 he received the Distinguished Flying Cross. He died on 3rd December 2018 aged 97. |
Flt Lt Archibald McInnes (deceased) *Signature Value : £20 | Commissioned as a Pilot in 1940 with 601 Sqn and later moved to 238 Sqn, completing his service with this Squadron. Archie flew Hurricanes with 601 Squadron at Exeter before moving to 238 Squadron at Chilbolton. He was later stationed in Malta, after travelling on board HMS Victorious during the hunt for the Bismarck. He lost his left arm after being shot down in North Africa, and after recovering he returned to active service with 691 Squadron at Roborough. Archibald McInnes passed away on Wednesday 31 July 2019 after celebrating his 100th birthday. |
Wing Commander John Elkington (deceased) *Signature Value : £40 | John (Tim) Elkington was born in 1920 and joined the RAF in September 1939. Commissioned as a Pilot Officer in July 1940 he was immediately posted to join 1 Squadron flying Hurricanes atTangmere. On 15 August he shot down an Me109 over the Channel, but the following day he was himself shot down over Thorney Island. He baled out injured and was admitted to hospital, his Hurricane crashing at Chidham. He died on 1st February 2019. |
Artist Details : Robert Taylor |
Click here for a full list of all artwork by Robert Taylor |
Robert Taylor The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. More about Robert Taylor |
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This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com |
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