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| Signatures on this item | |
| *The value given for each signature has been calculated by us based on the historical significance and rarity of the signature. Values of many pilot signatures have risen in recent years and will likely continue to rise as they become more and more rare. | |
| Name | Info |
  Flight Lieutenant Allan Scott DFM (deceased) *Signature Value : £50 | Allan Scott joined the RAF in March 1941, joining 124 Squadron in October, where he made his first claim - a shared Ju88 near Clacton-on-Sea. Ordered to Malta, he flew his Spitfire off HMS Eagle to the island on 21st July 1942, where the Germans attempted to lure the 30 Spitfires on a heading to Siciliy with a false broadcast, without success. Initially posted to 603 Squadron, he went to 1435 Squadron, seeing much action - including a victory over an Italian S.79 bomber during Operation Pedestal on 13th August. He claimed a further Me109 that month, but a concerted Axis bombing campaign came in October. On the 12th, he claimed 3 Me109s - one destroyed, one probable and one damaged - and the next day he claimed another Me109 destroyed alongside two damaged Ju88s. On the 15th he claimed another Me109 bomber escort and had claimed another probable and another destroyed before the attacks tailed off around the 21st. He remained with this unit until December 1942. Whilst on Malta he was credited with at least 5 destroyed and a further 2 probables, and received the DFM. Returning to the UK he became an instructor before joining No.122 Sqn flying Spitfires on intruder missions over France. By January 1944 the squadron had re-equipped with long range P-51 Mustangs for bomber escort duties. He carried out dive-bombing sorties in the Mustang in the build up to D-Day in 1944, before becoming a test pilot in July that year. After the war, he suffered serious injury when aerobatics in a Tiger Moth caused the airframe to fail and the aircraft to crash. He died on 8th September 2020. |
  Flight Lieutenant Bill Reid VC (deceased) *Signature Value : £80 | Volunteering for RAF aircrew in 1940, Bill Reid learned to fly in California, training on the Stearman, Vultee and Harvard. After gaining his pilots wings back in England he flew Wellingtons before moving on to Lancasters in 1943. On the night of Nov 3rd 1943, his Lancaster suffered two severe attacks from Luftwaffe night fighters, badly wounding Reid, killing his navigator and radio operator, and severely damaging the aircraft. Bill flew on 200 miles to accurately bomb the target and get his aircraft home. For this act of outstanding courage and determination he was awarded the Victoria Cross. Died 28th November 2001. |
  Group Captain J B Willie Tait DSO*** DFC* ADC (deceased) *Signature Value : £40 | One of Bomber Commands most outstanding leaders, James Brian -Willie- Tait was one of only two RAF officers who had the distinction of being awarded three Bars to his DSO, as well as a DFC and Bar. On the night before D-Day Tait was the 5 Group Master Bomber directing from the air the massed attack by Lancasters on the German defences in the Cherbourg peninsula. By then Tait had already flown more than 100 bomber sorties with 51, 35, 10 and 78 Squadrons. A Cranwell-trained regular officer, he was very much in the Cheshire mould: quiet, bordering on the introspective. He was to go on to command the legendary 617 Dambusters Squadron and lead it on one of its most famous raids which finally destroyed the German battleship Tirpitz. In July 1944 when Leonard Cheshire was replaced by Wing Commander J B Willie Tait, 617 Squadron discovered that it had acquired a Commanding Officer very much in the Cheshire mould. Quiet, bordering on introspection, Tait, who was a Cranwell-trained regular officer, had already flown over 100 bombing operations with 51, 35, 10 and 78 Squadrons before joining 617. Tait had also received a DSO and bar and the DFC. He was 26. In the best traditions of 617 Squadron, Tait wasted no time in adapting to the Mustang and Mosquito for low level marking. He appointed two new Flight Commanders including Squadron Leader Tony Iveson DFC. Although involved in many of 617 Squadrons spectacular operations, Taits name is always associated with the destruction of the Tirpitz. An earlier attack on the ship by the squadron on 15th September 1944 had caused severe damage but Tirpitz was still afloat. On 29th October the Squadron was frustrated on the second attack by cloud over the target. The final attack was launched in daylight on 12th November 1944. Leading a mixed force of 617 and 9 Squadron Lancasters, Tait achieved complete surprise and had the satisfaction of seeing the Tirpitz destroyed at last. He had led all three attacks. On 28th December 1944 Tait received a third bar to his DSO, becoming one of only two RAF men to achieve this distinction. It coincided with his leaving 617 Squadron. Tait served in the post-war RAF, retiring as a Group Captain in 1966. He died 31st May 2007. |
  Group Captain Tom Dalton Morgan DSO, DFC*, OBE (deceased) *Signature Value : £75 | Tom Dalton-Morgan was born on March 23rd 1917 at Cardiff and educated at Taunton School. He was a descendant of the buccaneer Sir Henry Morgan and the Cromwellian General Sir Thomas Morgan, Thomas Frederick Dalton-Morgan. Tom Dalton-Morgan joined the RAF in 1935, serving with 22 Squadron. Flying the Wildebeeste torpedo bomber, he joined the training staff at the Air Ministry. In April 1940 he applied to return to flying, and was appointed to No.43 Squadron. In June 1940 he was posted to Tangmere as B Flight commander with 43 Squadron, flying Hurricanes, scoring his first victory on 12 July. In action over the Channel he shared in the destruction of a Heinkel bomber, but he was forced to bale out with slight wounds the following day when he destroyed another and then was hit by crossfire. With no badges of rank in evidence - he was wearing pyjamas under his flying suit - he was captured by a bobby who placed him in the cells along with the German bomber crew he had just shot down. Dalton-Morgan resumed flying and was soon back in action, accounting for four more enemy aircraft in the next three weeks. In early September, he shot down three Messerschmitt fighters. After one engagement he was wounded in the face and knee, and had to crash-land. His DFC praised him for displaying great courage when his behaviour in action has been an inspiration to his flight. After the Battle of Britain, Dalton-Morgan's primary task was to train new pilots for service with the squadrons in the south. He was also required to establish a night-fighting capability with the Hurricane, a task he achieved with great success. Few enemy night bombers fell victim to single-seat fighter pilots, but Dalton-Morgan, hunting alone, destroyed no fewer than six. Three of his victims went down in successive nights on May 6-7 1941, when the Luftwaffe embarked on a major offensive against the Clydesdale ports and Glasgow. On June 8th, Dalton-Morgan achieved a remarkable interception when he shot down a Junkers bomber, having made initial contact by spotting its shadow on the moonlit sea. After two more successes at night, he was carrying out a practice interception on July 24th with a fellow pilot when he saw another Junkers. Dalton-Morgan gave chase and intercepted it off May Island. Despite his engine failing and fumes filling the cockpit, he attacked the bomber three times. He had just watched it hit the sea when his engine stopped. Too low to bale out, he made a masterly landing on the water, but lost two front teeth when his face hit the gun sight. He clambered into his dinghy before being rescued by the Navy. In January 1942 he left the squadron to become a Controller. Promoted Wing Commander Operations with 13 Group, he then led the Ibsley Wing, consisting of 4 Spitfire, 2 Whirlwind, and 2 Mustang Squadrons. His final victory in May 1943 brought his score to 17. Briefly attached to the USAAF 4th Fighter Group, with the task of mounting long-range offensive sorties over northern France and providing scouts for the tactical bomber squadrons. After damaging an Me 109 in December, he shot down a Focke Wulf 190 fighter and damaged another during a sweep over Brest. He was awarded the DSO in May 1943, which recorded his victories at the time as 17. He flew more than 70 combat sorties with the group. Promoted group captain early in 1944, he served as operations officer with the 2nd Tactical Air Force. Dalton-Morgan engaged in planning fighter and ground attack operations in support of the campaign in Normandy, then moved to the mainland with his organisation after the invasion. Years after, his CO at the time (later Air Marshal Sir Fred Rosier) commented: It would be impossible to overstate Tom D-M's importance and influence on the conduct of fighter operations for and beyond D-Day. A month before the end of the war in Europe, Dalton-Morgan learned that his only brother, John, who also had the DFC, had been shot down and killed flying a Mosquito. Dalton-Morgan remained in Germany with 2nd Tactical Air Force after the war before attending the RAF Staff College, and becoming a senior instructor at the School of Land/Air Warfare. Later he commanded the Gutersloh Wing, flying Vampire jets, before taking command of RAF Wunsdorf. He was appointed OBE in 1945 and mentioned in dispatches in 1946, the year President Harry Truman awarded him the US Bronze Star. Group Captain Tom Dalton-Morgan, who has died in Australia aged 87, on the 18th September 2004, was one of the RAF's most distinguished Battle of Britain fighter pilots. |
| Artist Details : Robert Taylor |
| Click here for a full list of all artwork by Robert Taylor |
 Robert Taylor The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024. More about Robert Taylor |
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Reid, Bill 
(signed in person)
Reid, Bill 
(signed in person)