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Head on Attack by Robert Taylor - Cranston Fine Arts Aviation, Military and Naval Art
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Head on Attack by Robert Taylor


Head on Attack by Robert Taylor

On October 12, 1940, No. 603 Squadron, reduced to only eight aircraft, took on a large formation of Me109s attacking head on. Robert Taylors vivid portrayal shows Scott-Maldens Spitfire moments after knocking down an Me109 in the encounter, both he and his wingman coming through unscathed.
Item Code : DHM2080Head on Attack by Robert Taylor - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 1250 prints.

Sold out at the publisher - last 7 copies available. These have a very small bend in the bottom right hand corner of the border. It does not affect the image or even the inner coloured border, only the outer white border.
Paper size 24 inches x 20 inches (61cm x 51cm) Scott-Malden, David
+ Artist : Robert Taylor


Signature(s) value alone : 75
£90 Off!
Supplied with one or more free art prints!
Now : £135.00

Quantity:
EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


Exclusive Offer for Online Orders Only

FREE PRINT : Spitfire Tally-Ho by Geoff Lea.

This complimentary art print worth £40
(Size : 16 inches x 10 inches (41cm x 25cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

This item can be viewed or purchased separately in our shop, HERE


EXCLUSIVE website offer from Cranston Fine Arts - FREE art print(s) supplied with the above item!


Exclusive Offer for Online Orders Only

FREE PRINT : Where Thoroughbreds Play by Ivan Berryman.

This complimentary art print worth £45
(Size : 12 inches x 9 inches (31cm x 23cm))
has been specially chosen by Cranston Fine Arts to complement the above edition, and will be sent FREE with your order.

This item can be viewed or purchased separately in our shop, HERE


SAVE MONEY WITH OUR DISCOUNT DOUBLE PRINT PACKS!

Buy With :
Spitfire F Mk21 by Ivan Berryman.
for £170 -
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Flt Lt Walter Lawson by Ivan Berryman.
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41 Squadron Spitfires by Ivan Berryman.
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High Pursuit by Ivan Berryman. (C)
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Kerrs Last Combat by Ivan Berryman.
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Land, Sea and Air by Ivan Berryman. (D)
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The Fledgling by Ivan Berryman. (E)
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Spitfire Alley by Ivan Berryman. (APB)
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All prices on our website are displayed in British Pounds Sterling


General descriptions of types of editions :

Signatures on this item
NameInfo


Air Vice-Marshal David Scott-Malden (deceased)
*Signature Value : £75

Born 26th December 1919, at Portslade, Sussex , David Scott-Malden became a Pilot Officer in October 1939. After training in the Cambridge University Air Squadron, Scott-Malden was selected for an Army Co-Operation course as a pilot officer. He was thrilled when in late May 1940 the chief instructor announced that he had "a severe disappointment" to communicate: "Gentlemen," he said, "you are to be transferred immediately to fighters". Scott-Malden joined No 603 (City of Edinburgh) Squadron at Hornchurch, Essex in early October 1940 as a replacement Spitfire pilot during the early stage of the Battle of Britain over the South-East. The squadron had been much depleted by losses that summer as was only too apparent in an action over Kent on October 12th. "Eight aircraft were directed into a large gaggle of Me109 fighters, we split up individually and passed head-on through the enemy formation. There was a sense of shock as a distant series of silhouettes suddenly became rough metal with grey-green paint and yellow noses, passing head-on on either side. At the far end I had a few minutes dog fight with the last 109, scoring hits leaving a trail of black smoke. Then we were alone at 20,000 feet, the German gliding down with an engine which coughed and barely turned over, I with very little ammunition and very little petrol. He glided towards the Channel. I looked for an airfield before my petrol ran out. Strangely, I felt inclined to wave to him as I left. But then I was only 20". It was Scott-Malden who would go onto many other victories with five confirmed and as many as seven probables. In June 1940 he was posted to fly Spitfires with No 611 (West Lancashire) Squadron at Digby, Lincolnshire before being transferred to No 603 (City of Edinburgh) Squadron at Hornchurch in early October. In the New Year of 1941 Scott-Malden flew offensive sweeps with 603 over northern France. He was promoted to flight commander and in September received command of No 54 Squadron. Bearing the initials "S-M" below the cockpit and the legend "Bahrain", Scott-Maldens Spitfire W3632 - built at the Supermarine factory at Woolston, Hampshire - was a gift from the people of Bahrain, who had raised 15,000 to purchase the Spitfire. Moving in November to headquarters No 14 Group in Scotland, Scott-Malden had the task of helping to bring to operational readiness the first Free Norwegian fighter squadrons, with pilots who had escaped from Norway. When they were ready Scott-Malden was appointed, in March 1942, to command the Norwegian Fighter Wing of three squadrons at North Weald in Essex. In the summer, the wing built a magnificent reputation and covered itself in glory during the disastrous Dieppe raid of August 20. Operating from the Kent coastal airfield at Manston, Scott-Malden led Nos 242, 331 and 332 squadrons in three separate sorties on the day, seeking, against great odds, to protect the mostly Canadian troops as they attempted to land and then to withdraw. Scott-Malden was awarded a DSO in 1942 and was also decorated by King Haakon of Norway with the Norwegian War Cross, lunching with the King afterwards at Claridges. In New Year 1944, in preparation During the run for the Normandy invasion, in 1944 Scott Malden joined a mobile group control unit on Goodwood racecourse. After D-Day June 6, the unit moved to Normandy with the roll to control fighter support. During the summer of 1944 Scott-Malden was promoted acting group captain and given command of No 125, a Spitfire wing covering the Allied forces as they advanced through North-West Europe from nine different points. Scott-Malden took a permanent commission witht he RAF and took a number staff and command appointments, one of which was to assist with plans for the Suez campaign of 1956. Scott-Malden final tally of victories stood at 3 confirmed destroyed with two shared, five probables and 12 damaged with another one sharedbecame an Air Vice marshal in 1965. and left the RAF in 1966 taking a administrator position with the Ministry of Transport and in 1978 retiring to Norfolk . Sadly, he died on 1st March 2000.
The Aircraft :
NameInfo
SpitfireRoyal Air Force fighter aircraft, maximum speed for mark I Supermarine Spitfire, 362mph up to The Seafire 47 with a top speed of 452mph. maximum ceiling for Mk I 34,000feet up to 44,500 for the mark XIV. Maximum range for MK I 575 miles . up to 1475 miles for the Seafire 47. Armament for the various Marks of Spitfire. for MK I, and II . eight fixed .303 browning Machine guns, for MKs V-IX and XVI two 20mm Hispano cannons and four .303 browning machine guns. and on later Marks, six to eight Rockets under the wings or a maximum bomb load of 1,000 lbs. Designed by R J Mitchell, The proto type Spitfire first flew on the 5th March 1936. and entered service with the Royal Air Force in August 1938, with 19 squadron based and RAF Duxford. by the outbreak of World war two, there were twelve squadrons with a total of 187 spitfires, with another 83 in store. Between 1939 and 1945, a large variety of modifications and developments produced a variety of MK,s from I to XVI. The mark II came into service in late 1940, and in March 1941, the Mk,V came into service. To counter the Improvements in fighters of the Luftwaffe especially the FW190, the MK,XII was introduced with its Griffin engine. The Fleet Air Arm used the Mk,I and II and were named Seafires. By the end of production in 1948 a total of 20,351 spitfires had been made and 2408 Seafires. The most produced variant was the Spitfire Mark V, with a total of 6479 spitfires produced. The Royal Air Force kept Spitfires in front line use until April 1954.
Me109Willy Messerschmitt designed the BF109 during the early 1930s. The Bf109 was one of the first all metal monocoque construction fighters with a closed canopy and retractable undercarriage. The engine of the Me109 was a V12 aero engine which was liquid-cooled. The Bf109 first saw operational service during the Spanish Civil War and flew to the end of World War II, during which time it was the backbone of the Luftwaffe fighter squadrons. During the Battle of Britian the Bf109 was used in the role of an escort fighter, a role for which it was not designed for, and it was also used as a fighter bomber. During the last days of May 1940 Robert Stanford-Tuck, the RAF ace, got the chance to fly an Me109 which they had rebuilt after it had crash landed. Stanford-Tuck found out that the Me109 was a wonderful little plane, it was slightly faster than the Spitfire, but lacked the Spitfire manoeuvrability. By testing the Me109, Tuck could put himself inside the Me109 when fighting them, knowing its weak and strong points. With the introduction of the improved Bf109F in the spring of 1941, the type again proved to be an effective fighter during the invasion of Yugoslavia and during the Battle of Crete and the invasion of Russia and it was used during the Siege of the Mediteranean island of Malta. The Bf109 was the main fighter for the Luftwaffe until 1942 when the Fw190 entered service and shared this position, and was partially replaced in Western Europe, but the Me109 continued to serve on the Eastern Front and during the defence of the Reich against the allied bombers. It was also used to good effect in the Mediterranean and North Africa in support of The Africa Korps. The Me109 was also supplied to several German allies, including Finland, Hungary, Romania, Bulgaria, Croatia, and Slovakia. The Bf109 scored more kills than any other fighter of any country during the war and was built in greater numbers with a total of over 31,000 aircraft being built. The Bf109 was flown by the three top German aces of the war war. Erich Hartmann with 352 victories, Gerhard Barkhorn with 301 victories and Gunther Rall with 275 kills. Bf109 pilots were credited with the destruction of 100 or more enemy aircraft. Thirteen Luftwaffe Aces scored more than 200 kills. Altogether this group of pilots were credited with a total of nearly 15,000 kills, of which the Messerschmitt Bf109 was credited with over 10,000 of these victories. The Bf109 was the most produced warplane during World War II, with 30,573 examples built during the war, and the most produced fighter aircraft in history, with a total of 33,984 units produced up to April 1945. Bf109s remained in foreign service for many years after World War II. The Swiss used their Bf109Gs well into the 1950s. The Finnish Air Force did not retire their Bf109Gs until March 1954. Romania used its Bf109s until 1955. The Spanish Hispanos flew even longer. Some were still in service in the late 1960s.
Artist Details : Robert Taylor
Click here for a full list of all artwork by Robert Taylor


Robert Taylor

The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

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