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Pinpoint Navigation by Stephen Brown. - Military Art

Pinpoint Navigation by Stephen Brown.


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Pinpoint Navigation by Stephen Brown.

There can be few experiences more stirring than the sight and sound of Merlin powered Spitfires at treetop height. In this print the calm of an English village is momentarily shattered as Spitfire Vbs of 92 Squadron flash overhead, having been scrambled to intercept a Luftwaffe raid during the summer of 1941.
Item Code : DHM2212Pinpoint Navigation by Stephen Brown. - This Edition
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 350 prints.

Image size 28 inches x 19 inches (71cm x 48cm)Artist : Stephen Brown£80.00

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Other editions of this item : Pinpoint Navigation by Stephen Brown DHM2212
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
ARTIST
PROOF
Limited edition of 25 artist proofs. Image size 28 inches x 19 inches (71cm x 48cm)Artist : Stephen Brown£100.00VIEW EDITION...
GICLEE
CANVAS
Limited edition giclee canvas print. noneSOLD
OUT
VIEW EDITION...
General descriptions of types of editions :



The Aircraft :
NameInfo
SpitfireRoyal Air Force fighter aircraft, maximum speed for mark I Supermarine Spitfire, 362mph up to The Seafire 47 with a top speed of 452mph. maximum ceiling for Mk I 34,000feet up to 44,500 for the mark XIV. Maximum range for MK I 575 miles . up to 1475 miles for the Seafire 47. Armament for the various Marks of Spitfire. for MK I, and II . eight fixed .303 browning Machine guns, for MKs V-IX and XVI two 20mm Hispano cannons and four .303 browning machine guns. and on later Marks, six to eight Rockets under the wings or a maximum bomb load of 1,000 lbs. Designed by R J Mitchell, The proto type Spitfire first flew on the 5th March 1936. and entered service with the Royal Air Force in August 1938, with 19 squadron based and RAF Duxford. by the outbreak of World war two, there were twelve squadrons with a total of 187 spitfires, with another 83 in store. Between 1939 and 1945, a large variety of modifications and developments produced a variety of MK,s from I to XVI. The mark II came into service in late 1940, and in March 1941, the Mk,V came into service. To counter the Improvements in fighters of the Luftwaffe especially the FW190, the MK,XII was introduced with its Griffin engine. The Fleet Air Arm used the Mk,I and II and were named Seafires. By the end of production in 1948 a total of 20,351 spitfires had been made and 2408 Seafires. The most produced variant was the Spitfire Mark V, with a total of 6479 spitfires produced. The Royal Air Force kept Spitfires in front line use until April 1954.
Artist Details : Stephen Brown
Click here for a full list of all artwork by Stephen Brown


Stephen Brown

Stephen Brown is a self-taught artist who has specialised almost exclusively in aviation subjects for the last 15 years. Building on a background as a landscape and aviation photographer, his style carefully combines both these areas of interest. Stephen’s originals in oil are in much demand and have been regularly exhibited with the prestigious Guild of Aviation Artists. Demand for his originals is high with regular commissions being undertaken for commercial and private clients as well as the RAF. For many years Stephen successfully combined a career as a professional in the IT industry with his passion for art. Recently though he has chosen to go full time as an aviation artist. Stephen says, “My interest in aviation comes both from my father, who was a designer at Westland, and from growing up in post war Britain on a diet of films like 633 Squadron and The Dambusters. I used to combine aircraft and landscape photos in the darkroom with quite convincing results - when I reached the limit of what I could do with this I turned to painting to get greater flexibility. Photography taught me much about composition, colour and contrast - drawing and brushwork skills, though, have taken a long time to develop. My favourite paintings are those like In Safe Hands where I can combine the aircraft with a dramatic sky and plenty of period landscape detail.”

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