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Mustangs over the Reich by Stephen Brown. - Military Art

Mustangs over the Reich by Stephen Brown.


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Mustangs over the Reich by Stephen Brown.

P51 Mustangs of the 336th Fighter Squadron, 4th Fighter Group range deep into the Reich in search for targets of opportunity.
Item Code : DHM2490Mustangs over the Reich by Stephen Brown. - This Edition
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PRINT Signed limited edition of 250 prints.

Image size 28 inches x 20 inches (71cm x 51cm)Artist : Stephen Brown£45 Off!Now : £80.00

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Other editions of this item : Mustangs over the Reich by Stephen Brown DHM2490
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Limited edition of 25 artist proofs. Image size 28 inches x 20 inches (71cm x 51cm)Artist : Stephen BrownAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout!£115.00VIEW EDITION...
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Limited edition giclee canvas print. noneSOLD
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Signed limited edition of 250 prints.

Five available.
Image size 28 inches x 20 inches (71cm x 51cm)Artist : Stephen Brown£90 Off!Now : £35.00VIEW EDITION...
General descriptions of types of editions :



The Aircraft :
NameInfo
MustangThe ubiquitous North American P-51 Mustang, which many consider to be the best all-around fighter of WW II, owes its origins to the British Air Ministry. Following Britains entry into WW II in 1939, the RAF was interested in purchasing additional fighter aircraft from American sources, particularly the Curtiss P-40. Curtiss, which was busy, was unable to guarantee timely delivery so the British approached North American Aviation as a possible second source for the P-40. North American chose to propose its own fighter design which would use the same Allison engine as the P-40. Utilizing new laminar flow wings, the North American fighter was expected to have performance better than the P-40. Developed in record time the new aircraft was designated as a Mustang I by the Brits, whereas the USAAF ordered two for evaluation which were designated XP-51 Apaches. Intrigued with the possibility of using this aircraft also as a dive bomber, North American proposed this to the USAAF which decided to order 500 of the P-51 aircraft to be modified for dive bombing use. Designated as the A-36 Invader, this version of the Mustang utilized dive flaps, and bomb racks under each wing. Some reinforcing of the structural members was also required because of the G-forces to be encountered in dive bombing. A-36s entered combat service with the USAAF prior to any P-51s. In early 1943 the 86th and 27th Fighter Bomber Groups of the 12th Air Force began flying A-36s out of Northern Africa. Despite some early problems with instability caused by the dive flaps, the A-36 was effective in light bombing and strafing roles. It was not, however, capable of dog fighting with German fighters, especially at higher altitudes. Despite these drawbacks one USAAF pilot, Captain Michael T. Russo, who served with the 16th Bomb Squadron of the 27th Fighter Bomber Group, was credited with five confirmed aerial victories in the A-36, thereby becoming the first mustang ace.
Artist Details : Stephen Brown
Click here for a full list of all artwork by Stephen Brown


Stephen Brown

Stephen Brown is a self-taught artist who has specialised almost exclusively in aviation subjects for the last 15 years. Building on a background as a landscape and aviation photographer, his style carefully combines both these areas of interest. Stephen’s originals in oil are in much demand and have been regularly exhibited with the prestigious Guild of Aviation Artists. Demand for his originals is high with regular commissions being undertaken for commercial and private clients as well as the RAF. For many years Stephen successfully combined a career as a professional in the IT industry with his passion for art. Recently though he has chosen to go full time as an aviation artist. Stephen says, “My interest in aviation comes both from my father, who was a designer at Westland, and from growing up in post war Britain on a diet of films like 633 Squadron and The Dambusters. I used to combine aircraft and landscape photos in the darkroom with quite convincing results - when I reached the limit of what I could do with this I turned to painting to get greater flexibility. Photography taught me much about composition, colour and contrast - drawing and brushwork skills, though, have taken a long time to develop. My favourite paintings are those like In Safe Hands where I can combine the aircraft with a dramatic sky and plenty of period landscape detail.”

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