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Night Ghost of St Trond by Iain Wyllie. - Military Art
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Night Ghost of St Trond by Iain Wyllie.


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Night Ghost of St Trond by Iain Wyllie.

The Messerschmitt Bf110-G4 of Major Heinz-Wolfgang Schnuafer Knights Cross with Oakleaves, Swords and Diamonds.
Item Code : IW0009Night Ghost of St Trond by Iain Wyllie. - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTOpen edition print.

Image size 16.5 inches x 11.5 inches (42cm x 29cm)none£6 Off!Now : £18.00

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Wolfgang Falck.
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Fritz Rumpelhardt.
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Other editions of this item : Night Ghost of St Trond by Iain Wyllie. IW0009
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINTLess than 40 of these specially signed prints available.
Great value : Value of signatures exceeds price of item!
Image size 16.5 inches x 11.5 inches (42cm x 29cm) Rumpelhardt, Fritz (signed in person)
Altner, Herbert (signed in person)
Briegleb, Walter (signed in person)
Lent, Chris (signed in person)
Dorschen, Karl (signed in person)

Signature(s) value alone : £230
£30 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £105.00VIEW EDITION...
General descriptions of types of editions :

Extra Details : Night Ghost of St Trond by Iain Wyllie.
About all editions :

A photo of an edition of the print :

The Aircraft :
NameInfo
Me110The Bf-110 grew out of Herman Gorings specifications for a multipurpose aircraft capable of penetrating deep into enemy airspace to clear the sky of enemy fighters in advance of German bomber formations. The aircraft would also be utilized as a long range interceptor, and as a ground support and ground attack bomber. The Bf-110 prototype first flew in 1936. The prototype was under powered with its Daimier Benz DB 600A engines. Several months passed before a go ahead was given for large scale production which commenced in 1938. Utilizing improved DB 601 engines, the early production 110s were as fast as any single engine fighter at that time, and had superior fire power. Their biggest apparent weakness was in the areas of armor protection for the crew, and in terms of maneuverability when compared to single seat fighters. The 110 was produced in large numbers and in many different variants. The 110D was the long range model. An additional belly tank was fitted to that aircraft, with several later variants having the more traditional drop tanks. The first serious test for the Bf-110 came during the Battle of Britain. About 300 Bf-110s were involved. They became easy prey for Hurricane and Spitfire pilots, and Bf-109s were often required to assist the 110s in their own defense. On August 15, 1940, which became known as Black Tuesday, the Bf-110s were ravaged by the RAF, and for the month over 100 aircraft were lost. On the Eastern Front the Bf-110 performed admirably in the early stages of Operation Barbarossa. With the Soviet Air Force weakened in the first several weeks of the attack, 110s were effectively utilized in a ground attack role. Ultimately, the Luftwaffe re-equipped a significant number of its 110s as night fighters. The aircraft performed well in this role because it was a good gun platform with sufficient speed to overtake the RAF night bombers. Such night missions were typically carried out with no Allied fighter escort, so the 110 night fighters would not have to engage or elude Allied fighters in this role.
Artist Details : Iain Wyllie
Click here for a full list of all artwork by Iain Wyllie

Iain Wyllie

Having been trained in Naval Architecture and having a strong interest in saling ships, Iain's first subjects were the famous clipper ships and beautiful seascapes. His first efforts at aircraft painting were produced for painting competitions when he was a member of the Royal Observer Corps. Amongst his collection he still has a painting of a Gloster Javelin which won him the first of many competitions back in the 1960's. During the 1970's Iain perfected the art of airbrush painting and as a result became more and more recognised as on of the UK's finest artists, which finally led Iain into becoming a full time aviation airbrush artist producing over 80 cover paintings for the famous Osprey series of aviation books, as well as many private commissions.

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