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Bristol Blenheim by Tim Fisher (GS) - Military Art
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Bristol Blenheim by Tim Fisher (GS)


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Bristol Blenheim by Tim Fisher (GS)

Item Code : DHM1221GSBristol Blenheim by Tim Fisher (GS) - This EditionAdd any two items on this offer to your basket, and the lower priced item will be half price in the checkout! Buy 1 Get 1 Half Price!
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
GICLEE
CANVAS
Limited edition of 50 giclee canvas prints. Image size 20 inches x 14 inches (51cm x 36cm)Artist : Tim Fisher
on separate certificate
£250.00

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Other editions of this item : Bristol Blenheim by Tim Fisher.DHM1221
TYPEEDITION DETAILSSIZESIGNATURESOFFERSYOUR PRICEPURCHASING
PRINT Signed limited edition of 500 prints. Image size 20 inches x 14 inches (51cm x 36cm)Artist : Tim Fisher£10 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £90.00VIEW EDITION...
ARTIST
PROOF
Limited edition of 50 artist proofs. Image size 20 inches x 14 inches (51cm x 36cm)Artist : Tim Fisher£15 Off!Add any two items on this offer to your basket, and the lower priced item will be half price in the checkout!Now : £125.00VIEW EDITION...
General descriptions of types of editions :



Extra Details : Bristol Blenheim by Tim Fisher (GS)
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Detail Images :



The Aircraft :
NameInfo
BlenheimThe Bristol Blenheim, the most plentiful aircraft in the RAFs inventory when WWII began, was designed by Frank Barnwell, and when first flown in 1936 was unique with its all metal monoplane design incorporating a retractable undercarriage, wing flaps, metal props, and supercharged engines. A typical bomb load for a Blenheim was 1,000 pounds. In the early stages of the war Blenheims were used on many daylight bombing missions. On the day that war was declared on Germany, a Blenheim piloted by Flying Officer Andrew McPherson was the first British aircraft to cross the German coast and the following morning 15 Blenheims from three squadrons set off on one of the first bombing missions The Blenheim units operated throughout the battle, often taking heavy casualties, although they were never accorded the publicity of the fighter squadrons. The Blenheim units raided German occupied airfields throughout July to December 1940, both during daylight hours and at night. Although most of these raids were unproductive, there were some successes; on 1 August five out of 12 Blenheims sent to attack Haamstede and Evere (Brussels) were able to bomb, destroying or heavily damaging three Bf 109s of II./JG 27 and apparently killing a Staffelkapitän identified as Hauptmann Albrecht von Ankum-Frank. Two other 109s were claimed by Blenheim gunners. Another successful raid on Haamstede was made by a single Blenheim on 7 August which destroyed one 109 of 4./JG 54, heavily damaged another and caused lighter damage to four more. There were also some missions which produced an almost 100% casualty rate amongst the Blenheims. One such operation was mounted on 13 August 1940 against a Luftwaffe airfield near Aalborg in north-western Denmark by 12 aircraft of 82 Squadron. One Blenheim returned early (the pilot was later charged and due to appear before a court martial, but was killed on another operation); the other 11, which reached Denmark, were shot down, five by flak and six by Bf 109s. Blenheim-equipped units had been formed to carry out long-range strategic reconnaissance missions over Germany and German-occupied territories, as well as bombing operations. In this role, the Blenheims once again proved to be too slow and vulnerable against Luftwaffe fighters and they took constant casualties While great heroism was displayed by the air crews, tremendous losses were sustained during these missions. The Blenhiem was easy pickings at altitude for German Bf-109 fighters who quickly learned to attack from below. To protect the vulnerable bellies of the Blenheims many missions were shifted to low altitude, but this increased the aircrafts exposure to anti-aircraft fire. In the German night-bombing raid on London on 18 June 1940, Blenheims accounted for five German bombers, thus proving that they were better-suited for night fighting. In July, No. 600 Squadron, by then based at RAF Manston, had some of its Mk IFs equipped with AI Mk III radar. With this radar equipment, a Blenheim from the Fighter Interception Unit (FIU) at RAF Ford achieved the first success on the night of 2–3 July 1940, accounting for a Dornier Do 17 bomber. More successes came, and before long the Blenheim proved itself invaluable as a night fighter. One Blenheim pilot, Squadron Leader Arthur Scarf, was posthumously awarded the Victoria Cross for an attack on Singora, Thailand, on 9 December 1941. Another bomber of No. 60 Squadron RAF was credited with shooting down Lt Col Tateo Katō's Nakajima Ki-43 fighter and badly damaging two others in a single engagement on 22 May 1942, over the Bay of Bengal. Katō's death was a severe blow to the Imperial Japanese Army Air Force.
Artist Details : Tim Fisher
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Tim Fisher

Tim has won numerous awards for his artwork including the Daler-Rowney front page competition and the Leicestershire Pastel Society Gadsby prize. He was also shortlisted from 12, 000 entrants for the first Daily Mail NOT the Turner Prize competition. Tim is probably best known for his military fine art and sporting prints. Whenever possible he collects his own reference material by observation, field sketches, and taking photographs. His work is a composite of all these plus a remarkable use of light and colour to produce intriguing and inviting images. His diligent work and ongoing desire to improve his work are certainly paying off as numerous examples of his work has been selected and published as fine art prints. In March 2006 Tim held a successful one man show at the Barbican Centre, London. He is also a regular contributor to the Leisure Painter magazine where he shares his wide ranging skill and knowledge of art with an attentive audience. He has also developed his own pastel surface Fisher400 art paper after becoming disappointed with what was available in the market place. This new surface is proving very popular amongst the art community, with numerous professional artists using it as their main choice of surface.

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